2023 Spur Award Winner * Historical Novel Society Editor's Pick "Appealing characters match satisfying puzzles. Historical fans will be delighted." —Publishers Weekly Sometimes you can't keep your gown out of the gutter... Inez Stannert has reinvented herself—again. Fleeing the comfort and wealth of her East Coast upbringing, she became a saloon owner and card sharp in the rough silver boomtown of Leadville, Colorado, always favoring the unconventional path—a difficult road for a woman in the late 1800s. Then the teenaged daughter of a local prostitute is orphaned by her mother's murder, and Inez steps up to raise the troubled girl as her own. Inez works hard to keep a respectable, loving home for Antonia, carefully crafting their new life in San Francisco. But risk is a seductive friend, difficult to resist. When a skeleton tumbles from the wall of her latest business investment, the police only seem interested in the bag of Civil War-era gold coins that fell out with it. With her trusty derringer tucked in the folds of her gown, Inez uses her street smarts and sheer will to unearth a secret that someone has already killed to keep buried. The more she digs, the muddier and more dangerous things become. She enlists the help of Walter de Brujin, a local private investigator with whom she shares some history. Though she wants to trust him, she fears that his knowledge of her past, along with her growing attraction to him, may well blow her veneer of respectability to bits—that is, if her dogged pursuit of the truth doesn't kill her first.
Stacey's parents are getting a divorce. Stacey is sad and angry, and she has a big decision to make--stay in New York with her father, or move back to Stoneybrook with her mother.
Betrayal, revenge, and murder take their seats at an anniversary table. Thirteen guests toast their Sicilian-American hosts, Dante and Lisa Santangelo, as a communion-like Chianti and homemade focaccia suddenly turn bitter on their palates. With cries for help frozen on their faces, all thirteen guests are inexplicably silenced forever. Dante and Carlo Santangelo are left orphaned when their parents are murdered by a local Mafioso Don. The two boys grow into men with different values and personalities. Dante is a charmer who wants revenge on his parents’ murderers. Carlo is the gentle giant and family protector who wants to recapture the simple life he cherished as a child. When the Japanese attack Pearl Harbor, Carlo immediately enlists in the military while Dante operates the family pizzeria, sending the brothers down different paths—one to serve and one to seek revenge. As Carlo leaves for battle, he makes one request of Dante: to look after his girlfriend. But neither man has any idea of what lies ahead as the war unfolds and life comes full circle to reveal their destinies. Last Supper at Mona Lisa’s shares the gripping story of two Sicilian-American men orphaned after their parents are murdered by a Mafioso as one fights for his country and the other plots his revenge.
Since its original publication in 1987, Like a Family has become a classic in the study of American labor history. Basing their research on a series of extraordinary interviews, letters, and articles from the trade press, the authors uncover the voices and experiences of workers in the Southern cotton mill industry during the 1920s and 1930s. Now with a new afterword, this edition stands as an invaluable contribution to American social history. "The genius of Like a Family lies in its effortless integration of the history of the family--particularly women--into the history of the cotton-mill world.--Ira Berlin, New York Times Book Review "Like a Family is history, folklore, and storytelling all rolled into one. It is a living, revelatory chronicle of life rarely observed by the academe. A powerhouse.--Studs Terkel "Here is labor history in intensely human terms. Neither great impersonal forces nor deadening statistics are allowed to get in the way of people. If students of the New South want both the dimensions and the feel of life and labor in the textile industry, this book will be immensely satisfying.--Choice
Princess Charlotte and Prince Leopold, 1816 As Princess Charlotte prepares to marry Prince Leopold, her most trusted lady, Isabelle Fenwick, must remain chaste and beyond scandal. Yet she has never forgotten darkly handsome Count Nikkolae Grazinsky and the kiss he stole... She later discovered the Russian had only used her for a wager, so why does he still seek her company? And why does the air tingle with anticipation when they are together? Surely this rake cannot be thinking of following Prince Leopold's example and making a love-match?
Civic culture is a means for understanding how municipal policy-makers weigh the interests of different groups, govern the local community, frame local goals, engage in decision-making, and ultimately select and implement public policies. This book explores the nature of civic culture in cities in the US and Canada.
