Margaret Sanger, the American birth-control and population-control advocate who founded Planned Parenthood, stands like a giant among her contemporaries. With her dominating yet winning personality, she helped generate shifts of opinion on issues that were not even publicly discussed prior to her activism, while her leadership was arguably the single most important factor in achieving social and legislative victories that set the parameters for today's political discussion of family-planning funding, population-control aid, and even sex education. This work addresses Sanger's ideas concerning birth control, eugenics, population control, and sterilization against the backdrop of the larger eugenic context.
This new study of Menander casts fresh light not only on the techniques of the playwright but also on the literary and historical contexts of the plays. Menander (342/1-292/1 BCE) wrote over a hundred popular comedies, several of which were adapted by Plautus and Terence. Through them, he was a major influence on Shakespeare and Molière. However, his work survived only in excerpts and quotation until some significant texts reappeared in the nineteenth and twentieth centuries on papyrus. The mystery of their loss and rediscovery has raised key questions surrounding the transmission of these and other Greek texts. Theatrical masks from the fourth century BCE discovered on the island of Lipari now also provide important material with which this book examines how the plays were originally performed. A detailed investigation of their historical setting is offered which engages with recent debates on the importance of social status and citizenship in Menander's plays. The techniques of characterization are also examined, with particular focus on women, slaves and power relationships in his Epitrepontes. It appears that the audience was invited, sometimes subversively, behind the mask of this sophisticated comedy to discover that people do not always conform to literary expectations and social norms.
YOU ARE CALLED TO BE A WORLD CHANGER! What is your place in the kingdom of God? Does God still work through ordinary people to do miracles? Deep inside, each of us knows that there must be more to the Christian life than we are experiencing. If you've been longing to live an exciting life by walking in the supernatural power of God, Take Your Place will help you discover how to do just that. Revival isn't out there somewhere, it's in you! It's time you Take Your Place and release the love and power of God in your world. Transformed from a shattered life of abuse, addiction, depression, and suicide, Angela now lives a life of victory, supernatural power and healing miracles. Her story will give you hope, real answers and fresh motivation to Take Your Place. - Dr Dale A. Fife, author, The Secret Place Take Your Place will help you become all God created you to be, as it contains the keys to walking in your God given destiny. Angela's zeal is contagious! - Gary Oates, author, Open My Eyes, Lord I highly recommend this book as it will cultivate a hunger for God, His Kingdom, and His purposes! - Danny Steyne, author, These Walk on Water What a wonderful book; you won't be able to put it down. It will change your life! - Jim & Ramona Rickard, RAIN I highly recommend this equipping book for all to read as it carries an igniting fire! - Johnny Enlow, author, The Seven Mountain Prophecy Angela Kline is the Georgia Director and a Regional Director for the International Association of Healing Rooms. She and her husband, Dennis, direct the Healing Rooms of Greater Atlanta. They live in the Atlanta area with their wonderful children, Moriah and Israel.
When a young woman is murdered, the lives of those in her immediate circle are thrown into chaos as the mother become obsessed with keeping the authorities interested in the case and the husband falls into despair after being convicted in the court of public opinion. Original.
In doing so, the author seeks to convince readers that Komunyakaa has never been solely interested in dealing with the complexities of race in his work, although he does so to stunning effect in such works as Dien Cai Dau, a volume invoking the horrors of the war in Vietnam."--Jacket.
Comprehensive in scope and thoroughly up to date, Wintrobe’s Clinical Hematology, 15th Edition, combines the biology and pathophysiology of hematology as well as the diagnosis and treatment of commonly encountered hematological disorders. Editor-in-chief Dr. Robert T. Means, Jr., along with a team of expert section editors and contributing authors, provide authoritative, in-depth information on the biology and pathophysiology of lymphomas, leukemias, platelet destruction, and other hematological disorders as well as the procedures for diagnosing and treating them. Packed with more than 1,500 tables and figures throughout, this trusted text is an indispensable reference for hematologists, oncologists, residents, nurse practitioners, and pathologists.
