DISCOVER THE EXCITING WORLD OF CANARDS "Now, Andy Lennon has provided us with an excellent history of the canard and tandem-wing airplanes. We have, for the first time in a single source, descriptions and photos of the 'tail-first' aircraft from the Wright Flyer to the Starship I. The text also details the specific flying qualities exhibited by many of the aircraft. "To the aviation enthusiast and pilot, the book will provide interesting and sometimes fascinating accounts of how the various shapes handled in the air. "The designer will find the book useful in highlighting many of the problems inherent in tandem-wing design.
A remarkable memoir by one of the most popular and beloved entertainers of the twentieth century When in the mid-1950s Andy Williams reached a low point in his career, singing in dives to ever-smaller audiences, the young man from Wall Lake, Iowa, had no inkling of the success he would one day achieve. Before being declared a national treasure by President Ronald Reagan, Williams would chart eighteen gold and three platinum albums, headline at Caesars Palace in Las Vegas for more than twenty years, and host an enormously popular weekly television variety show whose Christmas specials still occupy a tender spot in every baby boomer’s heart. Williams knew everybody who was anybody during his seven remarkable decades in show business (including Judy Garland, John Huston, Jack Lemmon, John Lennon, Elton John, Frank Sinatra, Elvis, and Barbra Streisand, among others) and was a close friend of Bobby Kennedy for many years, and he shares memories of them all in Moon River and Me. His millions of fans guarantee a huge audience for the autobiography of the plush baritone who— at the age of eighty-one—still draws thousands of fans to his Moon River Theater in Branson, Missouri.
A comprehensive guide to designing radio control model airplanes. Andy Lennon presents a thorough and comprehensive introduction to the intriguing world of model aerodynamics. Whatever your modeling background, this book will be a valuable reference source in your R/C library and will never be outdated. Fully illustrated.
Chronicles the Beatles' use of instruments from 1956 through 1970, including photographs and discussion about Paul's 1963 Hofner 500/1 violin bass, John's Rickenbacker 325 12-string, and George's Gibson Les Paul.
A follow-up to "The Andy Cohen Diaries" recounts his personal and professional escapades during such events as his country tour with sidekick Anderson Cooper, the launch of Sirius station "Radio Andy," and his hosting of NBC's Primetime New Year's Eve special.
Long before the days of the popular British rock band, a group of boys from Mississippi started the original Rolling Stones. In those days the music they played was so new, it was difficult to find records of it or hear it on the radio. Each time they composed a tune they were creating a new sound, which would become known as rockabilly. These were the godfathers of rock & roll and this is their story.
This is an assemblage of Rooney's innumerable and thoughtfully (mostly) sassy (always) letters responding to government and business folk, viewers of 60 Minutes, organizations asking him for a speaking engagement, lawyers, friends, those interested in religious matters, and others. And the letters are arranged into sections according to the type of recipient. Letters that prompted Mr. Rooney's replies are not listed (though Rooney's style allows one to easily understand the original letter's gist). No notes or index, but there seems little need for either. Annotation copyrighted by Book News, Inc., Portland, OR
The last great rock 'n' roll memoir, Andy McCoy's autobiography covers the legendary guitarist's life and exploits from childhood through to the rekindling of his massively influential band, Hanoi Rocks, in the 2000s. McCoy helped introduce punk to Finland from an early age - and from their base in a Stockholm subway station, Hanoi Rocks embarked on a wild, death-defying, jet-setting thrill ride. Includes dozens of rare, candid photos and a new preface written by McCoy in 2009 after the final breakup of Hanoi Rocks.
It had never been attempted before, and might never be done again. One man watching another man write a novel from beginning to end. On September 1, 2014, in an 11th floor apartment in New York, Lee Child embarked on the twentieth book in his globally successful Jack Reacher series. Andy Martin was there to see him do it, sitting a couple of yards behind him, peering over his shoulder as the writer took another drag of a Camel cigarette and tapped out the first sentence: “Moving a guy as big as Keever wasn’t easy.” Miraculously, Child and Martin stuck with it, in tandem, for the next 8 months, right through to the bitter-sweet end and the last word, “needle”. Reacher Said Nothing is a one-of-a-kind meta-book, an uncompromising account in real time of the genesis, evolution and completion of a single work, Make Me. While unveiling the art of writing a thriller Martin also gives us a unique insight into the everyday life of an exemplary writer. From beginning to end, Martin captures all the sublime confidence, stumbling uncertainty, omniscience, cluelessness, ecstasy, despair, and heart-thumping suspense that go into writing a number-one bestseller.
