We are on the verge of creating an exciting new kind of interactive story form that will involve audiences as active participants. This book provides a solid foundation in the fundamentals of classical story structure and classical game structure and explains why it has been surprisingly difficult to bring these two activities together. With this foundation in place, the book presents several ideas for ways to move forward in this appealing quest. The author has a conversational and friendly style, making reading a pleasure.
By the end of the 1960s, the Hollywood West of Tom Mix, Randolph Scott, and even John Wayne was passé—or so the story goes. Many film historians and critics have argued that movies portraying a mythic American West gave way to revisionist films that influential filmmakers such as Sam Peckinpah and Robert Altman made as violent critiques of the Western’s “golden years.” Yet rumors surrounding the death of the Western have been greatly exaggerated, says film historian Andrew Patrick Nelson. Even as the Wild Bunch and John McCabe rode forth, John Wayne remained the Western’s number one box office draw. How, then, could there have been a revisionist reckoning at a time when the Duke was still in the saddle? In Still in the Saddle, Nelson offers readers a new history of the Hollywood Western in the 1970s, a time when filmmakers tried to revive the genre by appealing to a diverse audience that included a new generation of socially conscious viewers. Nelson considers a comprehensive filmography of releases from 1969 to 1980 in light of the visual tropes and narratives developed and reworked in the genre from the 1930s to the present. In so doing, he reveals the complexity of what is probably the most interesting period in Western movie history. His incisive reevaluations of such celebrated (or infamous) films as The Wild Bunch and Heaven’s Gate and examinations of dozens of forgotten and neglected Westerns, including the final films of John Wayne, demonstrate that there was more to the 1970s Western than simple revision. Instead, we see not only important connections between canonical and lesser-known films of the period, but also continuities between these and older Westerns. Nelson believes an ongoing, cyclical process of regeneration thus transcends established divisions in the genre’s history. Among the books currently challenging the prevailing “evolutionary” account of the Western, Still in the Saddle thoroughly revises our understanding of this exciting and misunderstood period in the Western’s history and adds innovatively and substantially to our knowledge of the genre as a whole.
Locating the Queen's Men presents new and groundbreaking essays on early modern England's most prominent acting company, from their establishment in 1583 into the 1590s. Offering a far more detailed critical engagement with the plays than is available elsewhere, this volume situates the company in the theatrical and economic context of their time. The essays gathered here focus on four different aspects: playing spaces, repertory, play-types, and performance style, beginning with essays devoted to touring conditions, performances in university towns, London inns and theatres, and the patronage system under Queen Elizabeth. Repertory studies, unique to this volume, consider the elements of the company's distinctive style, and how this style may have influenced, for example, Shakespeare's Henry V. Contributors explore two distinct genres, the morality and the history play, especially focussing on the use of stock characters and on male/female relationships. Revising standard accounts of late Elizabeth theatre history, this collection shows that the Queen's Men, often understood as the last rear-guard of the old theatre, were a vital force that enjoyed continued success in the provinces and in London, representative of the abiding appeal of an older, more ostentatiously theatrical form of drama.
The Irish Presbyterian Mind considers how one protestant community responded to the challenges posed to traditional understandings of Christian faith between 1830 and 1930. Andrew R. Holmes examines the attitudes of the leaders of the Presbyterian Church in Ireland to biblical criticism, modern historical method, evolutionary science, and liberal forms of protestant theology. He explores how they reacted to developments in other Christian traditions, including the so-called 'Romeward' trend in the established Churches of England and Ireland and the 'Romanisation' of Catholicism. Was their response distinctively Presbyterian and Irish? How was it shaped by Presbyterian values, intellectual first principles, international denominational networks, identity politics, the expansion of higher education, and relations with other Christian denominations? The story begins in the 1830s when evangelicalism came to dominate mainstream Presbyterianism, the largest protestant denomination in present-day Northern Ireland. It ends in the 1920s with the exoneration of J. E. Davey, a professor in the Presbyterian College, Belfast, who was tried for heresy on accusations of being a 'modernist'. Within this timeframe, Holmes describes the formation and maintenance of a religiously-conservative intellectual community. At the heart of the interpretation is the interplay between the Reformed theology of the Westminster Confession of Faith and a commitment to common evangelical principles and religious experience that drew protestants together from various denominations. The definition of conservative within the Presbyterian Church in Ireland moved between these two poles and could take on different forms depending on time, geography, social class, and whether the individual was a minister or a member of the laity.
