During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear, Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
Detail Practice: Building with Steel ist ein Handbuch für das schnelle, zielgerichtete Nachlesen und Umsetzen. Beispielprojekte erläutern gebräuchliche Regeldetails anhand großmaßstäblicher Detailzeichnungen. Grundlagen zur Tragwerksplanung helfen bei Entwurf und Planung. Ergänzend sind gängige Tragwerke an Beispielen wie Wohnungs-, Verwaltungs- und Hallenbau erläutert. Die im Stahlbau besonders relevanten Fragen zu Brandschutz und Bauphysik sind ebenso behandelt wie der Einsatz von Stahl als Material für Fassadenbekleidungen.
The need to establish material cycles in the building industry is undisputed. Knowledge on this topic is available in many places: In this book it is summarised and systematized. After a general overview of the quantities generated, recovery rates and areas of application of recycled building materials, the current processing steps on which recycling is based and the possibilities for influencing the product properties are discussed. Furthermore, recycling building materials are characterized and their fields of application are presented. The starting point is always the original building material, which is later found in the construction waste. The focus is on the structural properties. The environmental aspects, which have determined the discussion for years, are shown to the necessary extent. The book concludes with a chapter that presents new developments in processing technologies and analyses the potential of construction waste as a source of raw materials.
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear, Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.
Gerichtsmedizinerin Kay Scarpetta gerät unter Vedacht, eine Konkurrentin ermordet zu haben. Noch bevor sie ihre Unschuld beweisen kann, geschehen zwei weitere Morde.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.