Ann Kingsolver presents stories people have tole about NAFTA - young people and old, urban and rural, with differing political perspectives, occupations, and other markers of identity - that demonstrate their expectations and imaginations of the sweeping trade agreement. NAFTA. Kingsolver contends, both before and after its passage, became a catch-all in public discourse for tensions related to neoliberal policies and to economic and cultural processes of globalization. The storytellers in her book, from Mexico, Kentucky, and California, imagined the meaning and possible effects of regional integration on topics ranging from agriculture, to the stereotyping of workers, to national sovereignty and identity. NAFTA became invested with possibilities far beyond the scope of its literal provisions. Kingsolver analyzes the metaphorical meanings attributed to NAFTA, whether a giant truck in your rear-view mirror(in Ralph Nader's words) or a panacea for what they tell us about the changing relationship between national governments and their publics. She finds that, rather than strengthening national authority, the passage of NAFTA led to intense public questioning and deep political divi
Situated between the foothills of Appalachia to the east and bluegrass country to the west, Nicholas County has been home to small tobacco farms in rural Kentucky for the past 200 years. But now, in the midst of tremendous economic changes generated by the movement of both textile jobs and tobacco production to other countries, residents of Nicholas County face an uncertain future. Based on twenty-five years of research, Kingsolvers longitudinal ethnography of Nicholas County, her home community, synthesizes geographical, historical, economic, and political processes that have shaped lifeways and worldviews. She documents the perspectives of farmers, factory workers, politicians, those pursuing new niches in the labor market, and middle school students in search of alternative futures. Countering stereotypes, Kingsolver emphasizes the skills and agency of rural residents and demonstrates how people in widely dispersed and seemingly isolated communities in the world are connected through capitalist logic and practice, thereby illuminating globalizations far-reaching effects.
Charming and classically handsome, John Gilbert (1897--1936) was among the world's most recognizable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies. A dramatic and interesting personality, Gilbert served as one of the primary inspirations for the character of George Valentin in the Academy Award--winning movie The Artist (2011). Many myths have developed around the larger-than-life star in the eighty years since his untimely death, but this definitive biography sets the record straight. Eve Golden separates fact from fiction in John Gilbert: The Last of the Silent Film Stars, tracing the actor's life from his youth spent traveling with his mother in acting troupes to the peak of fame at MGM, where he starred opposite Mae Murray, Norma Shearer, Joan Crawford, Greta Garbo, and other actresses in popular films such as The Merry Widow (1925), The Big Parade (1925), Flesh and the Devil (1926), and Love (1927). Golden debunks some of the most pernicious rumors about the actor, including the oft-repeated myth that he had a high-pitched, squeaky voice that ruined his career. Meticulous, comprehensive, and generously illustrated, this book provides a behind-the-scenes look at one of the silent era's greatest stars and the glamorous yet brutal world in which he lived.
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