At the opening of this volume, suffragists hoped to speed passage of a sixteenth amendment to the Constitution through the creation of Select Committees on Woman Suffrage in Congress. Congress did not vote on the amendment until January 1887. Then, in a matter of a week, suffragists were dealt two major blows: the Senate defeated the amendment and the Senate and House reached agreement on the Edmunds-Tucker Act, disenfranchising all women in the Territory of Utah.
The second volume in the six-volume series documenting the accomplishments of the two most famous American suffragists. Featured in Ken Burns's new documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony
Volume 6, An Awful Hush, is about reformers trained “in the school of anti-slavery” trying to practice their craft in the age of Jim Crow and a new American Empire. It recounts new challenges to “an aristocracy of sex,” whether among bishops of the Episcopal church, voters in California, or trustees of the University of Rochester. And it sends last messages about woman suffrage. As Stanton wrote to Theodore Roosevelt on the day before she died, “Surely there is no greater monopoly than that of all men, in denying to all women a voice in the laws they are compelled to obey.”
The second volume in the six-volume series documenting the accomplishments of the two most famous American suffragists. Featured in Ken Burns's new documentary Not for Ourselves Alone: The Story of Elizabeth Cady Stanton and Susan B. Anthony
A “sparkling” novel of love and loss from the bestselling author of Kitchen Yarns, “one of the best young writers in the world of contemporary fiction” (Booklist). Libby Harper, unsatisfied with her suburban life, abandons Massachusetts, her two teenage children, and Tom, her husband of eighteen years. Depressed and feeling trapped, she is determined to realize her fantasies of Hollywood fame before it is too late. Dana has been expecting her mother to walk out for years. Her older brother, Troy, who is always in trouble, has been struggling to get his mother’s attention for most of his life. But it is Tom, their father, who is hit the hardest. Once, he and Libby were the most beautiful couple in town. Rudderless without the woman he has loved since ninth grade, he is a man drowning when Renata Handy enters their lives. Renata has left Manhattan behind to return home with her terminally ill eight-year-old daughter. She finds an unexpected haven with Tom Harper, her high-school crush—and his shattered family. A Literary Guild selection, Places to Stay the Night is a story of the dreams we leave behind . . . and the ways we can find ourselves again.
California is a region of rich geographic and human diversity. The Elusive Eden charts the historical development of California, beginning with landscape and climate and the development of Native cultures, and continues through the election of Governor Gavin Newsom. It portrays a land of remarkable richness and complexity, settled by waves of people with diverse cultures from around the world. Now in its fifth edition, this up-to-date text provides an authoritative, original, and balanced survey of California history incorporating the latest scholarship. Coverage includes new material on political upheavals, the global banking crisis, changes in education and the economy, and California's shifting demographic profile. This edition of The Elusive Eden features expanded coverage of gender, class, race, and ethnicity, giving voice to the diverse individuals and groups who have shaped California. With its continued emphasis on geography and environment, the text also gives attention to regional issues, moving from the metropolitan areas to the state's rural and desert areas. Lively and readable, The Elusive Eden is organized in ten parts. Each chronological section begins with an in-depth narrative chapter that spotlights an individual or group at a critical moment of historical change, bringing California history to life.
Ever stumble when choosing between "who" and "whom," "affect" and "effect," "lay" and "lie"? Are you worried that how you speak or write is holding you back at work? Do you fear you're making frequent conversational errors, but just aren't sure what's correct? How you use language tells people a good deal about who you are, how you think, and how you communicate. Making simple errors in written and spoken English can make you seem less sophisticated, even less intelligent, than you really are. And that can affect (not effect) your relationships, your friendships, and even your career. This comprehensive, easy-to-use reference is a program designed to help you identify and correct the most common errors in written and spoken English. After a short and simple review of some basic principles, When Bad Grammar Happens to Good People is organized in the most useful way possible--by error type, such as "Problem Pronouns" or "Mixing up Words that Sound the Same." You choose how to work your way through, either sequentially or in the order most relevant to you. Each unit contains tests at the end to help you reinforce what you've learned. Best of all, the information is presented in a clear, lively, and conversational style--this is not your eighth-grade grammar textbook! Ann Batko is a business communications expert and former executive editor of Rand McNally & Company. She has trained numerous advertising, marketing, and publishing executives how to be effective writers and presenters. Edward Rosenheim is the David B. and Clara E. Stern Professor Emeritus, in the Department of English Language and Literature at the University of Chicago, where he taught for 42 years. For 20 years, he was the editor of the prestigious journal Modern Philology.
