Join Andy Jones as he takes us on a quest for reality in performance, studying the philosophies of Antonin Artaud and Lee Strasberg.And when it all gets a bit heavy, Andy's humour and lightness of touch in the extended essays should help any students struggling with these hefty concepts, grasp the bigger picture.
No sport provides a better opportunity to document the fan experience than baseball. Fantography: San Diego Baseball features amateur photographs taken by real fans--ballpark memories that often reach beyond the game-winning hit or strikeout pitch. Within these pages is an assortment of images that peers into the Padres' Pacific Coast League days, the early years of struggling in the National League, the 1984 World Series season, and its recent years. Featured are household names like Tony Gwynn, Jerry Coleman, and Trevor Hoffman, as well as more forgotten players, managers, broadcasters, and ballparks. These are your snapshots, and they are from your personal albums. These images are accompanied by many Padres stories--your stories--that have never before seen print.
A treasury of candid photos and behind-the-scenes trivia covering decades of baseball history. Baseball Fantography is a celebration of baseball through the eyes of fans, via photos they’ve taken of players, ballparks, and related subjects over the past nine decades, along with essays, sidebars, and quotes. The project originated when the author discovered an old 1960s snapshot of himself as a teenager with his idol, Roger Maris, at Yankee Stadium. Realizing he couldn’t be the only one with these hidden photographic gems, he began collecting baseball photos taken by fans. The book contains: More than 250 never-before-published images of such players as Roberto Clemente, Mickey Mantle, Derek Jeter, and Josh Hamilton Chapters on subjects like ballparks, spring training, broadcasters, dugouts, and baseball cards Contributions from baseball aficionados and notables like Hall of Famer Ozzie Smith, a thirty-five-year veteran Topps baseball photographer, and a former president of the Baseball Hall of Fame A foreword by Bob Costas
Andy Dougan draws on first-hand interviews with some of De Niro's closest friends and colleagues. The result is a revealing and sometimes startling account of an intensely private man. While previous biographies of De Niro have only scraped the surface of his complex character, this sensitive and perceptive portrayal lays bare the psychological and emotional scars that De Niro has sought to hide for so long.
No sport provides a better opportunity to document the fan experience than baseball. Fantography: San Diego Baseball features amateur photographs taken by real fans--ballpark memories that often reach beyond the game-winning hit or strikeout pitch. Within these pages is an assortment of images that peers into the Padres' Pacific Coast League days, the early years of struggling in the National League, the 1984 World Series season, and its recent years. Featured are household names like Tony Gwynn, Jerry Coleman, and Trevor Hoffman, as well as more forgotten players, managers, broadcasters, and ballparks. These are your snapshots, and they are from your personal albums. These images are accompanied by many Padres stories--your stories--that have never before seen print.
He penned songs such as “Witchcraft” and “The Best Is Yet to Come” (signature tunes for Frank Sinatra and Tony Bennett, respectively) and wrote such musicals as Sweet Charity, I Love My Wife, On the Twentieth Century, and The Will Rogers Follies – yet his life has gone entirely unexplored until now. You Fascinate Me So takes readers into the world and work of Tony, Grammy, and Emmy Award-winning composer/performer Cy Coleman, exploring his days as a child prodigy in the 1930s, his time as a hot jazz pianist and early television celebrity in the 1950s, and his life as one of Broadway's preeminent composers. This first-time biography of Coleman has been written with the full cooperation of his estate, and it is filled with previously unknown details about his body of work. Additionally, interviews with colleagues and friends, including Marilyn and Alan Bergman, Ken Howard, Michele Lee, James Naughton, Bebe Neuwirth, Hal Prince, Chita Rivera, and Tommy Tune, provide insight into Coleman's personality and career.
Jim Cregan's career as a rock guitarist, songwriter and producer has spanned over fifty years, touring and recording albums with stars such as Elton John, Cat Stevens, Family, Willie Nelson, Steve Harley and Cockney Rebel, Joe Cocker, The Gypsy Kings, and Katie Melua. However, he is perhaps best known for his forty-year association with Rod Stewart, not only as his guitarist but also being best friends and godfathers to each other's children. In his autobiography Jim Cregan lifts the lid on his extraordinary life, recounting his experiences with music's biggest stars, from his first band at the age of 14 playing in youth clubs in Poole to performing in front of 350,000 people in Rio de Janeiro. In And on Guitar . . . Cregan holds nothing back: from his early life and anecdotes about his family to shenanigans on the road and extraordinary tales of hedonism, love and loss, his stories feature a Who's Who of music's biggest stars.
What distinguishes documentary theatre from other forms of drama? How has it integrated different media across the years, and to what effect? What is its relationship to truth and reality, and defining moments of civic unrest and political change? In this short, authoritative book, Andy Lavender surveys a century of documentary theatre and performance and analyses key productions. Arranged in 3 sections that take a broadly chronological approach, the volume considers the nature of documenting, forms of intervention through theatre, the presentation of lived experience, and issues of truth, reality and representation. The book includes a variety of case studies, beginning with Piscator's In Spite of Everything! (1925) and tracing the work that followed in Europe and America, including the tribunal and testimony plays of the 1990s and 2000s. It examines the relationship of 3 key productions to moments of civic and political crisis: Fires in the Mirror: Crown Heights Brooklyn and Other Identities (1992), Twilight: Los Angeles, 1992 (1993) and The Colour of Justice: The Stephen Lawrence Enquiry (1999). Finally, it looks at the impact of digital technologies, social media and hybrid artforms in the 21st century, to explore the engagement of documentary performance with mediations and experiences of cultural change and shifting identities across a range of case studies.
