A Knitter's Guide to Gloves introduces several construction techniques, alongside the possible materials and tools that are suitable for knitting the gloves you want. A chapter on design guides you through adapting and customising your glove knitting before outlining how to go about designing from personal inspiration. The book also traces the history of knitted gloves and is lavishly illustrated with examples from museum collections, some of which are rare or even unique. Patterned gloves from Yorkshire and Scotland are described, alongside the stories of examples that have survived into the twenty-first century. Selected gloves from Estonia are discussed, as well as some from UK collections including the Glovers Collection Trust and the Knitting and Crochet Guild. Includes step-by-step photos guide those new to knitting gloves through the key points of glove construction and making your first pair. Five further glove patterns then give a choice of styles to knit, from a plain pair through to colourworked gloves of varied complexity.
This is a book about the difficulties of thinking and acting politically in ways that refuse the politics of nationalism. Set against the backdrop of the imaginative geographies of the War in Terror and the new beginning promised by the Presidency of Barack Obama, the book shows how critical interventions often work in collaboration with nationalist politics, even when the aim is to resist nationalism.
Presents innovative scholarship on Latina/o visibility in contemporary mainstream media Latina/os have seen increased visibility in the media in the past several years, especially in feature-length films, network television programs, and various digital platforms. The Gender of Latinidad: Uses and Abuses of Hybridity explores Latina/o visibility—analyzing presence, production, and interpretation throughout various media. An important contribution to the emerging field of Latina/o Media Studies, this unique volume brings together political economy and cultural studies to consider the limitations of cultural politics and explore current issues relevant to Latina/o cultural inclusion. Author Angharad N. Valdivia addresses the concept of hybridity and applies it to contemporary Latinidad, in which hybrid Latina/os lead hybrid lives and consume hybrid media. The text explores strategies for gendered visibility in a range of popular culture media, using the concept of hybridity to connect Latina/o Studies to Feminist Media Studies, Gender Studies, and Ethnic Studies. Throughout the text, the author discusses the inclusion Latina/o scholars and audiences seek and considers if such inclusion is even achievable. Offering intersectional exploration of Latinidad in mainstream media, this volume: Explores the trope of the spitfire in the context of popular media Brings Disney Studies into Latina/o Studies Discusses the dynamic inclusion of Latinidad in awards ceremonies Assesses the implicit utopias of Latina/o representation Presents the only major academic treatment of Charo Presenting an original perspective on Latina/os in media, The Gender of Latinidad: Uses and Abuses of Hybridity is an ideal text for students and scholars in areas including Gender Studies, Ethnic Studies, and general Media and Feminist Media Studies.
The act of writing is intimately bound up with the flow and eddy of a writer’s being-within-the-world; the everyday practices, encounters and networks of social life. Exploring the geographies of literary practice in the period 1840-1910, this book takes as its focus the work, or craft, of authorship, exploring novels not as objects awaiting interpretation, but as spatial processes of making meaning. As such, it is interested in literary creation not only as something that takes place - the situated nature of putting pen to paper - but simultaneously as a process that escapes such placing. Arguing that writing is a process of longue durée, the book explores the influence of family and friends in the creative process, it draws attention to the role that travel and movement play in writing and it explores the wider commitments of authorial life, not as indicators of intertextuality, but as part of the creative process. In taking this seventy year period as its focus, this book moves beyond the traditional periodisations that have characterised literary studies, such as the Victorian or Edwardian novel, the nineteenth-century or early twentieth-century novel or Romanticism, social realism and modernism. It argues that the literary environment was not one of watershed moments; there were continuities between writers separated by several decades or writing in different centuries. At the same time, it draws attention to a seventy year period in which the value of literary work and culture were being contested and transformed. Place and the Scene of Literary Practice will be key reading for those working in Human Geography, particularly Cultural and Historical Geography, Literary Studies and Literary History.
In the early years of the last century, Rebecca is born into a rural community in the Maesglasau valley in Wales; her family have been working the land for a thousand years, but the changes brought about by modernity threaten the survival of her language, and her family's way of life. Three of her siblings are afflicted with a genetic blindness, and it is they who have the opportunity to be educated elsewhere and to find work, while Rebecca and her remaining brother maintain the family farm amidst a gradual influx of new technologies, from the waterpipe to the tractor and telephone, and ultimately to television. Rebecca's reflections on the century are delivered with haunting dignity and a simple intimacy, while her evocation of the changing seasons and a life that is so in tune with its surroundings is rich and poignant. The Life of Rebecca Jones has all the makings of a classic, fixing on a vanishing period of rural history, and the novel's final, unexpected revelation remains unforgettable and utterly moving.
In this third part of the Gaby Heads South trilogy life becomes ever more complicated for Drew as he finally starts to accept that 'Gaby' isn't going away. Along the way to her self discovery there is of course more action with Meadows, adventure with Harry and changing relationships within the family.
Identity is widely acknowledged to be a felt experience, yet questions of atmosphere, mood and public sentiments are rarely made central to understanding the global politics of nationalism. This book asks what difference it makes when we address national identity as principally an affective force? National Affects traces how ideas about 'us and them' take form in ordinary spaces, in ways that are both deeply felt and hardly noticeable, in studies of global events that range from the London 2012 Olympic Games to responses to acts of terror, the European refugee crisis and 'Brexit'. In this timely intervention, Angharad Closs Stephens addresses the affective dimensions of being together to open new angles in the study of nationalism and global politics. She asks how the nation is felt in everyday life, as well as differently experienced, and investigates different forms of enacting being together to generate new insights in the study of national identity. National Affects draws on academic theories in the study of Politics, International Relations and Human Geography, as well as stories, performance works and novels, to establish a new tone of critical enquiry. Informed by longstanding critical interrogations of the politics of 'us and them', this book argues that these ideas are not as stable as they are often made to seem. Drawing on a combination of artistic and academic interventions, this book offers a refreshing approach to conceptualising the politics of nationalism, identity and citizenship. In its focus on everyday atmospheres, it identifies new registers for intervening politically. Overall, National Affects outlines other ways of imagining and practising being political together, beyond the exclusionary politics of nationalism.
Until now, the missionary plot in Charlotte Brontë’s Jane Eyre has been seen as marginal and anomalous. Despite women missionaries being ubiquitous in the nineteenth century, they appeared to be absent from nineteenth-century literature. As this book demonstrates, though, the female missionary character and narrative was, in fact, present in a range of writings from missionary newsletters and life writing, to canonical Victorian literature, New Woman fiction and women’s college writing. Nineteenth-century women writers wove the tropes of the female missionary figure and plot into their domestic fiction, and the female missionary themes of religious self-sacrifice and heroism formed the subjectivity of these writers and their characters. Offering an alternative narrative for the development of women writers and early feminism, as well as a new reading of Jane Eyre, this book adds to the debate about whether religious women in the nineteenth century could actually be radical and feminist.
A Knitter's Guide to Gloves introduces several construction techniques, alongside the possible materials and tools that are suitable for knitting the gloves you want. A chapter on design guides you through adapting and customising your glove knitting before outlining how to go about designing from personal inspiration. The book also traces the history of knitted gloves and is lavishly illustrated with examples from museum collections, some of which are rare or even unique. Patterned gloves from Yorkshire and Scotland are described, alongside the stories of examples that have survived into the twenty-first century. Selected gloves from Estonia are discussed, as well as some from UK collections including the Glovers Collection Trust and the Knitting and Crochet Guild. Includes step-by-step photos guide those new to knitting gloves through the key points of glove construction and making your first pair. Five further glove patterns then give a choice of styles to knit, from a plain pair through to colourworked gloves of varied complexity.
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