(Book). Now in paperback and updated with new material and photos, this acclaimed book is the first to examine the guitars, basses, drums, keyboards, amplifiers everything The Beatles used to become history's greatest rock 'n' roll band. It analyzes all the gear and how the trend-setting Beatles played it to sculpt an unforgettable range of sounds. Year by year, Beatles Gear examines in fine detail specific instruments, amplifiers, and other equipment used by each artist from the pre-Beatle days in 1956-57 Liverpool, throughout the global Beatlemania of the '60s, to the group's disbanding in 1970.
This pupil's book contains: background information and illustrations to support the music projects; the melody lines and lyrics for songs; the scores needed for listening and appraising; listening questions; questions for homework; and pieces for performing.
More than half a century after the birth of rock, the musical genre that began as a rebellious underground phenomenon is now acknowledged as America's-and the world's-most popular and influential musical medium, as well as the soundtrack to several generations' worth of history. From Ray Charles to Joni Mitchell to Nirvana, rock music has been an undeniable force in both reflecting and shaping our cultural landscape. Icons of Rock offers a vivid overview of rock's pervasive role in contemporary society by profiling the lives and work of the music's most legendary artists. Most rock histories, by virtue of their all-encompassing scope, are unable to cover the lives and work of individual artists in depth, or to place those artists in a broader context. This two-volume set, by contrast, provides extensive biographies of the 24 greatest rock n' rollers of all time, examining their influences, innovations, and impact in a critical and historical perspective. Entries inside this unique reference explore the issues, trends, and movements that defined the cultural and social climate of the artists' music. Sidebars spotlight the many iconic elements associated with rock, such as rock festivals, protest songs, and the British Invasion. Providing a wealth of information on the icons, culture, and mythology of America's most beloved music, this biographical encyclopedia will serve as an invaluable resource for students and music fans alike.
More than half a century after the birth of rock, the musical genre that began as a rebellious underground phenomenon is now acknowledged as America's-and the world's-most popular and influential musical medium, as well as the soundtrack to several generations' worth of history. From Ray Charles to Joni Mitchell to Nirvana, rock music has been an undeniable force in both reflecting and shaping our cultural landscape. Icons of Rock offers a vivid overview of rock's pervasive role in contemporary society by profiling the lives and work of the music's most legendary artists. Most rock histories, by virtue of their all-encompassing scope, are unable to cover the lives and work of individual artists in depth, or to place those artists in a broader context. This two-volume set, by contrast, provides extensive biographies of the 24 greatest rock n' rollers of all time, examining their influences, innovations, and impact in a critical and historical perspective. Entries inside this unique reference explore the issues, trends, and movements that defined the cultural and social climate of the artists' music. Sidebars spotlight the many iconic elements associated with rock, such as rock festivals, protest songs, and the British Invasion. Providing a wealth of information on the icons, culture, and mythology of America's most beloved music, this biographical encyclopedia will serve as an invaluable resource for students and music fans alike.
Ignored by virtually everyone upon its release in November 1968, 'The Kinks Are The Village Green Preservation Society' is now seen as one of the best British albums ever recorded. Here, Andy Miller traces the perilous circumstances surrounding its creation, and celebrates the timeless, perfectly crafted songs pieced together by a band who were on the verge of disintegration and who refused to follow fashion. EXCERPT 'Big Sky' contains some of the most beautiful, thunderous music The Kinks ever recorded, aligned to a vulnerability and warmth no other group - and I mean no other group - could ever hope to equal. It is a perfectly balanced production. On the one hand, the mesh of clattering drums and electric guitar never threatens to overwhelm the melody; on the other, the gossamer-light harmonies, Ray and Dave's vocal line traced by Rasa Davies' wordless falsetto, are bursting with emotion. When most of the instruments drop away at 1.20, the effect is effortlessly vivid - two lines where Davies' performance is both nonchalant and impassioned. The result is wonderfully, enchantingly sad, made more so perhaps by the knowledge that The Kinks will never again sound so refined or so right.
Chronicles the Beatles' use of instruments from 1956 through 1970, including photographs and discussion about Paul's 1963 Hofner 500/1 violin bass, John's Rickenbacker 325 12-string, and George's Gibson Les Paul.
