Modernism and the Machinery of Madness demonstrates the emergence of a technological form of paranoia within modernist culture which transformed much of the period's experimental fiction. Gaedtke argues that the works of writers such as Samuel Beckett, Anna Kavan, Wyndham Lewis, Mina Loy, Evelyn Waugh, and others respond to the collapse of categorical distinctions between human and machine. Modern British and Irish novels represent a convergence between technological models of the mind and new media that were often regarded as 'thought-influencing machines'. Gaedtke shows that this literary paranoia comes into new focus when read in light of twentieth-century memoirs of mental illness. By thinking across the discourses of experimental fiction, mental illness, psychiatry, cognitive science, and philosophy of mind, this book shows the historical and conceptual sources of this confusion as well as the narrative responses. This book contributes to the fields of modernist studies, disability studies, and medical humanities.
We all know who James Bond is, but how many of us know much about his creator, Ian Fleming, a master of espionage and thrillers? In this full-length biography, author Andrew Lycett tells the story of Ian Fleming's life proving that it was just as dramatic as that of his fictional creation. Educated at Eaton and Sandhurst, he joined Naval Intelligence in 1939 participating in both Operation Mincemeat and Operation Golden Eye. After the war, he became a journalist and, in 1953, wrote Casino Royale thereby introducing the world to an English spy named James Bond. Set in London, Switzerland and Fleming's Jamaican estate Goldeneye, his life was peopled with luminaries like Noel Coward, Sean Connery, Ursula Andress, Bond film producer "Cubby" Broccoli and others. With direct access to Fleming's family and friends, Lycett goes behind the complicated façade of this enigmatic and remarkable man. Ian Fleming by Andrew Lycett is biography at its best—a glittering portrait of the brilliant and enigmatic man who created Agent 007.
Delve into this trove of anecdotes and stories to prove the core decency of humankind at a time when kindness can seem in short supply. This engaging collection demonstrates that courteous behaviour transcends all barriers, from gender and wealth to age and class – here are noble acts by footballers and fashionistas, television personalities and teenagers, great commanders and humble private soldiers, society ladies and modest housewives, elderly philosophers and very young children.It includes Alexander the Great, Marie Antoinette, the Duke of Wellington, Evelyn Waugh, Winston Churchill, Sammy Davis Junior and Colonel Tim Collins. Often amusing, sometimes moving, occasionally astounding and always fascinating, How to Be Kind is a tribute to the finest, albeit often overlooked, qualities of humankind
Rising up from the heart of the Mediterranean, Sicily has a rich and ancient history spanning over 2,000 years. A bounty prized by invaders from the Greeks, Romans and Vandals to the Byzantines, Arabs and Normans, Sicily's violently beautiful landscapes are haunted by a vibrant mix of cultures and her soil has always been fertile ground for the literary and artistic imagination. This compelling guide uncovers the island's multi-faceted personality through those literary figures who have managed to get under her skin - from Pindar, Cicero and Aeschylus to Shakespeare and Cervantes; DH Lawrence, Coleridge and Oscar Wilde to Truman Capote, Tennessee Williams, Ezra Pound and Lawrence Durrell; as well as local writers who have defined the modern Italian novel - Giuseppe Tomasi di Lampedusa and Leonardo Sciascia. Through their words and lives we witness the beauty, pain and power of the Sicilian cultural landscape and discover how the potent mix of influences on the island's society has been preserved forever in literature.
This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.
Salman Rushdie is one of the world’s most important writers of politicised fiction. He is a self-proclaimed controversialist, capable of exciting radically divergent viewpoints, a novelist of extraordinary imaginative range and power, and an erudite, and often fearless, commentator upon the state of global politics today. In this comprehensive and lucid critical study, Andrew Teverson examines the intellectual, biographical, literary and cultural contexts from which Rushdie’s fiction springs in order to help the reader make sense of the often complex debates that surround the life and work of this major contemporary figure. Teverson also offers detailed critical readings of all Rushdie’s novels, from Grimus through to Shalimar the Clown. This definitive guide will be of interest to those working in the fields of contemporary world writing in English, postcolonial studies, twentieth and twenty-first century British literatures, and studies in the novel.