Forgotten Wives examines how marriage has contributed to the active ‘disremembering’ of women’s achievements. Ann Oakley uses case studies of four women married to well-known men to ask questions about gender inequality and contributes a fresh vision of how the welfare state developed in the early 20th century.
Taboo is about Amanda Marie Collins, who thought she found the perfect man until her world started falling apart and the pounds started coming. Why doesn’t he love me she cried to her cousin on the phone. This ended when Amanda met Anthony. Amanda and Anthony is playing a dangerous game of Taboo that could bring both their worlds tumbling down.
From novels of the nineteenth century to films of the 1990s, American culture, abounds with images of white, middle-class mothers. In Motherhood and Representation, E. Ann Kaplan considers how the mother appears in three related spheres: the historical, in which she charts changing representations of the mother from 1830 to the postmodernist present; the psychoanalytic, which discusses theories of the mother from Freud to Lacan and the French Feminists; and the mother as she is figured in cultural representations: in literary and film texts such as East Lynne, Marnie and the The Handmaid's Tale, as well as in journalism and popular manuals on motherhood. Kaplan's analysis identifies two dominant paradigms of the mother as `Angel' and `Witch', and charts the contesting and often contradictory discourses of the mother in present-day America.
Royce Westmoreland, the Earl of Pembridge, rescues lovely Fiona Danbury from her overturned coach, inadvertently thrusting her into a world far different from the normally calm, ordered life of a vicar's daughter. Fiona is hardly prepared for the glittering hustle and bustle of London, nor for her helpless attraction to the handsome earl. While Fiona struggles to adapt to her new life, a disgruntled nobleman suddenly kidnaps her, holding Fiona prisoner in the bowels of an ancient castle. Within the keep lies a secret, a treasure beyond compare for those bold enough to reach into the past and claim the wealth of the ages. Come and be swept away in this compelling tale of glamour and sacrifice, friendship, treachery and love.
It's the biggest crime in Stoneybrook history--one of the town's mansions is missing! Kristy & Co. are hot on the trail of the Cat Burglar, who left his sign at the scene of the crime.
The untold story of the innovative pioneers who helped make movies the preeminent art form of the twentieth century. The founders of the now infamous Academy were a motley crew as individuals, but when they first converged in Hollywood, then just a small town with dirt roads, sparks flew and fueled a common dream: to bring artistic validity to their beloved new medium. Who were these movers and shakers who would change movies forever? And what about Oscar, their famous son? He is fast approaching his hundredth birthday and is still the undisputed king of Hollywood. Yet with such dynamic parents, what else could we expect?
The modern fantasy novel might hardly seem to need a defence, but its position in contemporary literature in the 1980s was still rather ambivalent. Many post-war writers had produced highly successful fantasy novels, some phenomenal publishing successes had occurred in the field, and an increasing number of universities throughout the English-speaking world now included the literary criticism of fantasy as part of their English Literature courses. None the less some critics and academics condemned the whole genre with a passion that seemed less than objectively critical. In this book, originally published in 1984, Dr Ann Swinfen presents a wide-ranging and comprehensive view of fantasy: what it is, what it tries to achieve, what fundamental differences distinguish it from mainstream realist fiction. She concentrates on the three decades from 1945, when a new generation of writers found that Tolkein had made fantasy ‘respectable’. Her approach is thematic, rather than by individual author, and she brings out the profound moral purpose that underlies much modern fantasy, in a wide range of works, both British and American, such as Russell Hoban’s The Mouse and His Child, C.S. Lewis’s Chronicles of Narnia and Ursula Le Guin’s Earthsea Trilogy.
Untold thousands of black North Carolinians suffered or died during the Jim Crow era because they were denied admittance to white-only hospitals. With little money, scant opportunities for professional education and few white allies, African American physicians, nurses and other community leaders created their own hospitals, schools of nursing and public health outreach efforts. The author chronicles the important but largely unknown histories of more than 35 hospitals, the Leonard Medical School and 11 hospital-based schools of nursing established in North Carolina, and recounts the decades-long struggle for equal access to care and equal opportunities for African American health care professionals.
