This lighthearted, witty confection of a novel is at once a captivating romance and an uproarious satire on sex and creativity An editor at a small Manhattan publishing house, Frances Girard is plagued with the curse of self-awareness. She knows she will never write a book and is resigned to living a dull, sensible life in which people like her “are not allowed to have a nervous breakdown.” But she secretly envies those with creative aspirations. When she meets Paul Treat—the man fated to change her life—the avant-garde theater director is clad only in a towel. Frances is instantly attracted to his unpredictable, larger-than-life persona. They act out scenes from plays and embark on an erotic relationship like nothing Frances has ever known. Eventually, she moves into Paul’s loft. But bit by bit, Frances starts giving up pieces of herself until very little of the woman she knew—or thought she knew—is left. Clearly, something’s got to give. The story of one woman’s transformation—and unexpected liberation—Group Sex is an effervescent romantic comedy that sparkles with wit and insight.
National Book Award winner Ann Arensberg brings readers a modern horror story about evil descending on an insular Maine town It begins with the theft of six candles from the church altar, a few herbs found strewn in the local graveyard. In the summer of 1974, the prosperous farming community of Dry Falls, Maine, is hit by a brutal heat wave. Crops fail. Drought blights once-verdant lawns. Men inexplicably lose all interest in sex, while women complain of erotic nocturnal visitations. Farm animals give birth to monstrosities. An unholy, unimaginable force is disrupting the natural order—and it seems to be specifically targeting Dry Falls. Narrated by the careful and practical Cora Whitman, wife of the town pastor, this tale of creeping strangeness quickly turns sinister. Incubus subtly builds to its shattering climax with Cora at its epicenter. Expertly interweaving themes of faith, religion, and marriage with that of the supernatural, this modern horror classic will enthrall fans of Ann Arensberg and attract a legion of new readers.
Winner of the National Book Award for Best First Novel: Ann Arensberg’s celebrated work tells a hallucinatory tale of sexual desire, jealousy, and savage love On a June night in the Berkshire Hills of Massachusetts, Marit Deym prowls her land, anxiously awaiting the arrival of the van from the Dangerfield Zoo. When it finally comes—hours late—five wolves leap out onto the sprawling wildlife refuge Marit has created. And then one night, the wolves bring a stranger to her door. A poetry instructor at a school for the blind, Gabriel Frankman lives in self-imposed exile after the death of the girl he loved. He visits her grave every weekend. He carries sunflower seeds in his backpack and his friends are the birds. Meeting the girl who keeps wolves will transform Gabriel’s life in ways he could never imagine. Haunting and lyrical, shot through with grace notes of passion and sorrow, Sister Wolf is about the power of human beings—like that of their animal brethren—to survive and endure.
Winner of the National Book Award for Best First Novel: Ann Arensberg’s celebrated work tells a hallucinatory tale of sexual desire, jealousy, and savage love On a June night in the Berkshire Hills of Massachusetts, Marit Deym prowls her land, anxiously awaiting the arrival of the van from the Dangerfield Zoo. When it finally comes—hours late—five wolves leap out onto the sprawling wildlife refuge Marit has created. And then one night, the wolves bring a stranger to her door. A poetry instructor at a school for the blind, Gabriel Frankman lives in self-imposed exile after the death of the girl he loved. He visits her grave every weekend. He carries sunflower seeds in his backpack and his friends are the birds. Meeting the girl who keeps wolves will transform Gabriel’s life in ways he could never imagine. Haunting and lyrical, shot through with grace notes of passion and sorrow, Sister Wolf is about the power of human beings—like that of their animal brethren—to survive and endure.
This lighthearted, witty confection of a novel is at once a captivating romance and an uproarious satire on sex and creativity An editor at a small Manhattan publishing house, Frances Girard is plagued with the curse of self-awareness. She knows she will never write a book and is resigned to living a dull, sensible life in which people like her “are not allowed to have a nervous breakdown.” But she secretly envies those with creative aspirations. When she meets Paul Treat—the man fated to change her life—the avant-garde theater director is clad only in a towel. Frances is instantly attracted to his unpredictable, larger-than-life persona. They act out scenes from plays and embark on an erotic relationship like nothing Frances has ever known. Eventually, she moves into Paul’s loft. But bit by bit, Frances starts giving up pieces of herself until very little of the woman she knew—or thought she knew—is left. Clearly, something’s got to give. The story of one woman’s transformation—and unexpected liberation—Group Sex is an effervescent romantic comedy that sparkles with wit and insight.
