The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century. The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets. This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.
Presentamos un trabajo que descubre las posibilidades que ofrecen los escenarios habituales del aula de Educación Infantil para el desarrollo del aprendizaje de los niños. Las autoras proponen múltiples estrategias para la resolución de situaciones problemáticas y reflexionar sobre lo sucedido.
Reprint of the original, first published in 1866. With exercises, dialogues, and entertaining historical anecdotes also, notes and remarks calculated to facilitate the study of the Italian language.
Castellammare di Stabia tra settecento e ottocento durante il periodo borbonico. Il Palazzo Reale di Quisisana, il Real Cantiere Navale, le Antiche Terme, le prime analisi chimiche delle acque termali, alcune figure di intellettuali, il Grand Tour.
The first volume of Viaggiatori “Curatele” series seeks to recreate some scientific dialogues, namely meetings, exchanges and acquisition of theoretical and practical scientific knowledge, thus linking the cultural, historical and geographical context of America, Asia, Europe and Mediterranean Sea between the 16th and the 20th century. More specifically, the main objective is to consider the role of travellers as passeurs, as “intermediaries” for building and allowing the circulation of knowhow and the practical and theoretical knowledge from one continent to another.
This is an updated edition of the book by the same author: "Plio-Quaternary volcanism in Italy - Petrology, geochemistry, geodynamics," published in 2005 by Springer. This edition has the same structure as the previous publication, with a general introduction; various chapters dedicated to different volcanic provinces in Italy; and a final chapter on the relationships between magmatism and geodynamics. It includes information that has become available in the last ten years, and new chapters have been added offering detailed discussions of the Oligo-Miocene orogenic volcanism on Sardinia and of some small outcrops of fragmented volcanic rocks occurring in several places of the Apennines. This new edition now covers the entire Tyrrhenian Sea magmatism of the last 40 Ma. Lastly, it includes two appendices: Appendix 1 reports on a comparison between the Tyrrhenian Sea volcanism and the partially coeval magmatism along the Alps and adjoining areas and has the objective of highlighting similarities and difference that can tell us much on geodynamics and magmatism between the converging plates of Europe and Africa. Appendix 2 is an update of the 2005 edition appendix and deals with classification of orogenic rocks with special emphasis on potassic alkaline volcanics.
The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century. The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets. This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.
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