From a starry-eyed teenager to an elderly clergyman, it seems no one is immune to romance in the county of Barsetshire . . . In the long-running and beloved series that brings Anthony Trollope’s Barsetshire into the mid-twentieth century and offers “a fresh, original, witty interpretation of England’s social history,” the quirky inhabitants and well-bred families of the county find themselves navigating the delights and uncertainties of love (The New York Times). Lady Gwendolyn Harcourt, no spring chicken, is courted by the aging Reverend Oriel of Harefield. And on the other end of the generational spectrum, fresh-faced sixteen-year-old Lavinia Merton may have a future marriage prospect in her singing partner Ludovic, Lord Mellings . . . “Thirkell’s gently meandering account of the diversions of Barsetshire society leaves nothing to be desired.” —New York Herald Tribune “To read [Thirkell] is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
Barsetshire gathers to celebrate a milestone birthday at the Old Bank House in this conclusion to the much-loved, long-running series. A home is saved from destruction, a budding romance takes steps toward the altar, a doctor experiences the return of a former love—and the fine people of Barsetshire make plans for a festive extravaganza to mark Mrs. Morland’s seventieth birthday . . . “Triumphantly completed” by Angela Thirkell’s close friend C. A. Lejeune after Thirkell’s death, Three Score and Ten features a host of new and old friends from the author’s acclaimed series spanning decades of English country life (The New York Times). “Her writing celebrates the solid parochial English virtues of stiff-upper-lippery, good-sportingness, dislike of fuss, and low-key irony. . . . Light, witty, easygoing books.” —The New Yorker “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
In 1930s England, a beleaguered mother frets over her twelve-year-old’s “skirmishes with the grown-up world and his schoolmasters . . . amusingly told” (Kirkus Reviews). Laura Morland loves her son, Tony, unconditionally . . . even when he’s talking everyone’s ear off, accidentally breaking a window, shelling peas in the bathtub, or desperately trying to convince her to buy him a bicycle—the thought of which terrifies her. And of course Laura cherishes their time together when Tony’s home on break, while secretly counting the minutes until he goes back to school . . . This twentieth-century tale set in Anthony Trollope’s beloved Barsetshire is a lighthearted and sharp-witted look at the life of the upper class in prewar England, and a funny portrait of the fraught relationship between a long-suffering mother and a demanding, rambunctious, and occasionally infuriating twelve-year-old boy. Praise for Angela Thirkell and the Barsetshire novels “Thirkell writes in a charmingly easy and intimate style.” —The New York Times “[Thirkell’s] writing celebrates the solid parochial English virtues of stiff-upper-lippery, good-sportingness, dislike of fuss, and low-key irony. . . . Light, witty, easygoing books.” —The New Yorker
A widow goes house-hunting in Barsetshire in this witty, moving novel by an author of “graceful stories of upper-class English life” (The New York Times). One rainy summer, amid the social and cultural changes of postwar England, Mrs. Macfadyen wrestles with the loss of her beloved husband after just five years of happiness. Life has left her uprooted—but where can she replant herself? The hunt for a new house (preferably not too close to her mother’s) will involve everyone from friends and neighbors to an old suitor and the local clergy, but ultimately the decision—and her future—is up to her . . . Recreating Anthony Trollope’s fictional county and bringing it into the mid-twentieth century, Angela Thirkell tells a tale filled with heartache, humor, and sharp social observation. “It is in [Mrs. Macfadyen’s] fitful remembrance, quiet loneliness and gentle acceptance, that one realizes her author’s sense of the poetry in life, and her sympathetic ear for the nuances of pain.” —The New York Times
“Her writing celebrates the solid parochial English virtues of stiff-upper-lippery, good-sportingness,[and] dislike of fuss. . . . Light, witty, easygoing books.” —The New Yorker As 1951 draws to a close, Christmas approaches—but the conservative upper class of Barsetshire have already received the gift they really wanted: Winston Churchill’s re-election as prime minister. Nevertheless, their individual struggles carry on. A member of the House of Lords worries that marriage is not in the cards for him due to an insufficient fortune, while another man does manage to get engaged—but frets that his betrothed doesn’t truly love him. The widow Lady Lufton misses her husband—as well as the money she’s lost to taxes. And an aspiring scholar falls madly in love, but must choose between Oxford and the object of his affections . . . “[This] characteristically witty, nostalgic . . . novel in the beloved Barsetshire series describes the lingering effects of WWII on the fictional village that Thirkell adapted from its Victorian inventor and chronicler, Anthony Trollope.” —Publishers Weekly