Delivering an inside account of one of wrestling's most famous fighters, this autobiography offers a rare chance to learn about Joe "Animal" Laurinaitis's life both inside and outside the ring. Revealing riveting stories about his participation in the 1980s and 1990s superstar wrestling team the Road Warriors, it recounts memorable fights with his partner Mike "Hawk" Hegstrand. He describes how he and Mike rose to become a revolutionary tag team—reinventing themselves with spiky accessories and wearing face paint before it was popular—and chronicles famous rivalries, movement between different wrestling associations, and dealing with Mike's longtime struggle with drugs and alcohol. He also invites fans into his personal life and discusses his family and newfound Christian faith. Featuring stories of incredible physical feats and deep-felt companionship, this testimony will help fans relive the glory days of a wrestling legacy.
In nineteenth-century America, the belief that blacks and whites could not live in social harmony and political equality in the same country led to a movement to relocate African Americans to Liberia, a West African colony established by the United States
Celluloid Sermons offers the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986, assessing the extent to which the church's commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations. Book jacket.
Booker T. Huffman, 2013 WWE Hall of Famer and winner of thirty-five championship titles within WWE, WCW, and TNA, has once again paired up with best-selling coauthor Andrew William Wright to uncover Booker T’s story from his humble pro wrestling beginnings to becoming a global superstar and icon. Booker T: My Rise To Wrestling Royalty is Huffman’s highly anticipated follow-up to the 2012 award-winning Booker T: From Prison To Promise, in which Booker detailed his turbulent coming-of-age on the streets of Houston, Texas. Revisit two hard-hitting decades with Booker T as he journeys through World Championship Wrestling (WCW) and World Wrestling Entertainment (WWE). During this time he blazed a trail of pro wrestling success on a road that took him from his tag team days in Harlem Heat, with brother Stevie Ray (Lash), to his unparalleled singles career that drew millions around the world to WCW’s Monday Nitro, and onward through his unforgettable matches that led to his taking the throne as King Booker and becoming the FIVE-TIME, FIVE-TIME, FIVE-TIME, FIVE-TIME, FIVE-TIME (and eventually six-time) world heavyweight champion.
Discover a groundbreaking blueprint for the future of business In an era marked by increasing profiteering and inequality, The Ethical Imperative: Leading with Conscience to Shape the Future of Business offers a compelling alternative vision—one where companies champion the collective prosperity of employees, shareholders, and communities. Author Andrew Cooper, a distinguished executive, leverages over twenty academic studies and fifty years of research to challenge the status quo. He exposes the critical threat of public disengagement from businesses and institutions, urging a departure from outdated, profit-only models that harm corporations, consumers, and communities alike. You'll find: Five actionable strategies you can employ immediately to transform your organization into a beacon of trust and social responsibility Techniques for navigating the age of social media and creating an authentic, honest, and sustainable brand Actionable tools to help your organization move beyond exclusively short-term profit-driven models of growth Packed with engaging stories, practical tools, and insights from a seasoned leader determined to revolutionize corporate culture, this book is an essential resource for business managers, executives, entrepreneurs, and anyone aspiring to infuse their commercial endeavors with ethical principles. Join Andrew Cooper in shaping a future where business is synonymous with compassion, equity, and enduring prosperity. The Ethical Imperative is more than a book—it's a movement towards the next phase of corporate evolution. Be part of this transformative journey.
The growth of videogame design programs in higher education and explosion of amateur game development has created a need for a deeper understanding of game history that addresses not only "when," but "how" and "why." Andrew Williams takes the first step in creating a comprehensive survey on the history of digital games as commercial products and artistic forms in a textbook appropriate for university instruction. History of Digital Games adopts a unique approach and scope that traces the interrelated concepts of game design, art and design of input devices from the beginnings of coin-operated amusement in the late 1800s to the independent games of unconventional creators in the present. Rooted in the concept of videogames as designed objects, Williams investigates the sources that inspired specific game developers as well as establishing the historical, cultural, economic and technological contexts that helped shape larger design trends. Key Features Full-color images and game screenshots Focuses primarily on three interrelated digital game elements: visual design, gameplay design and the design of input devices This book is able to discuss design trends common to arcade games, home console games and computer games while also respecting the distinctions of each game context Includes discussion of game hardware as it relates to how it affects game design Links to online resources featuring games discussed in the text, video tutorial and other interactive resources will be included.