National Book Award winner Ann Arensberg brings readers a modern horror story about evil descending on an insular Maine town It begins with the theft of six candles from the church altar, a few herbs found strewn in the local graveyard. In the summer of 1974, the prosperous farming community of Dry Falls, Maine, is hit by a brutal heat wave. Crops fail. Drought blights once-verdant lawns. Men inexplicably lose all interest in sex, while women complain of erotic nocturnal visitations. Farm animals give birth to monstrosities. An unholy, unimaginable force is disrupting the natural order—and it seems to be specifically targeting Dry Falls. Narrated by the careful and practical Cora Whitman, wife of the town pastor, this tale of creeping strangeness quickly turns sinister. Incubus subtly builds to its shattering climax with Cora at its epicenter. Expertly interweaving themes of faith, religion, and marriage with that of the supernatural, this modern horror classic will enthrall fans of Ann Arensberg and attract a legion of new readers.
Featuring many rare images, an enlightening exploration of the life and work of avant-garde multihyphenate Mina Loy. Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe, and finally, Aspen until she died in 1966. Flamboyant and unapologetically avant-garde, she was a poet, painter, novelist, essayist, manifesto-writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance, and spectacular adventures in the worlds of Futurism, Christian Science, feminism, fashion, and everything modern and modernist. This new account by Mary Ann Caws explores Mina Loy’s exceptional life and features many rare images of Mina Loy and her husband, the Swiss writer, poet, artist, boxer, and provocateur Arthur Cravan—who disappeared without a trace in 1918.
The Historical Dictionary of Contemporary Art illuminates important artists, styles, and movements of the past 70 years. Beginning with the immediate post-World War II period, it encompasses earlier 20th century masters, including Pablo Picasso, Henri Matisse, Henry Moore, Alberto Giacometti, Joan Miró, Jean Dubuffet, Stuart Davis, Georgia O’Keeffe, and other well-known figures, who remained creatively productive, while also inspiring younger generations. The book covers subsequent developments, including abstract expressionism, happenings, pop art, minimalism, conceptual art, arte povera, feminist art, photorealism, neo-expressionism, and postmodernism, as well as the contributions of such artists as Jackson Pollock, Willem de Kooning, Mark Rothko, Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, David Hockney, Ellsworth Kelly, Francis Bacon, Louise Bourgeois, Lucio Fontana, Andy Warhol, Richard Serra, Donald Judd, Joseph Beuys, Christo, Anselm Kiefer, Judy Chicago, Ai Weiwei, and Jeff Koons. Historical Dictionary of Contemporary Art contains a chronology, an introduction, and an extensive bibliography, including more than 900 cross-referenced entries on important artists, styles, terms, and movements.This book is an excellent resource for students, researchers, and anyone wanting to know more about contemporary art.
Viewed as a breakthrough in applied anthropology, Business Anthropology was the first concise work to juxtapose, compare, and integrate anthropological methods and theories with those of contemporary business practices and theories. In this latest edition, Jordan retains enduring, illustrative examples and adds fresh insights to familiarize readers with anthropological techniques and show their ever-growing utility in a variety of organizational and consumer settings. Business Anthropology explains how anthropologists distinctive training and skills equip them to address issues ranging from work processes, diversity, and globalization to product design and consumer behavior, in both for-profit and nonprofit organizations. Anthropologists use a holistic approach to gather and analyze data. They get to know people both inside and outside the organization, understand diverse perspectives from an objective viewpoint, gain in-depth knowledge about local wants and needs, and see old realities in new ways.