A picturesque community in postwar England comes together when it counts in this witty, moving novel in the “beloved” Barsetshire series (Publishers Weekly). Edith Graham is still single when she returns from America to visit Mrs. Morland, and there’s no shortage of interested men—until three suitors find each other such good company that they start socializing together and ignoring her. Meanwhile, Mrs. Morland has received a marriage proposal herself and needs to let the dear man down gently. But while these day-to-day problems preoccupy the two women and their Barsetshire neighbors, they will soon be united by a poignant loss . . . “Here are the familiar cross-county conversations, the disentangling of relationships, the good pieces of meddling and the criticisms and comments that embroider this ever-unfolding panorama of English life.” —Kirkus Reviews “Thirkell writes in a charmingly easy and intimate style.” —The New York Times “Her writing celebrates the solid parochial English virtues of stiff-upper-lippery, good-sportingness, dislike of fuss, and low-key irony. . . . Light, witty, easygoing books.” —The New Yorker
The missing lord of the manor looms large in this quirky novel by an author who offers “a fresh, original, witty interpretation of England’s social history” (The New York Times). Lady Graham is anticipating the long-awaited appearance of Sir Robert, finally retiring from his glorious military career and globetrotting adventures a decade after the end of World War II. In the meantime, life at Holdings goes on and Lady Graham’s youngest, eighteen-year-old Edith, has her pick of suitors. It is unclear, however, if she will make up her mind about them any time soon—and if she will exit Holdings before her father enters . . . “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
Jack Middleton likes to imagine himself a country squire. At weekends he retires to Laverings Estate with his wife, Catherine. He may be pompous, and they may seem ill-matched, but the couple are devoted to each other. When Jack's widowed sister, Lilian, and her two stepchildren arrive to spend the summer in the neighbouring house, he dreads the intrusion to his idyll: Daphne, capable and ambitious, is too lively for his taste, whereas her brother Denis, a composer, he finds a crashing bore. But their wit and good sense charm the residents of Barchester, and they win over Lord Bond with an impromptu Gilbert and Sullivan evening. Even Jack begins to thaw. Before long, Daphne and Lord Bond's son become attracted to each other, but each believes the other is attached to someone else. Can disaster be averted before she marries the wrong man? First published in 1939, Before Lunch is a sparkling comedy from Angela Thirkell's much-loved classic series.
A “charming troupe” of Barsetshire inhabitants celebrate a spate of marriages—while one young woman bemoans her prospects—in this novel of 1950s English life (The New York Times). The locals are all talking about the upcoming wedding of the vicar of Hatch End to the much-loved Miss Merriman—in fact, the couple’s friends and neighbors seem even more excited than the bride- and groom-to-be. But that’s to be expected when a couple of a certain age tie the knot, because it reminds everyone that it’s never too late for love. And though Edith Graham is increasingly gloomy about landing a husband, the romantic spirit of the event just might be contagious . . . “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews “[Thirkell’s] talent for easy, light characterization does not seem to be flagging.” —The Times Literary Supplement
As Elizabeth II’s coronation draws near, the gentry of Barsetshire engage in preparations, committee meetings, and “their perennially amusing antics” (The New York Times). A new queen is about to be crowned, and the prominent families of Barsetshire intend to make a good impression amid the festivities. Fortunately, the highly capable Lydia Merton takes the helm of the local committee planning for the big event. All she needs to do is keep calm and carry on through the squabbling, the petty jealousies, and the occasional disaster . . . “The Thirkell wit presides with tongue-rolling malice.” —The New York Times “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
You read her, laughing, and want to do your best to protect her characters from any reality but their own' New York Times It is 1945. When peace breaks out at last, familiar wartime routines are interrupted, and the residents of Barsetshire seem as disconcerted as they are overjoyed. As the country's eligible young men return home, life regains momentum: before long, everyone is spinning in a flurry of misunderstandings and engagements. The older generation, though, sees that the world will never be the same again. Both wry and poignant, Peace Breaks Out was written in the tumultuous year in which it is set. It is an unforgettable portrait of the joy and misgivings felt in the final days of the Second World War.