Stacey and the Baby-Sitters investigate a spooky old house in this mystery from the classic hit series. To a New York City girl like Stacey, the fact that an old—supposedly haunted—house in Stoneybrook is being torn down is no big deal. But then her friend Kristy discovers the house was built on a graveyard, and when Stacey sees a horrible face in one of the windows, she wonders if the house really could be haunted! The best friends you’ll ever have—with classic BSC covers and a letter from Ann M. Martin!
Being the True Story of how Three Motherless Sisters Saved Their Home in New England and Raised Their Younger Brother While Their Father Went Fortune Hunting in the California Gold Rush
Being the True Story of how Three Motherless Sisters Saved Their Home in New England and Raised Their Younger Brother While Their Father Went Fortune Hunting in the California Gold Rush
Uses more than 350 letters to reconstruct the lives of a trio of sister whose father, a U.S. Congressman from New Hampshire, left them in 1850 for the Gold Rush.
From the legendary poet Oisin to modernist masters like James Joyce, William Butler Yeats, and Samuel Beckett, Ireland's literary tradition has made its mark on the Western canon. Despite its proud tradition, the student who searches the shelves for works on Irish women's fiction is liabel to feel much as Virginia Woolf did when she searched the British Museum for work on women by women. Critic Nuala O'Faolain, when confronted with this disparity, suggested that "modern Irish literature is dominated by men so brilliant in their misanthropy... [that] the self-respect of Irish women is radically and paradoxically checkmated by respect for an Irish national achievement." While Ann Owen Weekes does not argue with the first part of O'Faolain's assertion, she does with the second. In Irish Women Writers: An Uncharted Tradition, she suggests that it is the critics rather than the writers who have allowed themselves to be checkmated. Beginning with Maria Edgeworth's Castle Rackrent (1800) and ending with Jennifer Johnston's The Railway Station (1980), she surveys the best of the Ireland's female literature to show its artistic and historic significance and to demonstrate that it has its own themes and traditions related to, yet separate from, that of male Irish writers. Weekes examines the work of writers like E.OE. Sumerville and Martin Ross (pen names for cousins Edith Somerville and Violet Martin), Elizabeth Bowen, Kate O'Brien, Mary Lavin, and Molly Keane, among others. She teases out the themes that recur in these writers' works, including the link between domestic and political violence and re-visioning of traditional stories, such as Julia O'Faolain's use of the Cuchulain and Diarmuid and Grainne myths to reveal the negation of women's autonomy. In doing so, she demonstrates that the literature of Anglo- and Gaelic-Irish women presents a unified tradition of subjects and techniques, a unity that might become an optimistic model not only for Irish literature but also for Irish people.
The hit series returns to charm and inspire another generation of baby-sitters! Kristy, Claudia, Mary Anne, and Stacey try to be prepared for anything when they baby-sit. So when they hear about the Phantom Caller, a jewel thief who's been breaking into nearby homes, they come up with a plan to keep their kids safe.But when Claudia and the other girls start receiving creepy phone calls while they're out on jobs, they start to get really spooked. Will the mystery caller scare off the BSC?The best friends you'll ever have--with classic BSC covers and a letter from Ann M. Martin!
When a television movie begins filming in Stoneybrook, Kristy is hired to look after Derek Masters, child actor and friend of the Club, who begins receiving threatening letters demanding he quit the project.
