Shortlisted for the Man Booker Prize: A “rich, Chekhovian novel” about family and forgiveness from the acclaimed author of Fire on the Mountain (The New Yorker). At the heart of this “wonderful” novel are the moving relationships between the estranged members of the Das family (The Washington Post Book World). Bimla is a dissatisfied but ambitious teacher at a women’s college who lives in her childhood home, where she cares for her mentally challenged brother, Baba. Tara is her younger, unambitious sister, married and with children of her own. Raja is their popular, brilliant, and successful brother. When Tara returns for a visit with Bimla and Baba, old memories and tensions resurface, blending into a domestic drama that leads to beautiful and profound moments of self-understanding. Set in the vividly portrayed environs of Old Delhi, “Clear Light of Day does what only the very best novels can do: it totally submerges us. It also takes us so deeply into another world that we almost fear we won’t be able to climb out again” (The New York Times Book Review). “Passages must be read and reread so that you savor their imagery, their language, and their wisdom.” —The Washington Post Book World “[A] thoroughly universal tale of unhealable family hurts . . . Distinctively shaded with enticing glimpses of India’s Hindu middle-class in shabby decline.” —Kirkus Reviews, starred review
Sophie and Matteo are young and in love, sharing a dissatisfaction with their bourgeois Italian upbringing. Naturally, like so many other young Westerners in the sixties and seventies, they go to India. But the realities of life in an ashram ignite their differences; Sophie wants to be a tourist and go to Goa and eat shrimp, which Matteo scorns, seeking the ‘real’ India. Pragmatic Sophie is disillusioned by the hardships they encounter, while her husband, who yearns for spiritual fulfillment, sees only the purity of ascetic life, leading him to Mother, a charismatic guru. Trying to reclaim an ailing Matteo, Sophie embarks on a new journey in search for a different truth; that of Mother’s mysterious past. Soon, she finds that the immortal has a history of her own; born in Cairo, she was once Laila, a dancer who toured the world before coming to Bombay to search for ‘divine love’. What each of the three people discover, on their individual quests, is at its heart that ancient truth: that wisdom is found in the journey itself. A stirring, profound exploration of emotional exile, of sacred and profane loves, Journey to Ithaca is a masterful novel.
In this sensitive portrayal of human nature, Anita Desai, one of India’s foremost writers, paints an intimate portrait of lives impacted by the quest for identity and purpose. Deven, a Hindi lecturer in small-town Mirpore, lives a humdrum existence. A chance to interview Nur—India’s greatest living Urdu poet—offers him an escape from his dreary life. But the Nur he meets is an enfeebled man, surrounded by clashing wives and preying sycophants. Deven’s decision to be the custodian of Nur’s verse gives birth to an unusual alliance between the two. Stimulating and thought provoking, In Custody is a brilliant parable lamenting the gradual corrosion of culture and tradition in the face of modernity, and a dazzling study of the complexity of human relationships.
To the family living in the shabby, dusty house in Delhi, Tara's visit brings a sharp reminder of life outside tradition. For Bim, coping endlessly with their problems, there is a renewal of the old jealousies for, unlike her sister, she has failed to escape. Looking at both the cruelty and the beauty of family life and the harshness of India's modern history, Clear Light of Day brilliantly evokes the painful process of confronting and healing old wounds.
A collection of stories stretching from India to New England to Mexico from the author of Fasting, Feasting—an “undeniable genius” (TheWashington Post Book World). The men and women in these nine tales set out on journeys that suddenly go beyond the pale—or surprisingly lead them back to where they started. In the mischievous title story, a beloved dog brings nothing but disaster to his obsessed master; in other tales, old friendships and family ties stir up buried feelings, demanding either renewed commitment or escape. And in the final exquisite story, a young woman discovers a new kind of freedom in Delhi’s rooftop community. This is a richly diverse, “quiet but deeply satisfying” collection of stories, from a three-time Man Booker Prize finalist (Kirkus Reviews). “Anita Desai is one of the most brilliant and subtle writers ever to have described the meeting of eastern and western culture . . . Both serious and wonderfully entertaining.” —Alison Lurie, Pulitzer Prize–winning author of Foreign Affairs “Served up with characteristic perspicuity, subtle humor and attention to the little hypocrisies of the middle class.” —Publishers Weekly
Gone are the days when Nanda Kaul watched over her family and played the part of Vice-Chancellor’s wife. Leaving her children behind in the real world, the busier world, she has chosen to spend her last years alone in the mountains in Kasauli, in a secluded bungalow called Carignano. Until one summer her great-granddaughter Raka is dispatched to Kasauli – and everything changes. Nanda is at first dismayed at this break in her preciously acquired solitude. Fiercely taciturn, Raka is, like her, quite untamed. The girl prefers the company of apricot trees and animals to her great-grandmother’s, and spends her afternoons rambling over the mountainside. But the two are more alike than they know. Throughout the hot, long summer, Nanda’s old, hidden dependencies and wounds come to the surface, ending, inevitably, in tragedy. Marvellous yet restrained, Fire on the Mountain speaks of the past and its unshakable hold over the present.
