In the past three years Ms. Loreto has chronicled her lived experiences in her short and tragic anecdotes both in "My Love Affair with the Cartel" and through some comical attempts at failing at love in a diary of sad documented situationships in "A Xicana's Dating Diary." You would think that for a woman whose already written so naked and so openly she would not have more to share. But, in her quest to find something she has found something more. "A Xicana Returns Home" is her final production of her first-hand narratives. Here she has poured her whole heart, thoughts and experiences. She's made amends to the past and found that while the search for love and desire is human nature, the love for oneself is incredible. In her most unapologetic way she opens up more deeply looking at her past, present and even at what the future might bring. Travel with her and learn of what her return to home means.
With Adoration of the Blessed Sacrament at the forefront of her vocation, Mother Angelica treasured her beloved Spouse in the Eucharist. She brought Him her joys, sufferings, and all the contents of her heart in Adoration. In twenty-nine brief and brilliant chapters, she guides us to do the same, with Scripture references and Mother's personal prayers, meditations, and intentions. An ever-faithful disciple of the Church and Her Tradition, Mother Angelica saved her most precious words for her viewers. The fruit of her years of prayerful reflections as a Poor Clare Nun of Perpetual Adoration, this book is a beautiful accompaniment to prayer in front of the Blessed Sacrament or at home. A Holy Hour with Mother Angelica also presents litanies and novenas as well as Mother's teachings on topics such as: Resisting Temptation Love and Reparation Repentance An Hour of Healing An Hour of Joy An Hour of Trusting in
A word was coined to describe the condition of people stricken with a new kind of fever when the Swiss-born artist Angelica Kauffman (1741-1807) came to London in 1766. 'The whole world', it was said, 'is Angelicamad.' One of the most successful women artists in history - a painter who possessed what her friend Goethe called an 'unbelievable' and 'massive' talent - Kauffman became the toast of Georgian England, captivating society with her portraits, mythological scenes and decorative compositions. She knew and painted poets, novelists and playwrights, collaborating with them and illustrating their work; her designs adorned the houses of the Grand Tourists she had met and painted in Italy; actors, statesmen, philosophers, kings and queen sat to her; and she was the force that launched a thousand engravings. Despite rumours of relationships with other artists (including Sir Joshua Reynolds), and an apparently bigamous and annulled first marriage to a pseudo Count, Kauffman was adopted by royalty in England and abroad as a model of social and artistic decorum. A profoundly learned artist, but one who is loved, above all, for her tender adaptations from classical antiquity and sentimental literature; a commercially successful celebrity yet also a founding member of The Royal Academy of arts; the virginal creator of sexually ambivalent beings who was one of the hardest-headed businesswomen of her age, Kauffman's life and work is full of apparent contradictions explored in this first biography in over 80 years.
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