A must have for any Year 4 teacher!' Liberty Minoli, English Lead, @MissMinoliYear4 An exciting reading comprehension resource from Andrew Jennings (@VocabularyNinja), the creator of the hugely popular Write Like a Ninja, Vocabulary Ninja and Comprehension Ninja: Non-Fiction series. This photocopiable resource contains 24 immersive and imaginative fiction and poetry texts from acclaimed writers including Jo Simmons, Karen Inglis and Brian Moses, as well as original texts by Adam Bushnell and Andrew Jennings aligned to the National Curriculum. Each is accompanied by differentiated activities and answers to boost retrieval skills and help pupils become fully fledged Comprehension Ninjas! Ideal for KS2 SATs practice, the reading texts are high-quality and rich in vocabulary. They cover a wide variety of genres including historical fiction, sci-fi, contemporary stories, adventure, traditional tales and poetry. If you're searching for engaging resources to help pupils practise comprehension strategies and question types such as skim and scan, true or false, draw and label, find and copy, fill in the gap, sequencing and multiple choice, Comprehension Ninja for Ages 8-9: Fiction & Poetry is the book for you. For more must-have Ninja books, check out the Vocabulary Ninja and Comprehension Ninja classroom and home learning resources. Please note that the PDF eBook version of this book cannot be printed or saved in any other format. It is intended for use on interactive whiteboards and projectors only.
It is widely assumed today that heroism is obsolete as an ideal, that heroic virtue is a contradiction in terms, and that war literature must be anti-war by definition. The author argues that the theoretical foundations of these assumptions are inadequate and do not fit the literary facts.
Christian filmmaking, done outside of the corporate Hollywood industry and produced for Christian churches, affected a significant audience of church people. Protestant denominations and individuals believed that they could preach and teach more effectively through the mass medium of film. Although suspicion toward the film industry marked many conservatives during the early 1930s, many Christian leaders came to believe in the power of technology to convert or to morally instruct people. Thus the growth of a Christian film industry was an extension of the Protestant tradition of preaching, with the films becoming celluloid sermons. Celluloid Sermons is the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986—such as the Billy Graham Association, with its major WorldWide Pictures productions of films like The Hiding Place, Ken Curtis’ Gateway Films, the apocalyptic “end-time” films by Mark IV (e.g. Thief in the Night), and the instructional video-films of Dobson’s Focus on the Family--assessing the extent to which the church’s commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations.
From their decisive emergence in the late eighteenth century, modernity and modern politics were long haunted by irony and paradox. Ours, however, is the age of the implosion of modernity. Modernity has degenerated into self-parody. The polarities that an ironic grasp of it could potentially always hold in tension are finally collapsing into each other. In Modernity and the Political Fix, Andrew Gibson tells the relevant story and asks what aspects of modern politics we might want to salvage and preserve and within what structure we might continue thinking about them. His answer is that these questions call for the isolation of a particular set of concepts; that, rightly positioned in relation to one another, the concepts amount to a political theology; that the very formulation of political temporality is therefore at stake; and that the thinking in question has been and is best represented in modern philosophy and art, above all, modern literature. Ranging through early modern and modern thought from Hobbes, Pascal and Leibniz to Rousseau, Kant, Schopenhauer and Kierkegaard to Foucault, Lacan, Badiou, Jambet and Rancière, and in modern literature and art from Wordsworth and Byron to Goya and Wagner, Huysmans and Wilde, Joyce and Woolf, Joseph Roth, Vicki Baum, Gabriele Tergit and the Weimar novel, Evelyn Waugh and George Orwell to R.S. Thomas and Norman Nicholson, Gibson seeks to compile a modern political aide-memoire, a treasury for a politics to come.
Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of poor literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities."--Page 4 of cover.
Fifteen Minutes of Fame is a satirical commentary on contemporary culture. The book celebrates the cult of celebrity, the wonders of everyday experience, and lots in between. Andrew Godsell, with pen in hand and tongue in cheek, explores diverse subjects, as fact mingles with fiction. The enduring influence of such literary figures as Lewis Carroll, George Orwell, Samuel Pepys, J K Rowling, and Evelyn Waugh is considered. Political themes range from Thatcherism to the Con-Dem coalition, either side of New Labour. The importance of history stretches from Stonehenge, and the legends of King Arthur, to the growth of Internet genealogy. The excitement of sport is reflected in football, and the communal spirit of Sport Relief. Music by John Lennon, Madonna, Patti Smith, and Bruce Springsteen sits alongside a folk festival. The established arts of theatre and cinema combine with the emergence of Reality TV.
Considers the reputations and biographical portrayal of three innovative and controversial writers: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray. These anthologies of contemporary biographical material shed light on the processes at work in the establishment of a public image and a critical reputation.
A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.
Most mid-nineteenth-century Americans regarded the United States as an exceptional democratic republic that stood apart from a world seemingly riddled with revolutionary turmoil and aristocratic consolidation. Viewing themselves as distinct from and even superior to other societies, Americans considered their nation an unprecedented experiment in political moderation and constitutional democracy. But as abolitionism in England, economic unrest in Europe, and upheaval in the Caribbean and Latin America began to influence domestic affairs, the foundational ideas of national identity also faced new questions. And with the outbreak of civil war, as two rival governments each claimed the mantle of civilized democracy, the United States' claim to unique standing in the community of nations dissolved into crisis. Could the Union chart a distinct course in human affairs when slaveholders, abolitionists, free people of color, and enslaved African Americans all possessed irreconcilable definitions of nationhood? In this sweeping history of political ideas, Andrew F. Lang reappraises the Civil War era as a crisis of American exceptionalism. Through this lens, Lang shows how the intellectual, political, and social ramifications of the war and its meaning rippled through the decades that followed, not only for the nation's own people but also in the ways the nation sought to redefine its place on the world stage.
The definitive biography of the poet who was almost as notorious for his 'rock 'n' roll' lifestyle as his artistic work Dylan Thomas was a romantic and controversial figure; a poet who lived to excess and died young. An inventive genius with a gift for both lyrical phrases and impish humour, he also wrote for films and radio, and was renowned for his stage performances. He became the first literary star in the age of popular culture - a favourite of both T.S. Eliot and John Lennon. As his status as a poet and entertainer increased, so did his alcoholic binges and his sexual promiscuity, threatening to destroy his marriage to his fiery Irish wife Caitlin. As this extraordinary biography reveals, he was a man of many contradictions. But out of his tempestuous life, he produced some of the most dramatic and enduring poetry in the English language.
Since the development of British Aestheticism in the 1870s, the concept of irony has focused a series of anxieties which are integral to modern literary practice. Examining some of the most important debates in post-Romantic aesthetics through highly focused textual readings of authors from Walter Pater and Henry James to Samuel Beckett and Alan Hollinghurst, this study investigates the dialectical position of irony in Aestheticism and its twentieth-century afterlives. Aesthetic Afterlives constructs a far-reaching theoretical narrative by positioning Victorian Aestheticism as the basis of Literary Modernity. Aestheticism's cultivation of irony and reflexive detachment was central to this legacy, but it was also the focus of its own self-critique. Anxieties about the concept and practice of irony persisted through Modernism, and have recently been positioned in Hollinghurst's work as a symptom of the political stasis within post-modern culture. Referring to the recent debates about the 'new aestheticism' and the politics of aesthetics, Eastham asks how a utopian Aestheticism can be reconstructed from the problematics of irony and aesthetic autonomy that haunted writers from Pater to Adorno.