This new edition of The Oxford Dictionary of American Art and Artists has been fully revised and updated as well as including dozens of new entries offering an insightful and informative view of America's artistic heritage. An indispensable biographical and critical guide to American art from colonial times to contemporary postmodernism, this valuable resource provides readers with a wealth of factual detail and perceptive analysis of America's leading artists. This new edition has been updated to include a number of entries on prevailing topics such as body art, light and space, Indian-American art, scatter art, and transactional art, and features many new or greatly expanded biographical entries on artists such as Ida Applebroog, Guerilla Girls, Peter Hujar and Shirin Neshat. Morgan offers readers a wealth of authoritative information as well as well-informed analysis and criticism of artists and their work. Filled with fascinating historical background and penetrating insight, The Oxford Dictionary of American Art and Artists is an essential resource for art lovers everywhere.
In this dictionary of American art, 945 alphabetically arranged entries cover painters, sculptors, graphic artists, photographers, printmakers, and contemporary hybrid artists, along with important aspects of the cultural infrastructure.
A collection of highlights from Mary Ann Caws’s long, highly distinguished career writing about literature, art, and modernism. Throughout her long, highly distinguished career writing about literature and art, Mary Ann Caws has excavated, illuminated, and examined in depth the most intriguing works and personalities of Symbolism, Dada, Surrealism, and beyond. In these concise, but always colorful and insightful articles, Caws brings us fresh portraits of the most famous figures and introduces us to the writers and artists who merit more attention than they’ve received, with a special focus on female writers and artists. The author’s sensitivity to the intersections of eccentric literature and eccentric life infuses each critical essay with the human passions that these essential modernists lived. From Dickinson and Mallarmé to Duchamp and Mina Loy, Caws applies the art of close looking to shrewdly framed slices of the modernist experience.
Virtually everyone working in dance today uses electronic media technology. Envisioning Dance on Film and Video chronicles this 100-year history and gives readers new insight on how dance creatively exploits the art and craft of film and video. In fifty-three essays, choreographers, filmmakers, critics and collaborating artists explore all aspects of the process of rendering a three-dimensional art form in two-dimensional electronic media. Many of these essays are illustrated by ninety-three photographs and a two-hour DVD (40 video excerpts). A project of UCLA – Center for Intercultural Performance, made possible through The Pew Charitable Trusts (www.wac.ucla.edu/cip).
In Understanding the Social Economy, Jack Quarter, Laurie Mook, and Ann Armstrong integrate a wide array of organizations founded upon a social mission - social enterprises, nonprofits, co-operatives, credit unions, and community development associations - under the rubric of the 'social economy.' This framework facilitates a comprehensive study of Canada's social sector, an area often neglected in the business curricula despite the important role that these organizations play in Canada's economy. Invaluable for business programs that address issues such as community economic development, co-operatives, and nonprofit studies and management, Understanding the Social Economy presents a unique set of case studies as well as chapters on organizational design and governance, social finance and social accounting, and accountability. The examples provide much needed context for students and allow for an original and in-depth examination of the relationships between Canada's social infrastructure and the public and private sectors. With this work, Quarter, Mook, and Armstrong illuminate a neglected facet of business studies to further our understanding of the Canadian economy.
In this ground-breaking book, acclaimed sociologist Ann Oakley undertook one of the first serious sociological studies to examine women’s work in the home. She interviewed 40 urban housewives and analysed their perceptions of housework, their feelings of monotony and fragmentation, the length of their working week, the importance of standards and routines, and their attitudes to different household tasks. Most women, irrespective of social class, were dissatisfied with housework – an important finding which contrasted with prevailing views. Importantly, too, she showed how the neglect of research on domestic work was linked to the inbuilt sexism of sociology. This classic book challenged the hitherto neglect of housework as a topic worthy of study and paved the way for the sociological study of many more aspects of women’s lives.
This title was first published in 2003. This book provides an innovative, fresh approach to entrepreneurship. It puts forward a flexible, expansive conceptualization of the continuum of entrepreneurial behaviour and integrates context, culture, social networks and entrepreneurship as an embedded activity. Motivated by a desire to bridge traditional academic boundaries the editors craft a heterodox perspective which interweaves strands from feminist and new institutional economics, sociology, management, finance, marketing and social policy. Contemporary themes of major significance highlighted include the importance of new technology, ethics, culture and identity, and entrepreneurship for indigenous, younger and older people as distinct groups.