Over the last few decades, television programs have attempted to depict some of the more troubling elements of society with a more conscientious approach. Issues that networks were once reluctant to broadcast—such as sexual abuse, sexual assault, and rape—have become frequent plot points for many popular shows. Narratives that portray important social issues could potentially affect the ways individual viewers understand such incidents in the real world, so it is important to pay close and critical attention to the stories about rape that are broadcast to mass audiences. In Assault on the Small Screen: Representations of Sexual Violence on Prime Time Television Dramas, Molly Ann Magestro examines the ways in which police and legal dramas on network and cable channels portray rape narratives. In this discussion, the author focuses on eight successful shows—NCIS, Criminal Minds, CSI, The Closer, Rizzoli & Isles, Dexter, Law and Order: Special Victims Unit, and The Good Wife. Each chapter offers a close reading and analysis of how one or more of the shows represent rape narratives and rape victims in ways that more or less address feminist understandings of rape and rape culture. The arguments in each chapter explore the specific narrative content of individual series rather than a single critical approach. Each of the eight shows considered within the book is the focus of its own argument, as the representations of rape narratives on television are as complex as issues surrounding rape can be in the real world. In a time when rape narratives are frequently making headlines, taking the time to examine and understand the messages broadcast by a medium as ubiquitous as television serves an important role in developing an understanding of rape culture. A significant step toward this understanding, Assault on the Small Screen will be of interest to scholars of film and television, media studies, gender studies, criminology, and sociology.
Their Place Inside the Body-Politic is a phrase Susan B. Anthony used to express her aspiration for something women had not achieved, but it also describes the woman suffrage movement’s transformation into a political body between 1887 and 1895. This fifth volume opens in February 1887, just after the U.S. Senate had rejected woman suffrage, and closes in November 1895 with Stanton’s grand birthday party at the Metropolitan Opera House. At the beginning, Stanton and Anthony focus their attention on organizing the International Council of Women in 1888. Late in 1887, Lucy Stone’s American Woman Suffrage Association announced its desire to merge with the national association led by Stanton and Anthony. Two years of fractious negotiations preceded the 1890 merger, and years of sharp disagreements followed. Stanton made her last trip to Washington in 1892 to deliver her famous speech “Solitude of Self.” Two states enfranchised women—Wyoming in 1890 and Colorado in 1893—but failures were numerous. Anthony returned to grueling fieldwork in South Dakota in 1890 and Kansas and New York in 1894. From the campaigns of 1894, Stanton emerged as an advocate of educated suffrage and staunchly defended her new position.
When Juliette Kinzie first visited Chicago in 1831, it was anything but a city. An outpost in the shadow of Fort Dearborn, it had no streets, no sidewalks, no schools, no river-spanning bridges. And with two hundred disconnected residents, it lacked any sense of community. In the decades that followed, not only did Juliette witness the city’s transition from Indian country to industrial center, but she was instrumental in its development. Juliette is one of Chicago’s forgotten founders. Early Chicago is often presented as “a man’s city,” but women like Juliette worked to create an urban and urbane world, often within their own parlors. With The World of Juliette Kinzie, we finally get to experience the rise of Chicago from the view of one of its most important founding mothers. Ann Durkin Keating, one of the foremost experts on nineteenth-century Chicago, offers a moving portrait of a trailblazing and complicated woman. Keating takes us to the corner of Cass and Michigan (now Wabash and Hubbard), Juliette’s home base. Through Juliette’s eyes, our understanding of early Chicago expands from a city of boosters and speculators to include the world that women created in and between households. We see the development of Chicago society, first inspired by cities in the East and later coming into its own midwestern ways. We also see the city become a community, as it developed its intertwined religious, social, educational, and cultural institutions. Keating draws on a wealth of sources, including hundreds of Juliette’s personal letters, allowing Juliette to tell much of her story in her own words. Juliette’s death in 1870, just a year before the infamous fire, seemed almost prescient. She left her beloved Chicago right before the physical city as she knew it vanished in flames. But now her history lives on. The World of Juliette Kinzie offers a new perspective on Chicago’s past and is a fitting tribute to one of the first women historians in the United States.