A journey into the 15th century, as the heir to the throne and his brother are imprisoned in the Tower of London—their fate a mystery to this day. The story of the Princes in the Tower is well known—the grim but dramatic events of 1483, when the twelve-year-old Edward Plantagenet was taken into custody by his uncle, Richard of Gloucester, and imprisoned in the Tower of London along with his younger brother, have been told and retold. The true events of that year remain shrouded in mystery, and the end of the young princes’ lives are an infamous part of the Wars of the Roses and Richard III’s reign. Yet little about their lives is commonly known. Following the Footsteps of the Princes of the Tower tells the story in a way that is wholly new: through the places where the events actually unfolded. It reveals the lives of the princes through the places they lived and visited. From Westminster Abbey to the Tower of London itself, and from the remote English castles of Ludlow and Middleham to the quiet Midlands town of Stony Stratford, the trail through some of England’s most historic places throws a whole new light on this most compelling of historical dramas.
Keeping the streets of Glasgow safe has never been an easy task. From the pre-war razor gangs through to the drug lords of recent times, the city streets have never been free from peril. But without the men who relentlessly fought crime year after year, the citizens of Glasgow would have been in far greater danger. The Real Taggarts examines the lives of Glasgow's post-war crimebusters and is based on exhaustive research which has uncovered new and previously unpublished material, including the personal papers of key police officers which have never before been in the public domain. Many of these officers became legends in the Force: Joe Beattie, who worked on the Bible John investigation; Tom Goodall, Glasgow's Maigret, who battled against an unprecedented rise in violent crime in the city; Gilbert McIlwrick, the 'Quiet Man of the Force', who had to deal with five murders and a huge bank robbery in a single week. The Real Taggarts is a fascinating insight into the men whose job it was to keep Glasgow safe and the remarkable contribution they made, much of which has never before been revealed.
Art, Literature and Religion in Early Modern Sussex is an interdisciplinary study of a county at the forefront of religious, political and artistic developments in early-modern England. Ranging from the schism of Reformation to the outbreak of Civil War, the volume brings together scholars from the fields of art history, religious and intellectual history and English literature to offer new perspectives on early-modern Sussex. Essays discuss a wide variety of topics: the coherence of a county divided between East and West and Catholic and Protestant; the art and literary collections of Chichester cathedral; communities of Catholic gentry; Protestant martyrdom; aristocratic education; writing, preaching and exile; local funerary monuments; and the progresses of Elizabeth I. Contributors include Michael Questier; Nigel Llewellyn; Caroline Adams; Karen Coke; and Andrew Foster. The collection concludes with an Afterword by Duncan Salkeld (University of Chichester). This volume extends work done in the 1960s and 70s on early-modern Sussex, drawing on new work on county and religious identities, and setting it into a broad national context. The result is a book that not only tells us much about Sussex, but which also has a great deal to offer all scholars working in the field of local and regional history, and religious change in England as a whole.
Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.
Aspects of Lincoln, is the first in the widely acclaimed Aspects series to feature the City of Lincoln. However the Aspects series now extends from the east and west Midlands, up to Lancaster in the north-west and the north Yorkshire coast in the east.Aspects of Lincoln, is a multi author book containing 12 pinpoint historical essays covering such diverse subjects as: Cinemas and Cinema Going in 20th Century Lincoln, Getting Drunk in 17th Century Lincoln, the story of Emily Gilbert, motoring pioneer and first woman sheriff of Lincoln. No story of Lincoln would be complete without Royal Air Force Bomber Command during World War 2, and here, we examine the social impact of the airfields and their staff on both City and County. In a more peaceful vein, we study the work of artist Peter de Wint and the importance of his works, now held in the Usher Gallery. Elsewhere we encounter the development of technical education in the City and remember the plight of those imprisoned in Lincoln's jails during the eighteenth and nineteenth centuries. These and much much more are to be found between the covers of Aspects of Lincoln. A treasury of history, both for the armchair historian and the student alike.
As students and scholars of Boccaccio, Chaucer, and Dante know, late medieval writers were influenced greatly by the work of peers that crossed historical, national, cultural, linguistic boundaries. Through a Classical Eye contains first-rate essays that demonstrate a range of strategies for undertaking transcultural and transhistorical studies of the late medieval period, and examines medieval literature and culture where English, Italian, and Latin materials overlap. Written in honour of the groundbreaking contributions that Winthrop Wetherbee made to this growing area of study, the volume's contributors advance his legacy and add to the burgeoning interest in setting medieval literary studies into wide intellectual and historical horizons. Divided into three illuminating sections on Medieval Latin authorship, Italy and the world, and England and beyond, and including a personal reminiscence of Wetherbee by the noted novelist Robert Morgan, Through a Classical Eye is an outstanding collection that provides key insights into medieval literature and culture.
