Shortlisted for the 2016 William Saroyan International Prize for Writing It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it. Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s deity and to give herself to a wealthy patron. Thus she must live in submission as a woman revered and reviled. But Adhira’s father may not have the last word. Adhira grows into an exquisite dancer, and after one terrible evening she must make a choice—one that will carry her family’s story and their dance to a startling new beginning.
TRB's National Cooperative Highway Research Program (NCHRP) Report 686: Road Pricing: Public Perceptions and Program Development explores road pricing concepts and their potential effectiveness and applicability. The report includes guidelines for project planning and integrating pricing into regional and state planning processes, and for communicating strategies and engaging affected parties.
An Institutional Analysis Across Economic Sec. Road pricing is the name given to a variety of systems which charge road users a fee to mitigate the social costs of using their vehicles. The charges can be introduced to alleviate the costs of delays caused by congestion, environmental problems and the
India’s Foreign Policy features scholars specializing in different dimensions of foreign-policy analysis who examine the dynamics of India’s international relations. It reviews India’s economic growth that has propelled it to the status of a globally-recognized power, and examines its nuclear policy and maritime strategy as a register of its present capabilities and future aspirations. It also features news media as an important index to—and catalysis for—the formulation of government policies, and India’s bilateral and multilateral relations.
This book examines women and society in India during 600–1200 CE through epigraphs. It offers an analysis of inscriptional data at the pan-India level to explore key themes, including early marriage, deprivation of girls from education, property rights, widowhood and satī, as well as women in administration and positions of power. The volume also traces gender roles and agency across religions such as Hinduism and Jainism, the major religions of the times, and sheds light on a range of political, social, economic and religious dimensions. A panoramic critique of contradictions and conformity between inscriptional and literary sources, including pieces of archaeological evidence against traditional views on patriarchal stereotypes, as also regional parities and disparities, the book presents an original understanding of women’s status in early medieval South Asian society. Rich in archival material, this book will be useful to scholars and researchers of ancient and medieval Indian history, social history, archaeology, epigraphy, sociology, cultural studies, gender studies and South Asian studies.
The revised edition of S Chand Atlas The World Explorer includes easy-tounderstand maps and caters to the curriculum of all the major schools. It serves as a ready reference for students, teachers, researchers and is also appropriate for libraries and general readers.
Madhubun School Atlas is a comprehensive atlas suitable for both classroom use and home learning. Designed with the purpose of generating interest among middle school learners about geography and cartography, this atlas offers a variety of maps and reference material on the physical, cultural, economic, historical and environmental characteristics of the world. The maps show different attributes of the same area, making comparison easy.
This book examines the afterlife of Partition as imprinted on the memories and postmemories of Hindu and Sikh survivors from West Punjab to foreground the intersection between history, memory and narrative. It shows how survivors script their life stories to reinscribe tragic tales of violence and abjection into triumphalist sagas of fortitude, resilience, industry, enterprise and success. At the same time, it reveals the silences, stutters and stammers that interrupt survivors’ narrations to bring attention to the untold stories repressed in their consensual narratives. By drawing upon current research in history, memory, narrative, violence, trauma, affect, home, nation, borders, refugees and citizenship, the book analyzes the traumatizing effects of both the tangible and intangible violence of Partition by tracing the survivors’ journey from refugees to citizens as they struggle to make new homes and lives in an unhomely land. Moreover, arguing that the event of Partition radically transformed the notions of home, belonging, self and community, it shows that individuals affected by Partition produce a new ethics and aesthetic of displacement and embody new ways of being in the world. An important contribution to the field of Partition studies, this book will be of interest to researchers on South Asian history, memory, partition and postcolonial studies.
Bhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Panjabi harvest dance of the same name. The book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Panjab and its `return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constanly reinvented themselves by cross-pollinating with `invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity, and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world.
Partitioned Lives: Narratives of Home, Displacement, and Resettlement features fifteen essays that focus on personal, subjective experiences of partition, rather than on official accounts. The book analyses fiction, films, and biographical and autobiographical accounts relating to the experience and influence of Partition. It also studies partition-related migrations not only to and from West Pakistan, East Pakistan, and India, but also to the West. Essays discuss how partition continues to influence cultural identities both in the subcontinent and among the diaspora.
An Institutional Analysis Across Economic Sec. Road pricing is the name given to a variety of systems which charge road users a fee to mitigate the social costs of using their vehicles. The charges can be introduced to alleviate the costs of delays caused by congestion, environmental problems and the
Shortlisted for the 2016 William Saroyan International Prize for Writing It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it. Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s deity and to give herself to a wealthy patron. Thus she must live in submission as a woman revered and reviled. But Adhira’s father may not have the last word. Adhira grows into an exquisite dancer, and after one terrible evening she must make a choice—one that will carry her family’s story and their dance to a startling new beginning.
She went out to find her place in the world, to create a life for herself where she was the master of her own destiny and no longer just a cog in the corporate machine. She longed for a life of freedom and creativity. So she packed up her life in the West and travelled to the spiritual motherland to begin her new life in paradise, to the land of the golden beaches and the Arabian Sea – Goa! She had made the contacts, got her finances in place, and was ready to go and follow her dream. The initial plan was to get to know the ropes of running a hotel with the backup of a business partner and then, further down the road, create her own business. However, what she didn’t envisage was that running a business in Goa was not like running a project as she knew it in the corporate world. The plans she laid down meant nothing. Goa and its people had its own ideas and ran to its own unpredictable and erratic drum. It was full of false promises and empty words. And then there was him! At once she felt at ease and gave him her deepest secrets, but in the end, he too lived by the same drum beat.
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