Using the image of knots that are hard, and sometimes impossible, to untie, Ann Ulanov circles around the psychic dilemmas that entangle us, sometimes for decades. These can be heartrending to us and destructive to others, even to those we love. Yet these knots, so peculiarly our own, also open onto human problems we share with others, even across the ages. Hence working on our knots takes us far down to taproots of energy and far up and out to bring that vital aliveness into shared existence with others. Knots thus comprise a ladder, offering footholds and handholds, for descending and ascending between what Jung calls Below and Above, human and divine. What are such knots? What to do when forgiveness does not happen? What to do with the inferiority of the inferior function? With the question of how much lightning can we stand? With the perils of individuation? These are just a few examples from the essays in this book. The reader is invited to browse the essays according to personal interest or to read straight through. The surprise is that these vexing knots that tie us up and hold us down also give us a mooring; they bind us to a path that is uniquely our own that can bear the fruit of our service to others and to the surrounding whole.
First published in 1968. Richard Hengist Horne, virtually unknown today, was one of the more extraordinary figures of the nineteenth century literary scene. The author of an epic poem Orion was acclaimed a work of genius by almost every English critic. His voluminous literary output is for the most part forgotten, but his life and character, his widely romantic aspirations to be a Man of Genius, provide a fascinating tragi-comic study. As a background study to the literature and society of the time, Ann Blainey’s book is packed with interest and anecdote, and as a study of a remarkable man it is consistently entertaining.
Over the years the representation of medical personnel has varied from heroes to villains, madmen to bumbling boobs, money grubbers to humanitarians, and compassionate savers to aloof snobs. This comprehensive resource documents all significant appearances of health professionals on film or television.
Adolescence is a unique developmental period characterized by a time of dramatic physical and psychological changes. It is important for emerging professionals and trainees who wish to work with youth to be familiar with the developmental issues and current trends in substance use and co-existing mental disorders. Adolescent Co-Occurring Substance Use and Mental Health Disorders is a comprehensive and clinically-oriented resource aimed at students seeking a degree or certificate as an addiction counselor, as well as early-career professionals. The text is broken into three sections: adolescent development (covering physical and psychosocial development), comorbid disorders (such as externalizing and internalizing disorders and addictions), and interventions and treatment (featuring cognitive behavioral therapy, dialectic behavior therapy, and motivational enhancement therapy, among others). Each chapter includes side-bar points of interest, summary highlights, discussion questions, recommendations for further reading, and learner's test questions. Several chapters include case vignettes. This vital resource will be a must-have for trainees in social work, counseling, and psychology, as well as service providers.
This book explores the evolution of audience receptions of Peter Jackson’s Hobbit trilogy (2012-14) as an exemplar of the contemporary blockbuster event film franchise. Drawing on findings from a unique cross-cultural and longitudinal study, the authors argue that processes and imperatives associated with Hollywood ‘blockbusterisation’ shaped the trilogy’s conditions of production, format, content, and visual aesthetic in ways that left many viewers progressively disenchanted. The chapters address public and private prefigurations of the Hobbit trilogy, modes of reception, new cinematic technologies and the Hobbit hyperreality paradox, gender representations, adaptation and the transformation of cinematic desire, and the role of social and cultural location in shaping audience engagement and response. This book will appeal to audience researchers, Q methodologists, scholars and students in film and media studies, Tolkien scholars, and Hobbit fans and critics alike.
In today's business word, where resources are strained; stress has become a way of life and every organisation is trying to do more with less on a daily basis, it is clear we cannot work in the cumbersome, hierarchical, parent/child ways of the past. Many organisations have tried to hand over day-to-day decision making to employees; some have even experimented with self-managed teams. Unfortunately the results have been underwhelming at best, a nightmare at worst.
The portrayal of clergy, saints, missionaries, monks, and other spiritual leaders dates back to the very beginnings of motion pictures and television. Over the years, filmmakers have portrayed religious figures as heroes and villains, sinners and saints, and nearly everything in between. Through their works, filmmakers have influenced how society viewed these religious figures and, by extension, religion itself. This work details over 900 films and television series made from the 1890s through 2003 in which a religious figure plays a prominent or recurring role, or in which a character poses as a religious figure. For each motion picture, full filmographic data are provided--including title, studio, running time, year of release, director, producer, writer, and cast--along with a synopsis focusing on the role of the religious figure. Television series are covered in a separate section. For each show, the entry includes the title under which the show was commonly known; the original broadcast network; the years the show ran, running time, and cast; and a brief discussion of the religious character's role in the overall series. Extensively indexed.
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