The year 2006 marked the centenary of the birth of Nobel-Prize winning playwright and novelist Samuel Beckett. To commemorate the occasion, this collection brings together twenty-three leading international Beckett scholars from ten countries, who take on the centenary challenge of "revolving it all": that is, going "back to Beckett"-the title of an earlier study by critic Ruby Cohn, to whom the book is dedicated-in order to rethink traditional readings and theories; provide new contexts and associations; and reassess his impact on the modern imagination and legacy to future generations. These original essays, most first presented by the Samuel Beckett Working Group at the Dublin centenary celebration, are divided into three sections: (1) Thinking through Beckett, (2) Shifting Perspectives, and (3) Echoing Beckett. As repeatedly in his canon, images precede words. The book opens with stills from films of experimental filmmaker Peter Gidal and unpublished excerpts from Beckett's 1936-37 German Travel Diaries, presented by Beckett biographer James Knowlson, with permission from the Beckett estate. Renowned director and theatre theoretician Herbert Blau follows with his personal Beckett "thinking through." Others in Part I explore Beckett and philosophy (Abbott), the influences of Bergson (Gontarski) and Leibniz (Mori), Beckett and autobiography (Locatelli), and Agamben on post-Holocaust testimony (Jones). Essays in Part II recontextualize Beckett's works in relation to iconography (Moorjani), film theoretician Rudolf Arnheim (Engelberts), Marshall McLuhan (Ben-Zvi), exilic writing (McMullan), Pierre Bourdieu's literary field (Siess), romanticism (Brater), social theorists Adorno and Horkheimer (Degani-Raz), and performance issues (Rodríguez-Gago). Part III relates Beckett's writing to that of Yeats (Okamuro), Paul Auster (Campbell), Caryl Churchill (Diamond), William Saroyan (Bryden), Minoru Betsuyaku and Harold Pinter (Tanaka) and Morton Feldman and Jasper Johns (Laws). Finally, Beckett himself becomes a character in other playwrights' works (Zeifman). Taken together these essays make a clear case for the challenges and rewards of thinking through Beckett in his second century.
The Romantic Performative" develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something "happens" when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that theory, this book uncovers the historical roots of twentieth-century ideas about speech acts and performativity. Romantic linguistic philosophy already focused on the relationship between speaker and hearer, describing speech as an act that establishes both subjectivity and intersubjective relations and theorizing reality as a verbal construct. But Romantic theorists considered utterance, the context of utterance, and the positions and identities of speaker and hearer to be much more fluid and less stable than modern analytic philosophers tend to make them. Romantic theories of language therefore yield a definition of the "Romantic performative" as an utterance that creates an object in the world, instantiates the relationship between speaker and hearer, and even founds the subjectivity of the speaker in the moment when the utterance occurs. The author traces the Romantic performative through its diverse development in the moral, political, and legal philosophy of Reid, Bentham, Kant and the German Idealists, Humboldt, and Coleridge, then explores its significance in literary texts by Coleridge, Godwin, Holderlin, and Kleist. These readings demonstrate that Romantic writers mounted a deeper investigation than previously realized into the way the act of speaking generates subjective identity, intersubjective relations, and even objective reality. The project of the book is to read the language of Romanticism as performative and to recognize among its achievements the historical founding of the discourse of performativity itself.
In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.
A comprehensive, readable analysis of the key issues of the Black Lives Matter movement, this thought-provoking and compelling anthology features essays by some of the nation’s most influential and respected criminal justice experts and legal scholars. “Somewhere among the anger, mourning and malice that Policing the Black Man documents lies the pursuit of justice. This powerful book demands our fierce attention.” —Toni Morrison Policing the Black Man explores and critiques the many ways the criminal justice system impacts the lives of African American boys and men at every stage of the criminal process, from arrest through sentencing. Essays range from an explication of the historical roots of racism in the criminal justice system to an examination of modern-day police killings of unarmed black men. The contributors discuss and explain racial profiling, the power and discretion of police and prosecutors, the role of implicit bias, the racial impact of police and prosecutorial decisions, the disproportionate imprisonment of black men, the collateral consequences of mass incarceration, and the Supreme Court’s failure to provide meaningful remedies for the injustices in the criminal justice system. Policing the Black Man is an enlightening must-read for anyone interested in the critical issues of race and justice in America.
