Der Autor untersucht die polnisch-weißrussischen Beziehungen, die historisch gesehen, wie der polnische Historiker Marcel Kosman schrieb, "sehr eng, wenn auch nicht immer idyllisch" waren (Kosman, 1979, S. 6). Der belarussische Autor Piotra Rudkoŭski wiederum hat es so formuliert: "Für Weißrussen ist Polen mehr als ein Nachbar. In der historischen und kulturellen Dimension sind Weißrussland und Polen siamesische Zwillinge" (Rudkoŭski, 2007, S. 185). Nach Ansicht des Autors werden die polnisch-weißrussischen Beziehungen durch die historische und kulturelle Position, den Identitätsfaktor und die geopolitische Situation bestimmt. Er betont, dass die polnisch-weißrussischen Beziehungen den polnisch-russischen Beziehungen untergeordnet sind und dass sie in erheblichem Maße eine Funktion in den weißrussisch-russischen Beziehungen innehaben. Der Autor widmet sich den historischen und kulturellen Determinanten, der polnischen Ostpolitik, den politischen, wirtschaftlichen und kulturellen Beziehungen und versucht, die Bedeutung und internationalen Interessen der beiden Staaten zu verstehen.
This book investigates the question as to whether technological developments will ultimately mean the end of work and, if so, what the consequences will be. The author addresses this question from the perspective of a technologist well versed in econometrics and game theory, and argues that it is not technology alone that could lead to the end of work, but its utilization by the capitalist system. Technology allows us to minimize the costs of work and increase profits, while the system is worsening unemployment, socio-economic inequality and stratification – which could lead to the end of capitalism in a massive global revolution. As such, the book proposes an evolutionary reform based on a seemingly minor but in fact essential correction of the corporate income tax, which he proposes should decrease in accordance with the percentage of the enterprise’s revenues expended to pay employee salaries. In this way, entrepreneurs will be motivated to implement new professions and occupations, as well as new workplaces. Only in this way, the book argues, can reforms be used to prevent the end of work, which would have catastrophic consequences.
The book expresses the conviction that the art of creating tools – Greek techne – changes its character together with the change of civilization epochs and co-determines such changes. This does not mean that tools typical for a civilization epoch determine it completely, but they change our way of perceiving and interpreting the world. There might have been many such epochs in the history of human civilization (much more than the three waves of agricultural, industrial and information civilization). This is expressed by the title Technen of the book, where n denotes a subsequent civilization epoch. During last fifty years we observed a decomposition of the old episteme (understood as a way of creating and interpreting knowledge characteristic for a given civilization epoch) of modernism, which was an episteme typical for industrial civilization. Today, the world is differently understood by the representatives of three different cultural spheres: of strict and natural sciences; of human and social sciences (especially by their part inclined towards postmodernism) and technical sciences that have a different episteme than even that of strict and natural sciences. Thus, we observe today not two cultures, but three different episteme. The book consists of four parts. First contains basic epistemological observations, second is devoted to selected elements of recent history of information technologies, third contains more detailed epistemological and general discussions, fourth specifies conclusions. The book is written from the cognitive perspective of technical sciences, with a full awareness – and discussion – of its differences from the cognitive perspective of strict sciences or human and social sciences. The main thesis of the book is that informational revolution will probably lead to a formation of a new episteme. The book includes discussions of many issues related to such general perspective, such as what is technology proper; what is intuition from a perspective of technology and of evolutionary naturalism; what are the reasons for and how large are the delays between a fundamental invention and its broad social utilization; what is the fundamental logical error (using paradoxes that are not real, only apparent) of the tradition of sceptical philosophy; what are rational foundations and examples of emergence of order out of chaos; whether civilization development based on two positive feedbacks between science, technology and the market might lead inevitably to a self-destruction of human civilization; etc.
Creative Space summarizes and integrates the various up-to-date approaches of computational intelligence to knowledge and technology creation including the specific novel feature of utilizing the creative abilities of the human mind, such as tacit knowledge, emotions and instincts, and intuition. It analyzes several important approaches of this new paradigm such as the Shinayakana Systems Approach, the organizational knowledge creation theory, in particular SECI Spiral, and the Rational Theory of Intuition – resulting in the concept of Creative Space. This monograph presents and analyzes in detail this new concept together with its ontology – the list and meanings of the analyzed nodes of this space and of the character of transitions linking these nodes.
Creative Environments follows up on the book Creative Space, by the same authors, who serve this time as editors. The first part further develops models of knowledge creation, in particular the Triple Helix of normal academic knowledge creation and a new, integrated model of normal academic and organizational knowledge creation, called Nanatsudaki (seven waterfalls) Model. Also presented are intelligence tools, statistics for support of creativity and more.
The updated 2nd edition of this book presents a variety of image analysis applications, reviews their precise mathematics and shows how to discretize them. For the mathematical community, the book shows the contribution of mathematics to this domain, and highlights unsolved theoretical questions. For the computer vision community, it presents a clear, self-contained and global overview of the mathematics involved in image procesing problems. The second edition offers a review of progress in image processing applications covered by the PDE framework, and updates the existing material. The book also provides programming tools for creating simulations with minimal effort.
Creative Space summarizes and integrates the various up-to-date approaches of computational intelligence to knowledge and technology creation including the specific novel feature of utilizing the creative abilities of the human mind, such as tacit knowledge, emotions and instincts, and intuition. It analyzes several important approaches of this new paradigm such as the Shinayakana Systems Approach, the organizational knowledge creation theory, in particular SECI Spiral, and the Rational Theory of Intuition – resulting in the concept of Creative Space. This monograph presents and analyzes in detail this new concept together with its ontology – the list and meanings of the analyzed nodes of this space and of the character of transitions linking these nodes.
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