Edith Wharton (1862–1937), who lived nearly half of her life during the cinema age when she published many of her well-known works, acknowledged that she disliked the movies, characterizing them as an enemy of the imagination. Yet her fiction often referenced film and popular Hollywood culture, and she even sold the rights to several of her novels to Hollywood studios. Edith Wharton on Film explores these seeming contradictions and examines the relationships among Wharton’s writings, the popular culture in which she published them, and the subsequent film adaptations of her work (three from the 1930s and four from the 1990s). Author Parley Ann Boswell examines the texts in which Wharton referenced film and Hollywood culture and evaluates the extant films adapted from Wharton’s fiction. The volume introduces Wharton’s use of cinema culture in her fiction through the 1917 novella Summer, written during the nation’s first wave of feminism, in which the heroine Charity Royall is moviegoer and new American woman, consumer and consumable. Boswell considers the source of this conformity and entrapment, especially for women. She discloses how Wharton struggled to write popular stories and then how she revealed her antipathy toward popular movie culture in two late novels. Boswell describes Wharton’s financial dependence on the American movie industry, which fueled her antagonism toward Hollywood culture, her well-documented disdain for popular culture, and her struggles to publish in women’s magazines. This first full-length study that examines the film adaptations of Wharton’s fiction covers seven films adapted from Wharton’s works between 1930 and 2000 and the fifty-year gap in Wharton film adaptations. The study also analyzes Sophy Viner in The Reef as pre-Hollywood ingénue, characters in Twilight Sleep and The Children and the real Hollywood figures who might have inspired them, and The Sheik and racial stereotypes. Boswell traces the complicated relationship of fiction and narrative film, the adaptations and cinematic metaphors of Wharton’s work in the 1990s, and Wharton’s persona as an outsider. Wharton’s fiction on film corresponds in striking ways to American noir cinema, says Boswell, because contemporary filmmakers recognize and celebrate the subversive qualities of Wharton’s work. Edith Wharton on Film, which includes eleven illustrations, enhances Wharton’s stature as a major American author and provides persuasive evidence that her fiction should be read as American noir literature.
Vladimir Nabokov, one of the 20th century's greatest novelists, is particularly remembered for his masterpiece Lolita. The present work examines the enduring themes of Lolita and places the novel in its biographical, social, cultural and historical contexts. Of particular interest are questions of love in all of its manifestations, the central problem of time in the book, and memory as it is explored in fictional memoir or, in this case, the central protagonist's "confession.
The hit series is back, to charm and inspire another generation of baby-sitters! Lately, it seems like each of the Baby-sitters besides Dawn has been singled out . . . and she's a little jealous. But now it's Dawn turn to shine: Mrs. Pike has asked her to help prepare Margo and Claire for the Little Miss Stoneybrook contest!Dawn's going to do everything she can to help her charges win, even if Margo's only talent is peeling a banana with her feet. But then Kristy, Mary Anne, and Claudia are helping Karen, Myriah, and Charlotte enter the contest, too. It's hard to tell whether the competition is firecer at the pageant--or in the BSC!The best friends you'll ever have--with classic BSC covers and a letter from Ann M. Martin!
In the wake of the COVID-19 pandemic, more families than ever before are considering or reevaluating homeschooling. Lea Ann Garfias, homeschooling mom of six and herself a homeschool graduate, has all the information you need to succeed. She guides you through your toughest questions, including: Should I homeschool my kids? How do I get started? What books should I buy? What do I do in the first day? The first year? How do I know if my child is on track? If homeschooling is successful? What do I teach in each subject at every age? What is my own best way of teaching, and how can my child learn his own way? What if my child has a learning disability? What are the dangers of homeschooling, and how do I avoid them? Will homeschooling help my family draw closer to God and to each other? This complete reference guide will provide you with everything you need to successfully tackle homeschooling in your own style, filling your experience with confidence, grace, and the joy of learning.