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Cross-curricular projects - Progetti CLIL per la Scuola Secondaria Inferiore is a photocopiable resource book for Italian lower secondary school teachers who are interested in doing CLIL projects. This photocopiable book plus audio CD will be very useful for those schools which allocate extra teaching hours for English as part of the new Italian 'riforma'. - Many of the activities will help students with the oral part of the Italian State exam at the end of the 'Scuola Superiore di Primo Grado'. (12-14 year olds). - It contains a variety of texts and text-tasks for mixed-ability classes. - Each project can be assessed so that students can include their results in their language Portfolio. - The projects can be used as stand-alone. They do not need the support of any core English course. - They can be taught in a variety of classes. - The themes deal with 'convivenza civile' (social, moral, cultural development issues) in compliance with the new Italian 'riforma'. - The book contains 5 projects divided into themes: 1. How green are you? 2. Keep it safe 3. Forces of Nature 4. Citizens of the world 5. A look at the past
“The single most destructive act ever perpetrated on any tribe by the United States,” Vine Deloria Jr. called it. For the Mandan, Hidatsa, and Arikara communities living on the Fort Berthold Indian Reservation in North Dakota, the construction of the Garrison Dam as part of the New Deal–era Pick-Sloan Missouri Basin Program meant the flooding of a third of their land, including their most fertile agricultural acreage, the loss of their homes, and wrenching relocation. In Damming the Reservation, Angela K. Parker, an enrolled member of the Three Affiliated Tribes, offers a deeply researched, unflinching history of the tribes’ fight to preserve and rebuild their culture, shared history, common stories, sense of place, and sovereignty. With the richly informed and deeply personal perspective of a historian and descendant of those who survived these events, Parker tracks the riverine communities from 1920 to 1960, in the years before, during, and after the Army Corps of Engineers did its devastating work. By studying the inextricable link between on-the-ground conditions and national policy, she builds a cohesive narrative for twentieth-century Native American history that hinges on the assertion of Indigenous sovereignties. These battles over land, water, and resources that constitute the “territory” required to maintain a working sovereign body are at the very heart of the Native American past, present, and future. The author shows how Indigenous resistance to the Garrison Dam created a new generation of activists, including Tillie Walker, the focus of the book’s epilogue. Damming the Reservation documents what can happen when a settler colonial nation tramples tribal rights while exerting control over rural hinterlands: in this case, the reservation community developed a praxis of self-determination and tribal sovereignty that trickled up to the national level so that tribal meanings came to saturate federal Indian policy. This is a history whose lessons echo through today’s most pressing environmental justice crises.
Eleanor Roosevelt recognized the power of film and television, especially as educational tools to reach young people. She hosted three political talk shows in the 1950s and early 1960s, often appearing in guest spots to promote the United Nations, Democratic candidates, and progressive issues with Ed Sullivan, Bob Hope, Frank Sinatra, Mike Wallace, and Edward R. Murrow. In the 1930s and '40s, fan magazines such as Photoplay and Modern Screen published her opinions on the movies, and she boldly appeared in an interventionist prologue to the 1940 anti-Nazi film Pastor Hall. During World War II, she contributed to civil defense films and became a staple joke in Hollywood comedies. She also negotiated postwar representations of FDR on the big screen, culminating in 1960's Sunrise at Campobello, which portrayed her as the perfect wife. This book is the first to address Eleanor Roosevelt's moving image record and her relationship to film and television in the three decades from the 1932 presidential campaign to her death in 1962.
In this trenchant inquiry into the state of feminism, Angela McRobbie breaks open the politics of sexual equality and ′affirmative feminism′ and sets down a new theory of gender power. Challenging the most basic assumptions of the ′end′ of feminism, this book argues that invidious forms of gender re-stabilisation are being re-established. Consumer and popular culture encroach on the terrain of so-called female freedom, appearing supportive of female success, yet tying women into new post-feminist neurotic dependencies. With a scathing critique of ′women′s empowerment′, McRobbie has developed a distinctive feminist analysis that she uses to examine socio-cultural phenomena embedded in contemporary women′s lives: from fashion photography and the television ′make-over′ genre to eating disorders, body anxiety and ′illegible rage′. A turning point in feminist theory, The Aftermath of Feminism will set a new agenda for gender studies and cultural studies.
Although cross-cultural encounter is often considered an economic or political matter, beauty, taste, and artistry were central to cultural exchange and political negotiation in early and nineteenth-century America. Part of a new wave of scholarship in early American studies that contextualizes American writing in Indigenous space, Literary Indians highlights the significance of Indigenous aesthetic practices to American literary production. Countering the prevailing notion of the "literary Indian" as a construct of the white American literary imagination, Angela Calcaterra reveals how Native people's pre-existing and evolving aesthetic practices influenced Anglo-American writing in precise ways. Indigenous aesthetics helped to establish borders and foster alliances that pushed against Anglo-American settlement practices and contributed to the discursive, divided, unfinished aspects of American letters. Focusing on tribal histories and Indigenous artistry, Calcaterra locates surprising connections and important distinctions between Native and Anglo-American literary aesthetics in a new history of early American encounter, identity, literature, and culture.
