Wellsboro, the county seat of Tioga County, owes much of its vitality to dense forests, abundant wildlife, and mountainous terrain. Named by the National Park Service as a Natural Landmark in 1968, nearby Pine Creek Gorge was introduced by George Washington Sears, better known as "Nessmuk," in 1860 and later publicized as "the Grand Canyon of Pennsylvania." A weeklong Laurel Festival, organized in 1938, celebrates the canyon, the state flower, and Wellsboro. The Laurel Parade and the Laurel Queen coronation conclude the festivities each year. Wellsboro also owes its long-term prosperity to agriculture, logging, mining, and industry, all of which have contributed to the town's economic survival and growth. Corning Glass Works, a shining example of industrial innovation, made Wellsboro "the Christmas Bulb Capital of the World." Described as quaint, Wellsboro is often compared to a New England village. In addition to a row of antique gaslights lining the boulevard, the Penn-Wells Hotel, the Arcadia Theatre, and Dunham's Department Store, all of which date to the early 1900s, add to Main Street's charm, while the Green features a fountain statue of "Wynken, Blynken, and Nod.
This study argues that in eighteenth-century Britain, the public sphere was a figure of speech created by juxtaposed images of more limited, local, and particular arenas of discussion. In letters, newspapers, and books, eighteenth-century British writers described the public qualities of three different spaces: court, coffeehouse, and meeting. Writers referred to the proliferation of these social spaces, describing multiple coffeehouses, drawing rooms, and meetings, among which the customary language of each was circulated in repeated conversations and printed newspapers.These multiple references created a set of interrelated, competing, and mutually defining metaphors and figurations: figurative public spheres. Identifying the relations between these metaphors requires work in an archive that crosses the boundaries between court, coffeehouse, and Parliament, and between manuscript and print. By following figures from one medium to another, and by examining the contexts in which they were used, it is possible to see a social imaginary emerging from the juxtapositions between them. Ann C. Dean is Associate Professor of English at the University of Southern Maine.
This full-color 8th Edition covers the administrative and clinical skills medical assistants need to know to carry out their duties. The 8th Edition integrates all of the topics and skills competencies required by the American Association of Medical Assistants entry-level Medical Assisting Curriculum. It features chapter outlines and learning objectives as well as lots of pertinent information such as personal qulities, skills, responsibilities, types of patient education, and legal and ethical isues. Also included are real-life examples, quizzes and answers. A free interactive CD-Rom ispackaged in the book.
Gender in the Book of Ben Sira is a semantic analysis and, also, an investigation of hermeneutical pathways for performing such an analysis. A comparison of possible Greek and Hebrew gender taxonomies precedes the extensive delineation of the target-category, gender. The delineation includes invisible influences in the Book of Ben Sira such as the author’s choices of genre and his situation as a member of a colonized group within a Hellenistic empire. When the Book of Ben Sira’s genre-constrained invectives against women and male fools are excluded, the remaining expectations for women and for men are mostly equivalent, in terms of a pious life lived according to Torah. However, Ben Sira says nothing about distinctions at the level of how “living according to Torah” would differ for the two groups. His book presents an Edenic ideal of marriage through allusions to Genesis 1 to 4, and a substantial overlap of erotic discourse for the female figures of Wisdom and the “intelligent wife” creates tropes similar to those of the Song of Songs. In addition, Ben Sira’s colonial status affects what he says and how he says it; by writing in Hebrew, he could craft the Greek genres of encomium and invective to carry multiple levels of meaning that subvert Hellenistic/Greek claims to cultural superiority.
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