His wolf tells him she’s his mate. But he’s afraid of one thing—that she could be his twin’s mate instead. The burdens of the Pack bonds weigh on Maddox with each passing day. As war with the Centrals escalates, so do the intensity of emotions he feels due to being their Omega. His wolf is failing, and he refuses to take his mate down with him. Ellie doesn’t care what fate says. She’s the daughter of a traitor. The sister of a monster. Now her former Pack wants revenge, and they’ll take Maddox out to make that happen. He is her mate. Her forever. And she’ll fight to the bitter end for him. Even if it means fighting to save his soul along the way. ~~~~~~~~ Read what others are saying about New York Times bestselling author, Carrie Ann Ryan: “Count on Carrie Ann Ryan for emotional, sexy, character driven stories that capture your heart!” – Carly Phillips, NY Times bestselling author “Carrie Ann Ryan’s romances are my newest addiction! The emotion in her books captures me from the very beginning. The hope and healing hold me close until the end. These love stories will simply sweep you away.” ~ NYT Bestselling Author Deveny Perry “Carrie Ann Ryan writes sexy emotional romances that'll make you cry and fan yourself from the heat, especially because of all that sexy ink.” –#1 NYT Bestselling Author Lauren Blakely “Once I started reading, I couldn’t stop! This is definitely going in my re-read pile!” –NYT Bestselling Author Susan Stoker "Carrie Ann Ryan writes the perfect balance of sweet and heat ensuring every story feeds the soul." - Audrey Carlan, #1 New York Times Bestselling Author “Carrie Ann Ryan never fails to draw readers in with passion, raw sensuality, and characters that pop off the page. Any book by Carrie Ann is an absolute treat.” – New York Times Bestselling Author J. Kenner “Carrie Ann Ryan knows how to pull your heartstrings and make your pulse pound! Her wonderful Redwood Pack series will draw you in and keep you reading long into the night. I can’t wait to see what comes next with the new generation, the Talons. Keep them coming, Carrie Ann!” –Lara Adrian, New York Times bestselling author of CRAVE THE NIGHT "With snarky humor, sizzling love scenes, and brilliant, imaginative worldbuilding, The Dante's Circle series reads as if Carrie Ann Ryan peeked at my personal wish list!" – NYT Bestselling Author, Larissa Ione "Carrie Ann Ryan writes sexy shifters in a world full of passionate happily-ever-afters." – New York Times Bestselling Author Vivian Arend “Carrie Ann’s books are sexy with characters you can’t help but love from page one. They are heat and heart blended to perfection.” New York Times Bestselling Author Jayne Rylon Carrie Ann Ryan's books are wickedly funny and deliciously hot, with plenty of twists to keep you guessing. They'll keep you up all night!” USA Today Bestselling Author Cari Quinn "Once again, Carrie Ann Ryan knocks the Dante's Circle series out of the park. The queen of hot, sexy, enthralling paranormal romance, Carrie Ann is an author not to miss!" New York Times bestselling Author Marie Harte Read the Entire Redwood Pack Series: An Alpha’s Path A Taste for a Mate Trinity Bound A Night Away Enforcer’s Redemption Blurred Expectations Forgiveness Shattered Emotions Hidden Destiny A Beta’s Haven Fighting Fate Loving the Omega The Hunted Heart Wicked Wolf ___ Topics: Wolf, Werewolf, Shifter, Romance, Series, Fantasy, Paranormal, Dominant, Paranormal Series, werewolf romance, shapeshifter romance, fantasy romance, alpha male, series and saga, magic, witch, demon, sexy, heartwarming, heart-warming, family, love, love books, kissing books, emotional journey, contemporary, contemporary romance, romance series, long series, long romance series, sassy, strong heroine, captivating romance, hot, hot romance, forbidden love, sparks, loyalty, swoon rescue, kidnap, claiming, defending, protect Other readers of Carrie Ann Ryan’s books enjoyed books by: Kate Rudolph Felicity Heaton, JR Ward, Kresley Cole, Nalini Singh, Thea Harrison, Ilona Andrews, Jennifer L Armentrout, Lynsay Sands, Grace Goodwin, Lora Leigh, Jessie Donovan, Shelly Laurenston, Donna Grand, Mandy M Roth, NJ Walters, Abigail Owen, and Eve Langlias.
In this innovative analysis of canonical British novels, Campbell identifies a new literary device—the surrogate family—as a signal of cultural anxieties about young women’s changing relationship to matrimony across the long eighteenth century. By assembling chosen families rather than families of origin, Campbell convincingly argues, female protagonists in these works compensate for weak family ties, explore the world and themselves, prepare for idealized marriages, or sidestep marriage altogether. Tracing the evolution of this rich convention from the female characters in Defoe’s and Richardson’s fiction who are allowed some autonomy in choosing spouses, to the more explicitly feminist work of Haywood and Burney, in which connections between protagonists and their surrogate sisters and mothers can substitute for marriage itself, this book makes an ambitious intervention by upending a traditional trope—the model of the hierarchal family—ultimately offering a new lens through which to regard these familiar works.