Shamanism is thriving as an exotic import and a hidden native tradition in Italy today. This ethnographical work uncovers two faces of Italian shamanism. The first is trans-cultural shamans who creatively adapt rituals and beliefs from indigenous cultures worldwide. Second, extensive fieldwork shows how regional folk magic practices of segnatoriand segnatrici constitute a little-known but enduring form of native Italian shamanism. By documenting these parallel worlds, contemporary magic workers appear to be the heirs of ancient local healing traditions. Offering rare insights into vernacular religion, this book vividly portrays shamans' past and present on the Italian peninsula.
Offers new understandings of the famous foxhunting case, Pierson v. Post, and its role in legal education and legal professionalization. This book is meant for legal historians, lawyers, and law professors and students.
She had the perfect life until the accident. Now science offers an opportunity to replace what she has lost--but at what cost? Diana and Steve Sheldon had it all--successful careers, nice home, a lovely teenage daughter, an adorable five-year-old son. But when a freak accident ravages their happy family, Diana, a professional radio counselor, finds herself viewing the world through new eyes of grief--and accepting ideas and situations she would have considered unacceptable only a few weeks before. When a research foundation offers to restore her loss through a medical marvel, Diana is convinced she has found the answer to her family's anguish. Determined to sacrifice anything that stands between her and healing for her broken heart, she proceeds along a dangerous course, never dreaming that healing might prove more destructive than hurt... As timely as today's newspaper, The Pearl is an honest, heart-rending look at life and faith through a contemporary mother's eyes.
What happens after all your dreams come true? In these uplifting tales of faith and fortune, delve into the lives of three people whose hearts--and wallets--are on the line when an unexpected windfall tests them like never before. . . Showers of Blessings Angela Benson Assistant pastor Ronnie has a shameful secret: he's a compulsive gambler. And just when it seems he's run out of luck, he finds salvation in a miraculous win. But nothing can keep Ronnie from recklessly betting his family's future. His only way out is through renewed faith--and a desperate act of redemption. Second Chance Blessings Marilynn Griffith Pro football player Craig Richards has it all, from the trophy wife to the lavish mansion--until an injury costs him everything. Defeated, he returns to the community and church he left behind--and discovers his loss just might be a blessing in disguise. But will a second shot at fame and fortune lead him astray once more? Knight In Pink Armor Tia McCollors Dara Knight's dream goes far beyond the multi-million dollar lottery she just won. Her real desire is to rebuild a poverty-stricken Atlanta community. But when a vicious gang sets out to destroy her project, will she have enough courage to prove that investing in people, against all odds, yields heaven-sent rewards?
Off and Running is a unique text for the first semester of the 1L legal writing and research course, designed to guide students through their development of the essential skills needed to practice law. Using a single, classroom-tested fact pattern, the authors demonstrate in concrete steps how a first-year associate might approach a legal problem. Students practice these steps and skills on other fact patterns, as they read about this fictional associate. Using this fresh approach and a plain-English writing style, the authors introduce essential concepts and skills related to objective legal writing and legal research, with a particular emphasis on the professional and ethical representation of clients. Students learn how to think like a lawyer. Features: Fully integrated coursebook for first semester of 1L LRW course. Integrates research, analysis, and writing. Emphasis on how skills relate to the practice of law, with focus on both litigation and transactional applications. Professionalism and ethics discussions, including "ethics alert" boxes, are integrated throughout the text. Presents one classroom-tested fact pattern to demonstrate how to i.d. the issues in the fact pattern, use legal resources to research those issues, and use the research results to write documents such as an objective memorandum and a client letter. Professors may assign different fact patterns, set in other jurisdictions, to have students demonstrate their skills. They may also assign a closed-universe problem during the early weeks of the semester. Other chapters cover an overview of the U.S. legal system, the basics of grammar, punctuation and style; how to use e-mail effectively; and incorporating LW principles into litigation and transactional documents. Book takes a streamlined approach, focusing on the essentials and using plain English, in order to remain accessible to students
I have at last reached the desired haven', exclaimed Belfast-born Bessie Macready in 1878, the year of her arrival at Lyttelton, when writing home to cousins in County Down. Utilizing fascinating personal correspondence exchanged between Ireland and New Zealand, this book explores individual responses to migration during the period of the great European emigrations across the world. It addresses a number of central questions in migration history such as the circumstances of departure. Equally why did some connections choose to stay? And how did migrant letter writers depict their voyage out, the environment, work, family and neighbours, politics, and faith? How prevalent was return and repeat migration? In answering these questions the book gives significant attention to the social networks constraining and enabling migrants. The book represents an innovative and original contribution to the history of European migration between the mid-nineteenth century and the interwar years. It addresses broader debates in the history of European migration relating to the use of personal testimony to chart the experiences of emigrants and the uncertain processes of adaptation, incorporation, and adjustment that migrants underwent in new and sometimes unfamiliar environments. The book also adds to the ever-increasing historiography of the Irish abroad.
