“In a meditative and stoic language, suffused with sensual allusions and allegories merged together like ‘musical notes’, Anindita’s poems are intimately cathartic and redemptive, nurturing a reality and that will leave you stunned!” - Poet, Author & Professor Ashwani Kumar, Mumbai “Anindita Bose belongs to that long line of debut poets discovered by Writers Workshop. I Know the Truth of a Broken Mirror had impressed me enough with its raw evocations of pain, to decide to publish it. So it pleases me now to see that she continues her poetic journey with her second book.” - Professor Ananda Lal, Kolkata “Anindita Bose’s second book of poetry is a collection of 35 poems titled ‘illuminating darkness - the mystic fireflies’ are finely crafted poems that fuse sense and sensibility with intensity and insight.” - Poet, Author, Academician Dr. Sanjukta Dasgupta, Kolkata “Percy Bysshe Shelley in his poem “Ode to the West Wind” desires the west wind to carry him like a leaf, a cloud, a wave and then in a moment of poetic dissociation writes the line “I fall upon the thorns of life! I bleed!” Anindita Bose has experienced the thorns of life and hence she bleeds poetry – poetry that is full of hope to be carried away like a leaf, a cloud, a wave. Be it as a poet, be it as the co-founder of Rhythm Divine Poets, be it as an editor of EKL Review, be it as a verbal skills trainer, be it as a painter or be it as a friend, a daughter, a sister, she is attached emotionally and has hopes to fly and be the blithe spirit, a skylark. Her poems emanate from nostalgia, memories almost like a fairy tale filled with hope. She is the firefly who can illuminate darkness.” - Poet, Author, Editor & Professor Dr. Amit Shankar Saha, Kolkata
“words breathe in silence” has been created with the stories that Anindita Bose has observed in life. Many of the ideas have been from the human world itself, with an open window to look at society differently or to accept the stories that are part of our own destiny. The purpose of this book is to begin a journey in which she can create more paths for herself and the people; the paths which perhaps will lead us all to connect together and look at life with more curiosity and zeal. “Each story is fueled by a refined knowledge of magical wisdom. Bose shows man in his reckless struggle with fate.” - Anne Vegter, (former) Poet Laureate of the Netherlands “I noticed in the society how the women are given chances to bloom only to be crushed repeatedly,” writes Anindita Bose in one of these stories in which she combines attention to daily life with another dimension that seems to come from a soul who is many years older than she actually is.” - Franca Mancinelli Fano, Italy
This book re-examines 'everyday resistance', gender and power through the lens of women's experiences in colonial South Asia. Moving away from educated and outstanding figures and drawing on a range of unconventional sources, it unearths a narrative of deep and enduring resistance offered by less extraordinary women in their daily lives.
This book examines the impact of Partition on refugees in East and Northeast India and their struggle for identity, space and political rights. In the wake of the legalisation of the Citizenship Amendment Act in 2019, this region remains a hotbed of identity and refugee politics. Drawing on extensive research and in-depth fieldwork, this book discusses themes of displacement, rehabilitation, discrimination and politicisation of refugees that preceded and followed the Partition of India in 1947. It portrays the crises experienced by refugees in recreating the socio-cultural milieu of the lost motherland and the consequent loss of their linguistic, cultural, economic and ethnic identities. The author also studies how the presence of the refugees shaped the conduct of politics in West Bengal, Assam and Tripura in the decades following Partition. Refugees, Borders and Identities will be indispensable for scholars and researchers of refugee studies, border studies, South Asian history, migration studies, Partition studies, sociology, anthropology, political studies, international relations and refugee studies, and for general readers of modern Indian history.
This book proposes a radical shift in the way the world thinks about itself by highlighting the significance of Cross-Cultural Conversations. Moving beyond conventional boundaries, it examines the language in which histories are written; analyzes how scientific technology is changing the idea of identity; and highlights the need for a larger identity across nationality, race, religion, gender, ethnicity and class. It asks for a concerted effort to engage each other in open conversational forums on a range of contemporary global issues, alter our attitudes toward self and the other, and unlearn prejudices that perpetuate the practice of divisive identities. The book also explores critical themes such as political actions, solidarity-in-diversity, clash of social identities, tensions between nationalism and globalism, the quest for global peace and authentic meeting of world religions. Further, it discusses the evolving connection between science and religion, focusing on key philosophical ideas that have permeated the Indian cultural soil. The book will be of great interest to scholars and researchers of philosophy, religious studies, science and technology studies, and cultural studies.