Amid food shortages and grumbling, Barsetshire is unsettled by the arrival of a pretty war widow in this “delicately humorous [and] entertaining” novel (The New York Times). World War II may be over, but its effects linger in the English countryside as the local ladies trade ration coupons for a paltry selection of provisions. It’s feeling like a bleak summer—but it won’t be a boring one, now that flirtatious young widow Peggy Arbuthnot and her sister-in-law, Effie, are on the scene. Peggy has quite a few admirers—including Noel Merton, which is rather unfortunate for his wife. Suspense reigns over who might win Peggy’s hand—and whether the Merton marriage will survive . . . “Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
Charming, very funny indeed. Angela Thirkell is perhaps the most Pym-like of any twentieth-century author, after Pym herself' - Alexander McCall Smith Edgewood Rectory may be set in an ancient landscape, but the Grantly family are very much of their time. Caught up in the uncertain world that has emerged since the outbreak of peace, the Rector and Mrs Grantly are bewildered by the challenges facing their eldest children: Eleanor, longing for more excitement than can be found in the Red Cross Library; and Tom, struggling to readjust to student life at Oxford after his military service. When their elderly neighbour Miss Sowerby sells her beloved Old Bank House to self-made MP Sam Adams, the one-time outsider finds himself at the heart of Barsetshire society. And while Sam may dismiss her advice that the house needs a mistress, even a contented widower can be surprised by love.
You read her, laughing, and want to do your best to protect her characters from any reality but their own' New York Times It's the summer of 1947, and peacetime has brought new challenges to Barsetshire. Beliers Priory, once a military hospital during the War, has now become a flourishing preparatory school for boys run by Leslie and Philip Winter. When Charles Belton is hired as the new school master, six young people are thrown together in a web of flirtations and misunderstandings: Charles and his elder brother, Naval Captain Freddy Belton; Susan Dean, now Red Cross Depot Librarian, and her glamorous sister Jessica, an actress in thrall to the theatre; pragmatic Lucy Marling and her brother Oliver. And with the old social order in ruins, the scene is set for a delicious summer of comic - and romantic - possibilities. Love Among the Ruins is a delightful, clever and wryly poignant classic, and the 17th novel in Angela Thirkell's beloved Barsetshire series.
Barsetshire in the latter years of the Second World War is a peaceful and gossipy place, but there has been one lively change. A girls' school, evacuated from London, has taken over Harefield Park. Miss Sparling seems to be the perfect headmistress: she dresses as a headmistress should and is an easy and erudite conversationalist. Her new neighbours like her and her pupils respect her, but there is something missing from her life; something which - though she never dreamt it when she arrived - perhaps Barsetshire can provide...
Charming, very funny indeed. Angela Thirkell is perhaps the most Pym-like of any twentieth-century author, after Pym herself' Alexander McCall Smith It is wartime in Barsetshire, and so much has changed. Belier's Priory is now a hospital for wounded soldiers, and Sir Harry and Lady Waring have moved to the servants' quarters, where they make the best of it - so much more practical than the large, draughty house! Soon, their niece Leslie, who has a hush-hush job with the navy, comes to recuperate: her nerves are frayed from overwork and a close call with a torpedo. When the Warings are then asked to house an intelligence officer and his wife, they reluctantly agree. They cannot know what a much-needed tonic Noel and Lydia Merton will prove to be. With the Priory being both the Waring residence and the army hospital, it becomes the hub of activity for all of Barsetshire.
Originally published in the 1930s and 1940s and never before collected, these stories by the incomparable Angela Thirkell relate merry scenes of a trip to the pantomime, escapades on ice, a Christmas Day gone awry, and an electrifying afternoon for Laura Morland and friends at Low Rising, not to mention the chatter of the arty set at a London private view. Charming, irreverent and full of mischievous humour, they offer the utmost entertainment in any season of the year.
Successful lady novelist Laura Morland and her boisterous young son Tony set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbour George Knox has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village. Can clever, practical Laura rescue George from Miss Grey's clutches and, what's more, help his daughter Miss Sibyl Knox to secure her longed-for engagement? Utterly charming and very funny, High Rising is irresistible comic entertainment.