Grace Bowers finds her plans of revenge against the company that discriminated against her father thirty-five years ago thwarted by her growing attraction to Keith Hart, who, unkebnowst to him, is being used by her to take down the company he represents. Original.
The relationship between Russia and Germany has been pivotal in some of the most fateful events of the twentieth century: the two World Wars, the Cold War, and the emergence of a new Europe from the ashes of communism. This is the first book to examine the recent evolution of that tense and often violent relationship from both the Russian and German perspectives. Angela Stent combines interviews with key international figures--including Mikhail Gorbachev--with insights gleaned from newly declassified archives in East Germany and her own profound understanding of Russian-German relations. She presents a remarkable review of the events and trends of the past three decades: the onset of d tente, the unification of Germany, the collapse of the Soviet Union, and the rise of an uncertain new European order. Stent reveals the chaos and ambivalence behind the Soviet negotiating strategy that led--against Gorbachev's wishes--to that old Soviet nightmare, a united Germany in NATO. She shows how German strength and Russian weakness have governed the delicate dance of power between recently unified Germany and newly democratized Russia. Finally, she lays out several scenarios for the future of Russian-German relations--some optimistic and others darkened by the threat of a new authoritarianism. Russia and Germany Reborn is crucial reading for anyone interested in a relationship that changed the course of the twentieth century and that will have a powerful impact on the next.
Scholars have traditionally viewed the Italian Renaissance artist as a gifted, but poorly educated craftsman whose complex and demanding works were created with the assistance of a more educated advisor. These assumptions are, in part, based on research that has focused primarily on the artist's social rank and workshop training. In this volume, Angela Dressen explores the range of educational opportunities that were available to the Italian Renaissance artist. Considering artistic formation within the history of education, Dressen focuses on the training of highly skilled, average artists, revealing a general level of learning that was much more substantial than has been assumed. She emphasizes the role of mediators who had a particular interest in augmenting artists' knowledge, and highlights how artists used Latin and vernacular texts to gain additional knowledge that they avidly sought. Dressen's volume brings new insights into a topic at the intersection of early modern intellectual, educational, and art history.
An examination of the Americanization of Cold War evangelicalism, it argues that developments like the prospect of nuclear warfare and the creation of the state of Israel that appeared to be fulfilment of biblical prophecy accompanied by secular apocalypticism led to the evangelical subculture's expansion with the rise of the New Christian Right.
Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other.
Song Walking explores the politics of land, its position in memories, and its foundation in changing land-use practices in western Maputaland, a borderland region situated at the juncture of South Africa, Mozambique, and Swaziland. Angela Impey investigates contrasting accounts of this little-known geopolitical triangle, offsetting textual histories with the memories of a group of elderly women whose songs and everyday practices narrativize a century of borderland dynamics. Drawing evidence from women’s walking songs (amaculo manihamba)—once performed while traversing vast distances to the accompaniment of the European mouth-harp (isitweletwele)—she uncovers the manifold impacts of internationally-driven transboundary environmental conservation on land, livelihoods, and local senses of place. This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.
Girls in My Town creates an unforgettable portrait of a family in Los Angeles. Reaching back to her grandmother's childhood and navigating through her own girlhood and on to the present, Angela Morales contemplates moments of loss and longing, truth and beauty, motherhood and daughterhood.
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