“Has there ever been a better reason to shop?” asks an ad for the Product RED American Express card, telling members who use the card that buying “cappuccinos or cashmere” will help to fight AIDS in Africa. Cofounded in 2006 by the rock star Bono, Product RED has been a particularly successful example of a new trend in celebrity-driven international aid and development, one explicitly linked to commerce, not philanthropy. In Brand Aid, Lisa Ann Richey and Stefano Ponte offer a deeply informed and stinging critique of “compassionate consumption.” Campaigns like Product RED and its precursors, such as Lance Armstrong’s Livestrong and the pink-ribbon project in support of breast cancer research, advance the expansion of consumption far more than they meet the needs of the people they ostensibly serve. At the same time, such campaigns sell both the suffering of Africans with AIDS (in the case of Product RED) and the power of the average consumer to ameliorate it through familiar and highly effective media representations. Using Product RED as its focal point, this book explores how corporations like American Express, Armani, Gap, and Hallmark promote compassionate consumption to improve their ethical profile and value without significantly altering their business model, protecting themselves from the threat to their bottom lines posed by a genuinely engaged consumer activism. Coupled with the phenomenon of celebrity activism and expertise as embodied by Bono, Richey and Ponte argue that this “causumerism” represents a deeply troubling shift in relief efforts, effectively delinking the relationship between capitalist production and global poverty.
What is a sustainable community? The pressing need to answer this simple question is what prompted John Pierce and Ann Dale to gather the essays in this volume. Communities, Development, and Sustainability across Canada is a timely synthesis of work on how Canadian communities can achieve sustainable development. It bridges the gap between theory and praxis and brings together academics, policy makers, and community activists, all of whom have argued for increased local participation in sustainable community development. Communities have become the weak link in efforts to refashion relations between the environment and the economy. The goal of this book is not simply to describe problems but also to suggest answers, not simply to offer theory but also to promote action, so that Canadian communities can better achieve sustainable development.
Commerce by a Frozen Sea is a cross-cultural study of a century of contact between North American native peoples and Europeans. During the eighteenth century, the natives of the Hudson Bay lowlands and their European trading partners were brought together by an increasingly popular trade in furs, destined for the hat and fur markets of Europe. Native Americans were the sole trappers of furs, which they traded to English and French merchants. The trade gave Native Americans access to new European technologies that were integrated into Indian lifeways. What emerges from this detailed exploration is a story of two equal partners involved in a mutually beneficial trade. Drawing on more than seventy years of trade records from the archives of the Hudson's Bay Company, economic historians Ann M. Carlos and Frank D. Lewis critique and confront many of the myths commonly held about the nature and impact of commercial trade. Extensively documented are the ways in which natives transformed the trading environment and determined the range of goods offered to them. Natives were effective bargainers who demanded practical items such as firearms, kettles, and blankets as well as luxuries like cloth, jewelry, and tobacco—goods similar to those purchased by Europeans. Surprisingly little alcohol was traded. Indeed, Commerce by a Frozen Sea shows that natives were industrious people who achieved a standard of living above that of most workers in Europe. Although they later fell behind, the eighteenth century was, for Native Americans, a golden age.
Color Chart celebrates a paradox: the lush beauty that results when contemporary artists assign colour decisions to chance, readymade source or arbitrary system. Midway through the 20th century, long-held convictions regarding the spiritual truth or scientific validity of particular colours gave way to an excitement about colour as a mass-produced and standardized commercial product. The Romantic quest for personal expression instead became Andy Warhol's 'I want to be a machine'; the artistry of mixing pigments was eclipsed by Frank Stella's 'Straight out of the can; it can't get better than that'. This book, and the exhibition it accompanies, is the first devoted to this pivotal transformation, and features work by some forty artists ranging from Ellsworth Kelly and Gerhard Richter to Sherrie Levine and Damien Hirst.
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