Over the last few decades, drug trafficking organizations in Latin America became infamous for their shocking public crimes, from narcoterrorist assaults on the Colombian political system in the 1980s to the more recent wave of beheadings in Mexico. However, while these highly visible forms of public violence dominate headlines, they are neither the most common form of drug violence nor simply the result of brutality. Rather, they stem from structural conditions that vary from country to country and from era to era. In The Politics of Drug Violence, Angelica Durán-Martínez shows how variation in drug violence results from the complex relationship between state power and criminal competition. Drawing on remarkably extensive fieldwork, this book compares five cities that have been home to major trafficking organizations for the past four decades: Cali and Medellín in Colombia, and Ciudad Juárez, Culiacán, and Tijuana in Mexico. She shows that violence escalates when trafficking organizations compete and the state security apparatus is fragmented. However, when the criminal market is monopolized and the state security apparatus cohesive, violence tends to be more hidden and less frequent. The size of drug profits does not determine violence levels, and neither does the degree of state weakness. Rather, the forms and scale of violent crime derive primarily from the interplay between marketplace competition and state cohesiveness. An unprecedentedly rich empirical account of one of the worst problems of our era, the book will reshape our understanding of the forces driving organized criminal violence in Latin America and elsewhere.
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists.
Over the last few decades, drug trafficking organizations in Latin America became infamous for their shocking public crimes, from narcoterrorist assaults on the Colombian political system in the 1980s to the more recent wave of beheadings in Mexico. However, while these highly visible forms of public violence dominate headlines, they are neither the most common form of drug violence nor simply the result of brutality. Rather, they stem from structural conditions that vary from country to country and from era to era. In The Politics of Drug Violence, Angelica Durán-Martínez shows how variation in drug violence results from the complex relationship between state power and criminal competition. Drawing on remarkably extensive fieldwork, this book compares five cities that have been home to major trafficking organizations for the past four decades: Cali and Medellín in Colombia, and Ciudad Juárez, Culiacán, and Tijuana in Mexico. She shows that violence escalates when trafficking organizations compete and the state security apparatus is fragmented. However, when the criminal market is monopolized and the state security apparatus cohesive, violence tends to be more hidden and less frequent. The size of drug profits does not determine violence levels, and neither does the degree of state weakness. Rather, the forms and scale of violent crime derive primarily from the interplay between marketplace competition and state cohesiveness. An unprecedentedly rich empirical account of one of the worst problems of our era, the book will reshape our understanding of the forces driving organized criminal violence in Latin America and elsewhere.
Firmly grounded in literary studies but drawing on religious studies, translation studies, drama, and visual art, Milton among Spaniards is the first book-length exploration of the afterlife of John Milton in Spanish culture, illuminating underexamined Anglo-Hispanic cultural relations. This study calls attention to a series of powerful engagements by Spaniards with Milton’s works and legend, following a general chronology from the eighteenth to the early twenty-first century, tracing the overall story of Milton’s presence from indices of prohibited works during the Inquisition, through the many Spanish translations of Paradise Lost, to the author’s depiction on stage in the nineteenth-century play Milton, and finally to the representation of Paradise Lost by Spanish visual artists.
In the past three years Ms. Loreto has chronicled her lived experiences in her short and tragic anecdotes both in "My Love Affair with the Cartel" and through some comical attempts at failing at love in a diary of sad documented situationships in "A Xicana's Dating Diary." You would think that for a woman whose already written so naked and so openly she would not have more to share. But, in her quest to find something she has found something more. "A Xicana Returns Home" is her final production of her first-hand narratives. Here she has poured her whole heart, thoughts and experiences. She's made amends to the past and found that while the search for love and desire is human nature, the love for oneself is incredible. In her most unapologetic way she opens up more deeply looking at her past, present and even at what the future might bring. Travel with her and learn of what her return to home means.
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