Includes multiple choice questions about the world of film. Embedded in the book is a special computerized quiz module that lets you compete against yourself or a friend.
Love. Hope. Survival. Freedom. From a single fight to save one young life, to the rekindling of liberty for the whole human race. And everything in between. In "Everything in Seven Stories", Andy Jones - in seven short stories - takes us on a simple, engaging and beautiful journey about everything. Everything that matters.
Betty Comden and Adolph Green were the writers behind such classic stage musicals as On the Town, Wonderful Town, and Bells Are Ringing, and they provided lyrics for such standards as "New York, New York," "Just in Time," "The Party's Over," and "Make Someone Happy," to name just a few. This remarkable duo, the longest-running partnership in theatrical history, also penned the screenplays for such cinematic gems as Singin' in the Rain and The Band Wagon. In the process they worked with such artists as Leonard Bernstein, Gene Kelly, Fred Astaire, Judy Holliday, and Jule Styne. They Made Us Happy is the first book to tell the full story of their careers, lives, and work, starting with their acclaimed appearances as part of the sketch troupe the Revuers and moving through their bi-coastal lives as a pair of Broadway's top writers and two of Hollywood's most valued scribes. The book takes readers on a trip through almost the entirety of the twentieth century, and along the way there are appearances by the likes of Jacqueline Kennedy Onassis, Greta Garbo, and Charlie Chaplin. Author Andy Propst brings both their produced work to life as well as many of the projects that that never made it to the stage or the screen, including an aborted musical version of Thornton Wilder's The Skin of Our Teeth, a bio-pic about director-choreographer Busby Berkeley, and their version of the book for Cole Porter's musical Out of This World. Comden and Green's wit and deft satire inspired laughs during their lives, and their musicals and movies have endured, amusing generation after generation. It's work that will always be making audiences happy.
The classic, scandalous, and bestselling tell-all-and-then-some from Andy Warhol—now a Netflix series produced by Ryan Murphy. This international literary sensation turns the spotlight on one of the most influential and controversial figures in American culture. Filled with shocking observations about the lives, loves, and careers of the rich, famous, and fabulous, Warhol's journal is endlessly fun and fascinating. Spanning the mid-1970s until just a few days before his death in 1987, THE ANDY WARHOL DIARIES is a compendium of the more than twenty thousand pages of the artist's diary that he dictated daily to Pat Hackett. In it, Warhol gives us the ultimate backstage pass to practically everything that went on in the world-both high and low. He hangs out with "everybody": Jackie O ("thinks she's so grand she doesn't even owe it to the public to have another great marriage to somebody big"), Yoko Ono ("We dialed F-U-C-K-Y-O-U and L-O-V-E-Y-O-U to see what happened, we had so much fun"), and "Princess Marina of, I guess, Greece," along with art-world rock stars Jean-Michel Basquiat, Francis Bacon, Salvador Dali, and Keith Haring. Warhol had something to say about everyone who crossed his path, whether it was Lou Reed or Liberace, Patti Smith or Diana Ross, Frank Sinatra or Michael Jackson. A true cultural artifact, THE ANDY WARHOL DIARIES amounts to a portrait of an artist-and an era-unlike any other.
Within the space of a year, between 1995 and 1996, three highly unusual shows were produced by three celebrated figures in world theatre: Qui Est La, directed by Peter Brook, Elsinore, directed by Robert Lepage, and Hamlet: a monologue, directed by Robert Wilson. Each was a version-at least in part-of Shakespeare's Hamlet, although none of them treated the show in anything like an orthodox manner.
Performance in the Twenty-First Century: Theatres of Engagement addresses the reshaping of theatre and performance after postmodernism. Andy Lavender argues provocatively that after the ‘classic’ postmodern tropes of detachment, irony, and contingency, performance in the twenty-first century engages more overtly with meaning, politics and society. It involves a newly pronounced form of personal experience, often implicating the body and/or one’s sense of self. This volume examines a range of performance events, including work by both emergent and internationally significant companies and artists such as Rimini Protokoll, Blast Theory, dreamthinkspeak, Zecora Ura, Punchdrunk, Ontroerend Goed, Kris Verdonck, Dries Verhoeven, Rabih Mroué, Derren Brown and David Blaine. It also considers a wider range of cultural phenomena such as online social networking, sports events, installations, games-based work and theme parks, where principles of performance are in play. Performance in the Twenty-First Century is a compelling and provocative resource for anybody interested in discovering how performance theory can be applied to cutting-edge culture, and indeed the world around them.
Join Andy Jones as he takes us on a quest for reality in performance, studying the philosophies of Antonin Artaud and Lee Strasberg.And when it all gets a bit heavy, Andy's humour and lightness of touch in the extended essays should help any students struggling with these hefty concepts, grasp the bigger picture.
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