As a six-time world champion, TV commentator, and holder of more than 35 major titles in WWE, WCW, and TNA, Huffman knows what it means to fight. He learned long before he entered the ring, when daily survival was a fierce battle.
The position of the Qur'an as the central symbol and reference point of Islam cannot be disputed. Despite this significance, the academic study of the Qur'an has lagged far behind that of the Bible. In these studies Andrew Rippin reflects upon both the principles and the problems of studying the Qur'an within the discipline of religious studies. He also pursues detailed investigations of the meaning of variants to the text and the history of Muslim interpretation of the text in its diversity. A newly written introduction lays out some of the general implications of these studies, while extensive indexes of Qur'anic verses, books, authors and topics make this research more readily accessible.
Sawgrass Sky is a coming-of-age story, a Floridian memoir-in-verse. Through the speaker’s recounting of his adolescence, the collection addresses themes of religious disillusionment, sexual awakening, body image, environmental degradation, suburbia versus the wild, familial history, and the idea of home contextualized by distance. These poems vary in form and style, including long narratives, meditative sequences, prose poems, and short lyrics. The unifying factor is the speaker’s focus on the place he comes from, and his struggle to define that heritage in terms psychological, natural, and familial. The poems that comprise this collection have been published widely in reputable literary journals. These magazines include The Cincinnati Review, The Greensboro Review, Iron Horse Literary Review, The Literary Review, Mid-American Review, North American Review, Poet Lore, Poetry Northwest, and Southern Humanities Review. From “Rats” when I lie awake before sleep they are the thoughts dying and dying but going nowhere they are the hands of the sewers running their claws across the tin roofs of houses all that water underneath rising
The central question addressed in this book is whether Paul thought that Christ Jesus pre-existed in heaven, "in the form of God," through whom all things were made, before being sent into the world to be born of a woman, in the likeness of sinful flesh. A significant body of scholarship these days, both conservative and critical, supports the view that he did. Andrew Perriman examines the assumptions and reasoning that underlie this consensus, and makes a thorough and innovative case for reading the relevant texts from the narrow and distinctive perspective of the gentile mission. How would pagans and post-pagan believers have heard and retold the back-story of the one whom they knew only as the exalted Lord who would one day rule the nations? Such an angle of enquiry sheds fascinating, and sometimes quite startling, new light on the many exegetical difficulties that attend this aspect of Paul's Christology--not least in respect of the opening lines of the extraordinary Christ encomium in his letter to the Philippians. But it also yields compelling insight into the significance of Jesus for the Pauline mission and, indeed, for the ancient pagan world.
Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son – six-year-old Prince Alamayu – and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot – Ethiopia's 'Elgin Marbles' – and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.
A Cultural History of the Bushranger Legend in Theatres and Cinemas, 1828–2017' is a multidisciplinary investigation into the history of cultural representations of the bushranger legend on the stage and screen, charting that history from its origins in colonial theatre works performed while bushrangers still roamed Australia’s bush to contemporary Australian cinema. It considers the influences of industrial, political and social disruptions on these representations as well as their contributions to those disruptions. The cultural history recounted in this book provides not only an insight into the role of popular narrative representations of bushrangers in the development and reflection of Australian character, but also a detailed case study of the specific mechanisms at work in the symbiosis between a nation’s values and its creative production.
“A wide-ranging and deeply thoughtful meditation on the psychological sources of the danger to humanity created by the advent of weapons of mass destruction. It draws on a vast range of sources including psychology, anthropology, literature, philosophy, and religion, and is expressed with eloquence and grace.”—Dr. Jerome Frank, Professor Emeritus of Psychiatry, Johns Hopkins Medical School, author of Sanity and Survival “A remarkably thorough analysis of the proposition that is our beliefs, conscious and unconscious, which have made war inevitable–and that a change in those assumptions (including the unconscious ones) can free us from the scourge…This is a very hopeful book about a subject that leads many to despair…I believe it will be a most useful contribution to the dialogue about our national security dilemma.”—Willis Harman, President, Institute of Noetic Sciences, author ofAn Incomplete Guide to the Future
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