Rolling Stones Gear is the first book to historically document all of the Rolling Stones' musical equipment. It's also the story of the Rolling Stones, but with a new twist: their history as told through the instruments they used. This book covers not only the group's personal background, but also every tour and studio session from their inception in 1962 to date, with detailed documentation illustrating what instruments and equipment were used during these periods. Every song recorded by the band, including demos and out-takes are also documented, with input from within the Stones' ranks as well as from people who were involved with the band. This lavishly illustrated book contains hundreds of photographs and rare images, many of which have never been published, including the Rolling Stones' actual guitars and equipment, which were specially photographed for this book and are seen here for the first time. Whether you are a musician, a Stones fan or just the casual reader, you will learn many new facts about the band from their monumental fifty-year existence. Win the brands of the Rolling Stones!Check out this fabulous Guitar Player Magazine contest!
Positioned between the psychedelic and counter-cultural music of the late 1960s and the punk and new wave styles of the late 1970s, early 1970s British popular music is often overlooked in pop music studies of the late 20th century, but it was, in fact, highly diverse with many artists displaying an eclecticism and flair for musical experimentation. 'Progressive pop' artists such as Roxy Music, David Bowie, the early Queen, the Electric Light Orchestra, 10cc and Steve Harley & Cockney Rebel successfully straddled the album and singles markets, producing music that often drew on a variety of different musical styles and traditions. Similarly, such artists often set new benchmarks for songwriting and production, utilizing the full potential of the rapidly expanding studio technology of the era to produce albums of highly diverse material featuring, in some cases, special studio-crafted effects and soundscapes that remain unique to this day. This book considers the significance of British progressive pop in the early 1970s as a period during which the boundaries between pop and rock were periodically relaxed, providing a platform for musical creativity less confined by genre and branding.
There is no group more mythical than Faust" Julian Cope "When the Germans do something, they don't fuck around" Jean-Hervé Péron From the publisher: September 2006 sees the release of this book about Faust, the legendary krautrock group. Fully illustrated, it contains reviews all of the group's records from the period 1970-75 as well as recounting the rise of krautrock and its relation to the social upheavals of the '60s. There is also a discography, bibliographies, live reviews and the text of the group's 1973 manifesto as well as essays on music and time and the group's relation to the work of Frank Zappa. From the dustjacket: In 1970 Polydor Records funded an unusual experiment. They gave some unknown German musicians a retreat in the countryside near Hamburg, equipped it with a studio and their best engineer, then left them free to do as they liked. This is the story of Faust and the music they made between 1970 and 1975, music which continues to inspire and confound listeners to this day. About the author: Andy Wilson has been running the Faust web site, the Faust-Pages (http: //www.faust-pages.com) for over a decade now, during which time he has collected information about the band, interviewed band members and generally researched the group's history. Now he has collected that information into a book. He lives in Hackney, London, and has been listening to Faust for the best part of a lifetime. Book Contents: Das Lied Eines Matrosen; Germany Calling; On Currywurst; Clear / Faust; So Far; Tony Conrad: Outside The Dream Syndicate; The Faust Tapes; Faust IV; Munich; Elsewhere; On Returning; Faust Live; Faust Manifesto; Fruit Flies Like a Banana; Das also war des Pudels Kern; Discography; Online; Guide to Illustrations; Faust Bibliography; General Bibliography
Pop music would be a different beast without the B-Side. Music history is riven with songs deemed throwaway that revolted against their lowly status and refused to be denied. Be it rock'n'roll’s national anthem (‘Rock Around The Clock’), disco’s enduring game-changer (‘I Feel Love’) or hip-hop’s most notorious dis track (‘Hit ’Em Up’), all three started life as the so-called ‘lesser’ track on releases primed for maximum chart impact. But the B-side has done much more than make stars of Bill Haley, Donna Summer and 2Pac. Whether it was the Beatles, the Kinks and the Yardbirds in the 60s, Elton John, the Who and Queen in the 70s, Depeche Mode, the Cure and Prince in the 80s, or Oasis, Pulp and Radiohead in the 90s, the B-side allowed many of the world’s greatest artists freedom to experiment with no commercial constraints in an age where physical product ruled the roost. A quickfire A-Z of 500+ flips, B-SIDE is the first serious examination of the format’s covert role in pushing the musical envelope. Best read with one eye on YouTube and one ear on a streaming service, its revelations will prick up the ears of music fans of all persuasions.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.