You read her, laughing, and want to do your best to protect her characters from any reality but their own' New York Times Mr Marling, of Marling Hall, has begun to accept - albeit reluctantly - that he will probably never be able to pass his wonderful old estate on to his children. The Second World War is bringing an end to so many things, but the Marlings carry on as best they can in the face of rationing and a shortage of domestic help. Into their world arrive Geoffrey Harvey and his sister Frances, who have been bombed out of their London home. Bohemian and sophisticated, they rent a local house, and it is not long before they begin to have an effect on their neighbours. Geoffrey begins to court Lettice, the Marlings' widowed daughter, but he finds he has rivals for her affections in dashing David Leslie and Captain Barclay. Observing everything and quietly keeping events on an even keel is the Marlings' sage old governess, Miss Bunting. 'The novels are a delight, with touches of E. F. Benson, E. M. Delafield and P. G. Wodehouse' Independent on Sunday
You read her, laughing, and want to do your best to protect her characters from any reality but their own' New York Times It is summer 1939 and the social event of the year is about to take place: Rose Birkett, a flighty beauty with a penchant for breaking engagements and hearts, is finally getting married, and the whole village - especially her parents - breathes a sigh of relief. By autumn, however, summer weddings seem a distant memory as war reaches Barsetshire. While the younger generation throws itself into the war effort with cheerful aplomb, older residents remember the last war keenly, and are fearful. When an entire London school of evacuees arrive, as well as a number of refugees, the village rallies round to accommodate them. Some inhabitants, though, fail to welcome the newcomers with open arms. First published in 1940, this is a humorous and poignant picture of wartime in a rural community.
Matches are being made among the cream of postwar English society in this novel of “warmth, whimsy, quirks, and vinegar with a dash of vitriol”(The New York Times). The England of old may be fading away (it’s so hard to find good help these days!)—but that doesn’t stop the prominent families of Barsetshire from producing a new generation of genteel brides and grooms in this funny, entertaining portrait of stubbornly cherished traditions in a changing world. “It is difficult not to become charmed, amused and engrossed. [Thirkell’s] sense of the ludicrous is enchanting. Perhaps, above all, it is her basic human kindness and her remarkable insight into the delicate relationship between parents and adolescent and grown children, that endear her books to so many people.” —The New York Times “Thirkell writes with an asperity and wit and glorious clowning that are all her own.” —San Francisco Chronicle
Pretty, impecunious Mary Preston, newly arrived as a guest of her Aunt Agnes at the magnificent wooded estate of Rushwater, falls head over heels for handsome playboy David Leslie. Meanwhile, Agnes and her mother, the eccentric matriarch Lady Emily, have hopes of a different, more suitable match for Mary. At the lavish Rushwater dance party, her future happiness hangs in the balance . . .
Successful lady novelist Laura Morland and her boisterous young son Tony set off to spend Christmas at her country home in the sleepy surrounds of High Rising. But Laura's wealthy friend and neighbour George Knox has taken on a scheming secretary whose designs on marriage to her employer threaten the delicate social fabric of the village. Can clever, practical Laura rescue George from Miss Grey's clutches and, what's more, help his daughter Miss Sibyl Knox to secure her longed-for engagement? Utterly charming and very funny, High Rising is irresistible comic entertainment.
Originally published in the 1930s and 1940s and never before collected, these stories by the incomparable Angela Thirkell relate merry scenes of a trip to the pantomime, escapades on ice, a Christmas Day gone awry, and an electrifying afternoon for Laura Morland and friends at Low Rising, not to mention the chatter of the arty set at a London private view. Charming, irreverent and full of mischievous humour, they offer the utmost entertainment in any season of the year.
There is always in our minds the hope that we may find again those golden unhastening days and wake up and dream." - Angela Thirkell Angela Thirkell, the cousin of Rudyard Kipling and the granddaughter of celebrated Pre-Raphaelite painter Sir Edward Burne-Jones, was an eminent twentieth century literary figure, and wrote avidly until her death in 1961. In her beautifully nostalgic memoirs, she recalls in rich detail the three houses in which she grew up and the childhood memories their walls contain. Thirkell's elaborate portraits of the three houses - The Grange in Fulham, 27 Young Street in Kensington Square, and North End House in Rottingdean - offer an invaluable insight into late Victorian life. Her recounting of forbidden explorations, Punch and Judy shows, and adventures in the garden are beautifully evocative of the innocent quality of childhood, and the personal recollections of her famous grandfather present a loving family man behind the renown. The exposure to music, art and literature that Thirkell details in her exploration of her beloved three houses foreshadows her later fictional creations - her Barsetshire novels. Three Houses allows us a snapshot of history from the busy literary centre of London to the English coast. Charmingly expressive, these stunning memoirs are both reminiscent of the golden days of youth and an interesting vision of a writer and the early influences that informed her later work.
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