This volume focuses on the literary connotations of the 'Channel Packet' and sets forth lively dialogues between French and British culture at a key period of artistic innovation and exchange between 'high' and popular art forms.
Unparalleled coverage of U.S. political development through a unique chronological framework Encyclopedia of U.S. Political History explores the events, policies, activities, institutions, groups, people, and movements that have created and shaped political life in the United States. With contributions from scholars in the fields of history and political science, this seven-volume set provides students, researchers, and scholars the opportunity to examine the political evolution of the United States from the 1500s to the present day. With greater coverage than any other resource, the Encyclopedia of U.S. Political History identifies and illuminates patterns and interrelations that will expand the reader’s understanding of American political institutions, culture, behavior, and change. Focusing on both government and history, the Encyclopedia brings exceptional breadth and depth to the topic with more than 100 essays for each of the critical time periods covered. With each volume covering one of seven time periods that correspond to key eras in American history, the essays and articles in this authoritative encyclopedia focus on the following themes of political history: The three branches of government Elections and political parties Legal and constitutional histories Political movements and philosophies, and key political figures Economics Military politics International relations, treaties, and alliances Regional histories Key Features Organized chronologically by political eras Reader’s guide for easy-topic searching across volumes Maps, photographs, and tables enhance the text Signed entries by a stellar group of contributors VOLUME 1 ?Colonial Beginnings through Revolution ?1500–1783 ?Volume Editor: Andrew Robertson, Herbert H. Lehman College ?The colonial period witnessed the transformation of thirteen distinct colonies into an independent federated republic. This volume discusses the diversity of the colonial political experience—a diversity that modern scholars have found defies easy synthesis—as well as the long-term conflicts, policies, and events that led to revolution, and the ideas underlying independence. VOLUME 2 ?The Early Republic ?1784–1840 ?Volume Editor: Michael A. Morrison, Purdue University No period in the history of the United States was more critical to the foundation and shaping of American politics than the early American republic. This volume discusses the era of Confederation, the shaping of the U.S. Constitution, and the development of the party system. VOLUME 3 ?Expansion, Division, and Reconstruction ?1841–1877 ?Volume Editor: William Shade, Lehigh University (emeritus) ?This volume examines three decades in the middle of the nineteenth century, which witnessed: the emergence of the debate over slavery in the territories, which eventually led to the Civil War; the military conflict itself from 1861 until 1865; and the process of Reconstruction, which ended with the readmission of all of the former Confederate States to the Union and the "withdrawal" of the last occupying federal troops from those states in 1877. VOLUME 4 ?From the Gilded Age through the Age of Reform ?1878–1920 ?Volume Editor: Robert Johnston, University of Illinois at Chicago With the withdrawal of federal soldiers from Southern states the previous year, 1878 marked a new focus in American politics, and it became recognizably modern within the next 40 years. This volume focuses on race and politics; economics, labor, and capitalism; agrarian politics and populism; national politics; progressivism; foreign affairs; World War I; and the end of the progressive era. VOLUME 5 ?Prosperity, Depression, and War ?1921–1945 ?Volume Editor: Robert Zieger, University of Florida Between 1921 and 1945, the U.S. political system exhibited significant patterns of both continuity and change in a turbulent time marked by racist conflicts, the Great Depression, and World War II. The main topics covered in this volume are declining party identification; the "Roosevelt Coalition"; evolving party organization; congressional inertia in the 1920s; the New Deal; Congress during World War II; the growth of the federal government; Franklin D. Roosevelt’s presidency; the Supreme Court’s conservative traditions; and a new judicial outlook. VOLUME 6 ?Postwar Consensus to Social Unrest ?1946–1975 ?Volume Editor: Thomas Langston, Tulane University This volume examines the postwar era with the consolidation of the New Deal, the onset of the Cold War, and the Korean War. It then moves into the 1950s and early 1960s, and discusses the Vietnam war; the era of John F. Kennedy; the Cuban Missile Crisis; the Civil Rights Act; Martin Luther King and the Voting Rights Act; antiwar movements; The War Powers Act; environmental policy; the Equal Rights Amendment; Roe v. Wade; Watergate; and the end of the Vietnam War. VOLUME 7 ?The Clash of Conservatism and Liberalism ?1976 to present ?Volume Editor: Richard Valelly, Swarthmore College ?The troubled Carter Administration, 1977–1980, proved to be the political gateway for the resurgence of a more ideologically conservative Republican party led by a popular president, Ronald Reagan. The last volume of the Encyclopedia covers politics and national institutions in a polarized era of nationally competitive party politics and programmatic debates about taxes, social policy, and the size of national government. It also considers the mixed blessing of the change in superpower international competition associated with the end of the Cold War. Stateless terrorism (symbolized by the 9/11 attacks), the continuing American tradition of civil liberties, and the broad change in social diversity wrought by immigration and the impact in this period of the rights revolutions are also covered.