The hit series is back, to charm and inspire another generation of baby-sitters! Jessi is honored--and surprised--when she's asked to participate in a synchronized swimming competition. Sure, Jessi knows ballet. But water ballet is a different story. All that swimming is hard work!Jessi and her partner practice their routines over and over again. Everyone--especially the Baby-sitters--is expecting them to win the gold. But Jessi's not so sure she can do it . . .The best friends you'll ever have--with classic BSC covers and a letter from Ann M. Martin!
Charlotte Vance is a young woman who knows what she wants. But when the man she planned to marry joins the Shakers--a religious group that does not marry--she is left dumbfounded. And when her father brings home a new wife who is young enough to be Charlotte's sister, it is more than she can bear. With the country--and her own household--on the brink of civil war, this pampered gentlewoman hatches a plan to avoid her new stepmother and win back her man by joining the Shaker community at Harmony Hill. Little does she know that this decision will lead her down a road toward unforeseen peace--and a very unexpected love. Ann H. Gabhart brings alive the strikingly different worlds of the Southern gentry, the simple Shakers, and the ravages of war to weave a touching story of love, freedom, and forgiveness that sticks with readers long after they have turned the last page.
This book examines six Progressive Age novels of marital discord which specifically focus upon narratives of divorced and divorcing women within the context of their multivalent social and economic value on the "Marriage market.
Law Number 1: Never Fall For Your Boss! Too late, since Charlotte Evans has been secretly head over heels for Jake Hamilton ever since she started working at his family's renowned Philadelphia law firm. She's too smart to expect the die-hard bachelor to suddenly turn into Mr. Right, until he starts putting the moves—on her! Jake's prowess is legendary—in and out of the courtroom. He's never met a woman he couldn't seduce, except Charlotte Evans. Jake's lovely assistant may be the only female on the planet who sees past his playboy facade. And now Jake wants forever with the one woman he can't have. Because when it comes to love, some laws are made to be broken.
Global Crusoe travels across the twentieth-century globe, from a Native American reservation to a Botswanan village, to explore the huge variety of contemporary incarnations of Daniel Defoe's intrepid character. In her study of the novels, poems, short stories and films that adapt the Crusoe myth, Ann Marie Fallon argues that the twentieth-century Crusoe is not a lone, struggling survivor, but a cosmopolitan figure who serves as a warning against the dangers of individual isolation and colonial oppression. Fallon uses feminist and postcolonial theory to reexamine Defoe's original novel and several contemporary texts, showing how writers take up the traumatic narratives of Crusoe in response to the intensifying transnational and postcolonial experiences of the second half of the twentieth century. Reading texts by authors such as Nadine Gordimer, Bessie Head, Derek Walcott, Elizabeth Bishop, and J.M. Coetzee within their social, historical and political contexts, Fallon shows how contemporary revisions of the novel reveal the tensions inherent in the transnational project as people and ideas move across borders with frequency, if not necessarily with ease. In the novel Robinson Crusoe, Crusoe's discovery of 'Friday's footprint' fills him with such anxiety that he feels the print like an animal and burrows into his shelter. Likewise, modern readers and writers continue to experience a deep anxiety when confronting the narrative issues at the center of Crusoe's story.
In 1861, Clarissa Montgomery was beside herself with grief as her husband, Charles, prepared to enlist in the Confederate Army. Raised by her Cajun grandmother in the bayous of Louisiana, Clarissa had learned the art of black magic, spells and incantations, though never really did believe in its power. But when she could not talk Charles out of going off to war, she resorted to the next best thing—she cast a spell to keep them all safe. Little could she have known the ramifications the frivolous little rhyme she just made up on the spur of the moment would have on their lives. A century and a half later, after the sudden death of her husband, the temptation to explore the historic Shenandoah Valley of Virginia was too strong for Claire LePaige to resist. Yet the closer to Shenandoah she found herself, the more eerily familiar the area seemed. And when she stumbled upon an old, ramshackle house by the river, Claire knew she had to have it even though it was rumored to be haunted by the ghost of a Civil War soldier. The children saw him . . . tried to convince her he was real. However, Claire no more believed in ghosts than she did in reincarnation. It took a series of unexplainable coincidences for Claire’s resolve to crumble.
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