Disappointed by his professional and social position, an entitled and officious junior civil servant imagines that his life will change when a mysterious old man promises to lead him to a museum filled with priceless treasures.
Plain, unmarriageable Uma has failed to outgrow her childhood home, with its bittersweet treats of puri-alu and barfi. Overprotected and starved for a life, she is smothered by her overbearing parents, successful sister Aruna, and Arun, the family’s disappointment of a son. Across the world in Massachusetts, where Arun has gone as a student, family life in an American suburb is bewilderingly different. The Pattons, who he lives with, appear strange and terrible. The women don’t appear to cook at all, though they stuff their shopping carts; the men barbecue huge chunks of meat; their daughter binges on innumerable candy bars. Increasingly, Mrs Patton is desperate to be a vegetarian, like Arun. But what Arun wants most is to be invisible. Moving from a traditional Indian household to an American one, Fasting, Feasting is a powerful exploration of hunger and plenty, and one of Anita Desai’s most socially acute novels.
This book is the story of a young girl obsessed by a childhood prophecy of disaster. The author builds up an atmosphere of tension and oppression, in the middle of an Indian summer.
A classic survival story by one of India's most acclaimed authors, set in a quiet village outside of Bombay about two siblings who struggle to maintain their family's bond in difficult times Anita Desai’s The Village by the Sea is an exciting and moving story about life in an Indian coastal village and life in the unimaginably big city of Bombay. It is the story of thirteen-year-old Lila and her twelve-year-old brother, Hari. As the book begins, Lila is wading into the sea to bring scarlet hibiscus, sweet-smelling lilies, and butter-yellow allamanda flowers to the sacred rock the fishermen’s wives pray to, just as her mother did before her father had to sell his boat to pay his debts and her mother fell ill. Now Lila and Hari must care for their ailing parents as well as their two younger sisters. Sensing adventure and a chance to save his family, and possibly his village, Hari impulsively joins a group of farmers and fishermen traveling to Bombay to protest the construction of a fertilizer factory that threatens to pollute the coastline and destroy their livelihood. Will the protest succeed? Can Hari survive in the city, and can Lila manage at home without him? Through their own resources, and the kindnesses of strangers, Hari and Lila must find a way to “Adapt! Adapt!” as their ornithologist friend urges, just as the birds and animals must do to survive.
Written in vivid narrative and chiselled prose, Bye-Bye Blackbird explores the lives of the outsiders seeking to forge a new identity in an alien society. Set against England's green and grisly landscape, enigmatic and attractive to some, depressing and nauseating to others, it is a story of everyday heroism against subtle oppression, crumbling traditions and homesickness. 'Characters grow with life, the scenes are delicately painted and the nuances of changing mood skilfully transmitted.' — Hindu 'More than a novel, it is a psychological study of the love-hate relationship the immigrants have towards their country of adoption.' — Indian Express
The Complete Storiesgathers together Anita Desai's short story collections Diamond Dustand Games at Twilight and the novellas of The Artist of Disappearance, with a new preface from the author. From the icy suburbs of Canada to the overcrowded B&Bs of Cornwall, via the hill towns and cities of India, Anita Desai observes human behaviour unflinchingly but not unkindly, recognising our ordinariness and our strangeness, and capturing both with quiet precision.