The first biography of Frances Graham, the muse of leading Pre-Raphaelite painter Edward Burne-Jones for the last 25 years of his life. In a discreet, subtle, human way, her life is a study in power – artistic, social, political, familial, local – and all the more fascinating for being played out from a perennial position of weakness. 'The Portrait of a Muse' is the tale of a remarkable woman living in an age on the cusp of modernity. 75 illustrations.
Whether dancing on the rooftops in Paris, sharing ideas with Pablo Picasso, or gathering starfish on the beaches of Cornwall, Eileen Agar (18991991) transformed the everyday into the extraordinary. Her legacy as a pioneering figure in the Surrealist movement is firmly established, and her work continues to captivate audiences with its otherworldly beauty and imaginative power. Agars life was no less extraordinary than her art. Here, she traces her life from her birth in Argentina to the late 1980s. She gives an intimate account of very different worlds: grand house parties in Buenos Aires and Belgravia as a young girl give way to la vie bohème in London and Paris, and a peripatetic existence with her lifelong partner, Hungarian writer Joseph Bard. She enjoyed enriching friendships with contemporaries Paul Nash, Ezra Pound, Evelyn Waugh, Gertrude Hermes and Henry Moore, while a summer spent in the South of France with Picasso, Lee Miller and Man Ray had a lasting impact. Agar introduces them and many others into the narrative of her artistic development; above all, it is Agars own unwavering resilience, infectious energy and drive that permeates this compelling memoir. Bringing her work to life in all its vibrancy and variety, this updated autobiography is populated with Agars own personal selection of photographs of family, friends and lovers alongside over fifty colour illustrations of collages, paintings and assemblages spanning her lifes work.
This is a clear-eyed guide to the hidden biological terrorists on our doorstep. Every Australian knows a story or two about biological bombs, European invaders, rampaging microbes to name a few. It's all part and parcel of the continent's vivid history, and a reflection of our truly human penchant for juggling explosive species.
A "magisterial" (Sunday Times) history of how books were used in war across the twentieth century—both as weapons and as agents for peace We tend not to talk about books and war in the same breath—one ranks among humanity’s greatest inventions, the other among its most terrible. But as esteemed literary historian Andrew Pettegree demonstrates, the two are deeply intertwined. The Book at War explores the various roles that books have played in conflicts throughout the globe. Winston Churchill used a travel guide to plan the invasion of Norway, lonely families turned to libraries while their loved ones were fighting in the trenches, and during the Cold War both sides used books to spread their visions of how the world should be run. As solace or instruction manual, as critique or propaganda, books have shaped modern military history—for both good and ill. With precise historical analysis and sparkling prose, The Book at War accounts for the power—and the ambivalence—of words at war.
Footprints of African Americans in Alexandria is a thoughtful and focused book that is based on the premise of sharing knowledge, history, and inspiration regarding the African American experience, building on the knowledge with biographies of over two hundred individuals who have made or are making progress and positive changes possible.
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