A river brings life. It flows; it’s on a journey, meandering its way through diverse terrains on its final pathway into the immense, deep-blue ocean of Time. It denotes joy, peace, goodness and the spirit of life. The River’s Pathway celebrates life. It flows from a heart of love and senses. It has love for words, and it questions life and death and human values. The ultimate love is the universal love for God and Jesus, who is the river of life. The Victor of Love.
A river brings life. It flows; it’s on a journey, meandering its way through diverse terrains on its final pathway into the immense, deep-blue ocean of Time. It denotes joy, peace, goodness and the spirit of life. The River’s Pathway celebrates life. It flows from a heart of love and senses. It has love for words, and it questions life and death and human values. The ultimate love is the universal love for God and Jesus, who is the river of life. The Victor of Love.
Taking wisdom from the senses, religious faith, friendships old and new, grief and joy and strength in adversity, this is a collection that is brought to life by love; love for many things: for the written word, for hope in the blackest hours, for the sweet, lingering memory of one who is gone, and for those inspirational leaders who have helped to shape the world in which all these things take place. Anita Shanti John punctuates her life thus far with this bittersweet collection, which crystallizes the spiritual and emotional ups and downs of life and will resonate with all readers. Mrs Anita Shanti John, nee Joseph, was born in 1959 in Channai, India, where she graduated from the Women's Christian College. Anita is married to Dr M D John F.C.R.P. from the UK. A librarian by qualification, Anita has fifteen years of work experience in various reputed institutions. She lives in India.
Nair writes big, brave descriptions of one brutal murder after the next, relentlessly describing each death even as sub-inspector Santosh loses his breakfast over them."—Time Out It's the first day of Ramadan in heat-soaked Bangalore. A young man begins to dress: makeup, a sari, and expensive pearl earrings. Before the mirror he is transformed into Bhuvana. She is a hijra, a transgender seeking love in the bazaars of the city. What Bhuvana wants, she nearly gets: a passing man is attracted to this elusive young woman—but someone points out that Bhuvana is no woman. For that, the interloper's throat is cut. A case for Inspector Borei Gowda, going to seed, and at odds with those around him including his wife, his colleagues, even the informers he must deal with. More corpses and Urmila, Gowda's ex-flame, are added to this spicy concoction of a mystery novel. Most intriguing is the grim world of Bhuvana. Her hijra fantasies, emotions, and hopes are etched in a way that is chilling yet oddly touching. Some mysteries remain till almost the end, for instance Bhuvana's connection with the wealthy, corrupt Corporator Ravikumar, who lives in a mansion as grand as the Mysore Palace and controls whole districts of Bangalore. Anita Nair lives in Bangalore and is a prize-winning author. Her novel Ladies Coupe, published in the United States by St. Martin's Press, is a feminist classic which has been translated in thirty languages all over the world. This is her first crime novel.
In this brilliant collection of short essays, author Anita Sullivan presents her observations on the topic of rhythm in poetry, pointing out that certain poems not only feed the brain through narrative and ideas but also nourish the body through rhythm. Sullivan is not talking here about rhyme, but rather an extended palette of rhythmic patterns that are latent in normal speech but often show up in poetry when a degree of emotional intensity is applied to the words. Merely being attentive to this possibility can enrich the experience of reading poetry far beyond what might be expected.
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