In the last few decades, professional historians have raised important questions regarding the theories, methods and practices of history extant since the earliest times. Oral and Visual History have assumed a new importance in our times. This book presents seven essays on history as it can be practised productively in India. It is pedagogically important to students and teachers of history in India. Meant primarily for undergraduate, graduate and postgraduate students, it will also be appreciated by the lay public. Readers will certainly rethink their historical perspectives in response to the issues of theory raised critically in this book. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.
Despite becoming a global economic force, why does India win so few Olympic medals and have so many people living in poverty? Why have opportunities not become available more broadly? How can growing individuals assist with the task of building a growing economy? Krishna presents a refreshingly unusual perspective of emergent realities, drawing on the stories of everyday lives, of people like you and me and those less privileged. Through decades-long investigations, living in villages and slum communities, the author presents eye-opening details of missed opportunities and immense untapped talent that can be harnessed, with tremendous consequences for equity and growth. Offering possible solutions for inequality and those in need, The Broken Ladder is a comprehensive and fascinating account of development strategies in a fast-growing, yet largely agrarian, developing economy.
This book offers a historical understanding of the Indian Audio-Visual media as well as examines and deconstructs the relationship between fact and fiction, history and imagination, nationalism and communalism, nation and gender, history and war, media and mentality and cinema and social identities particularly in Hindi cinema.
In the last few decades, professional historians have raised important questions regarding the theories, methods and practices of history extant since the earliest times. Oral and Visual History have assumed a new importance in our times. This book presents seven essays on history as it can be practised productively in India. It is pedagogically important to students and teachers of history in India. Meant primarily for undergraduate, graduate and postgraduate students, it will also be appreciated by the lay public. Readers will certainly rethink their historical perspectives in response to the issues of theory raised critically in this book. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
The Decline Of British Imperialism Had Far Reaching Colonial And Post-Colonial Consequences. British Policy And Indian History, For Obvious Reasons, Unfolded In The Foreground Of This Decline From 1900 Onwards. This Volume Contextualizes Crucial Aspects Of Modern India`S Military Past. It Contends That British Imperialism, Like All Empires, Declined Due To Its Inherent Contradictions. Managing The Military Affairs Of The British Raj Comprised A Crucial Element Of These Contradictions. This Socio-Political History Of The Colonial Indian Military Organization Investigates Why Reform Remained Largely Theoretical Even As The British Used Indian Resources To Defend A Weakening Empire Through Two World Wars. Ultimately World War Ii Transformed The Indian Armed Forces But Eventually, As This Book Asserts, This Transformation Worked Against The British.
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