This book investigates the deeper area of class antagonism between the privileged and underprivileged classes as they faced the colonial state and its different ideas of legality and sovereignty in colonial Bengal. It examines the ambiguity in the bhadralok—the educated middle class— response to courts and jails. The author argues that the discourse of superior ‘bhadralok’ ethics and morals was juxtaposed against the ‘chhotolok’—who were devoid of such ethical values. This enabled the bhadralok to claim for themselves the position of the ‘aware’ legal subject as a class—a ‘good’ subject obedient to the dictates of the new rule of law, unlike the recalcitrant and ethically ill-equipped chhotolok. The author underlines the development of a new cultural language of morality that delineated the parameters of bhadralok public behaviour. As the ‘rule of law’ of the British government slid unobtrusively into the public domain, the criminal courts and the jails turned into public theatres of infamy—spaces that the ethically bound bhadralok dreaded occupying. The volume, thus, documents how the colonial legal and penal institutions streamlined the identities of some sections of the lower castes into ‘criminal caste’. It also examines the nature of colonial bureaucracy and highlights the social silence on gender and women's criminality.
As commercial surrogacy in India dominates public conversations around reproduction, new kinds of families, and changing trends in globalization, its lived realities become an important aspect of emerging research. This book maps the way in which in vitro fertilization (IVF) specialists, surrogacy agents, commissioning couples, surrogate mothers, and egg donors contribute to the understanding of interpersonal relations in the process of commercial surrogacy. In this book, Majumdar draws from a context that is enmeshed in the local–global politics of reproduction, including the ways in which the transnational commercial surrogacy arrangement has led to an ongoing debate regarding ethics and morality in the sphere of reproductive rights. In weaving together the diverse, often conflicting experiences of individuals and families, the transnational commercial surrogacy arrangement comes alive as a process mirroring larger societal anxieties with reference to technological interventions in intimate relationships. It is these anxieties, dilemmas, and their negotiations to which the book is addressed.
“In a meditative and stoic language, suffused with sensual allusions and allegories merged together like ‘musical notes’, Anindita’s poems are intimately cathartic and redemptive, nurturing a reality and that will leave you stunned!” - Poet, Author & Professor Ashwani Kumar, Mumbai “Anindita Bose belongs to that long line of debut poets discovered by Writers Workshop. I Know the Truth of a Broken Mirror had impressed me enough with its raw evocations of pain, to decide to publish it. So it pleases me now to see that she continues her poetic journey with her second book.” - Professor Ananda Lal, Kolkata “Anindita Bose’s second book of poetry is a collection of 35 poems titled ‘illuminating darkness - the mystic fireflies’ are finely crafted poems that fuse sense and sensibility with intensity and insight.” - Poet, Author, Academician Dr. Sanjukta Dasgupta, Kolkata “Percy Bysshe Shelley in his poem “Ode to the West Wind” desires the west wind to carry him like a leaf, a cloud, a wave and then in a moment of poetic dissociation writes the line “I fall upon the thorns of life! I bleed!” Anindita Bose has experienced the thorns of life and hence she bleeds poetry – poetry that is full of hope to be carried away like a leaf, a cloud, a wave. Be it as a poet, be it as the co-founder of Rhythm Divine Poets, be it as an editor of EKL Review, be it as a verbal skills trainer, be it as a painter or be it as a friend, a daughter, a sister, she is attached emotionally and has hopes to fly and be the blithe spirit, a skylark. Her poems emanate from nostalgia, memories almost like a fairy tale filled with hope. She is the firefly who can illuminate darkness.” - Poet, Author, Editor & Professor Dr. Amit Shankar Saha, Kolkata
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