Buried resentments, unexpected disappointments, new friendships, small acts of cruelty, journeys that take you back to where you started. With trademark compassion and tender irony, Anita Desai’s short stories give us familiar worlds made unfamiliar, to wonderful effect. An ageing couple is stranded in a stultifying Delhi summer by the visit of a roguish old Oxford friend, who trades on his charm; an American woman turns to hippies living in the Indian hills, homesick for the farmlands of Vermont; a dog terrorizes the neighbourhood but is cherished by his stern master; a Delhi girl of slender means finds a new kind of freedom with her young friends, in her barsati home; a peaceful game of hide and seek turns into a nightmare; a businessman sees his own death. In one masterly volume, for the first time ever, here are Anita Desai’s collected stories —including Diamond Dust and Games at Twilight.
A young American in Mexico discovers his family’s past—and a present-day danger—in this “elegant, exquisite” novel of suspense (Elle). Eric is a newly minted historian just out of graduate school, plagued by self-doubt over both his past choices and his future options. With no clear direction, he follows his lover, Em, when she travels to the Yucatan for her scientific research, but ends up alone in this foreign place. And so he pursues his own private quest, tracing his family’s history to a Mexican ghost town, where, a hundred years earlier, young Cornish miners—among them Eric’s grandparents—toiled to the death. Now, in place of the Cornish workers, the native Huichol Indians suffer the cruelty of the mines. When he inquires into their lives, Eric provokes the ire of their self-appointed savior, Dona Vera. Known as the “Queen of the Sierra,” Dona Vera is the widow of a mining baron who has dedicated her fortune to preserving the Huichol culture. But her formidable presence belies a dubious past. The zigzag paths of these characters converge on the Day of the Dead, bringing together past and present in a moment of powerful epiphany. Haunting and atmospheric, with splashes of exuberant color and darker violence, The Zigzag Way is “a beautifully rendered combination of history, folklore, and modern fiction” (Entertainment Weekly), from a Booker Prize finalist. “Long before Jhumpa Lahiri . . . long before Monica Ali . . . another novelist was offering us exquisitely detailed portraits of bodies in transit [and] classes in the art of sly and sensuous fiction . . . Anita Desai was a global, migrant writer before such a thing was fashionable.” —Time “Almost unbearably suspenseful.” —The Boston Globe “A hypnotic journey.” —San Jose Mercury News
Set in contemporary Bombay and other cities, these stories reflect the kaleidoscope of urban life - evoking the colour, sounds and white-hot heat of the city. Warm, perceptive, humorous and touched with sadness, Anita Desai’s stories are peopled with intensely individual characters - the man spiritually transformed by the surface texture of a melon; the American wife who, homesick for the verdant farmlands of Vermont, turns to the hippies in the Indian hills; the painter living in a slum who fills his canvasses with flowers, birds and landscapes he has never seen.
Desai's classic novel of the Holocaust era is the story of the profound emotional wounds of war and its exiles. The book follows Hugo Baumgartner as he leaves behind Nazi Germany and his Jewish heritage for Calcutta, only to be imprisoned as a hostile alien and then released to Bombay at war's end.
Set in contemporary Bombay and other cities, these stories reflect the kaleidoscope of urban life - evoking the colour, sounds and white-hot heat of the city. Warm, perceptive, humorous and touched with sadness, Anita Desai's stories are peopled with intensely individual characters - the man spiritually transformed by the surface texture of a melon; the American wife who, homesick for the verdant farmlands of Vermont, turns to the hippies in the Indian hills; the painter living in a slum who fills his canvasses with flowers, birds and landscapes he has never seen.
Distraught by her own lack of accomplishment -- especially in comparison to that of a childhood rival who has become a famous and successful publisher -- a middle-aged woman has the opportunity of a lifetime: to translate the work of an unknown literary star and, in the process, impress the woman she most admires.
Hugo Baumgartner is a firangi wherever he goes—too dark for Hitler’s Germany, too fair for India. Escaping the Nazi regime but losing his parents to it, the wandering Jew builds a life in India only to be interrupted by war, and then partition—and finally finds a home in multitudinous Bombay. We meet him as a kindly, rather hapless old man who spends his days making the rounds of local teashops to scavenge for his many cats. Then, one day at the Café du Paris, one of his regular haunts, he encounters a surly young German of the new order—a drug-crazed hippie who will change his life forever. Set in Berlin, Venice, Calcutta—and of course Bombay—Baumgartner’s Bombay is the story of the twentieth century and a memorable portrait of Baumgartner, survivor, victim, everyman.
Nanda Kaul, a woman remote in her self-imposed solitude among the Simla hills of India, her strange and silent great-granddaughter, and the broken old woman who is her only friend are touched in varying ways by the violence of living
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