Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922–2000), author of the world’s best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt’s most important writings and record productions. Particular attention is given to the “Jazz Meets the World” encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-“world music” demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt’s powerful role as the West German “Jazz Pope” is explored, as is the groundswell of criticism directed at him in the wake of 1968.
A fascinating cultural studies account of the "afterlife" of Leichhardt, revealing both German entanglement in British colonialism in Australia, and in a broader sense, what happens when we maintain an open stance to the ghosts of the past.
Have No Fear reminds us what it meant to live under a system where segregation was important enough to kill for and where being treated with dignity and respect was a whites-only entitlement." --The New York Times Book Review "A gutsy, American patriot and treasure . . . an important slice of American history."--Dan Rather "Charles Evers has given us one of the most extraordinary memoirs about race in America that I know. This holy sinner of the civil rights era, who kept company with mobsters, bootleggers, call girls, Kings, Kennedys, and Rockefellers has produced, with Andrew Szanton, a salient one-man's history of Mississippi and the United States before and after Brown v. Board of Education. The fascinating interplay of racial nihilism and political sagacity is reminiscent of the early Malcolm X and the mature Frederick Douglass." --David Levering Lewis "Truly spellbinding . . . relives the fear, desperation, and confrontation that marked the civil rights struggle." --The seattle times
Readers’ Favorite Award Winner for Coming of Age The Domino Effect is the story of Danny Rorro, a charismatic kid from Queens poisoned by the past. A series of painful defeats have left him scarred and isolated from his neighborhood, his parents, and – most significantly – the benevolent ways of his childhood when he was known as “Domino.” With great insight, imagery and wit, Danny recalls his past in Queens and his coming-of-age at Hamden Academy. This fast paced and powerful story is rich with conflict, humor, tenderness and music—just like life, especially when coming of age.
This reader examines the family through two lenses--the familiar private family, in which we live our personal lives, and the public family, in which we deal with broader societal issues, such as raising the next generation, and the care of the elderly. Consequently, these readings look both at intimate, personal concerns, such as whether to marry, as well as societal concerns, such as governmental policies that affect families. The reader corresponds exactly to and is published concurrent with Cherlin’s textbookPublic and Private Families: An Introduction; both the textbook and the reader have 15 same-named chapters.
McGraw-Hill Humanities, Social Sciences & World Languages
Published Date
ISBN 10
0072526459
ISBN 13
9780072526455
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