With lively prose and sensitivity to context, this book offers a sweeping, authoritative history of the Obama presidency, focusing particularly on its impact and meaning vis-áa-vis African Americans. This interpretative account captures the America that made Obama's White House years possible, while at the same time rendering the America that resolutely resisted the idea of a Black chief executive, thus making conceivable the ascent of his most unlikely of successors"--
A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Expanding Verse explores experimental poetic practice at key moments of transition in Japan's media landscape from the 1920s to the present. Andrew Campana centers hybrid poetic forms in modern and contemporary Japan--many of which have never been examined in detail before--including the cinepoem, the tape recorder poem, the protest performance poem, the music video poem, the online sign language poem, and the augmented reality poem. Drawing together approaches from literary, media, and disability studies, he contends that poetry actively aimed to disrupt the norms of media in each era. For the poets in Expanding Verse, poetry was not a medium in and of itself but a way to push back against what new media technologies crystallized and perpetuated. Their aim was to challenge dominant conceptions of embodiment and sensation, as well as who counts as a poet and what counts as poetry. Over and over, poetic practice became a way to think about each medium otherwise, and to find new possibilities at the edge of media.
The Mysticism of Ordinary Life: Theology, Philosophy, and Feminism presents a new vision of Christian mystical theology. It offers critical interpretations of Catholic theologians, postmodern philosophers, and intersectional feminists who draw on mystical traditions to affirm ordinary life. It raises questions about normativity, gender, and race, while arguing that the everyday experience of the grace of divine union can be an empowering source of social transformation. It develops Christian teachings about the Word made flesh, the indwelling of the Holy Spirit, and the Christian spiritual life, while exploring the mystical significance of philosophical discourses about immanence, alterity, in-betweenness, nothingness, and embodiment. The discussion of Latino/a and Black sources in North America expands the Western mystical canon and opens new horizons for interdisciplinary dialogue. The volume challenges contemporary culture to recognize and draw inspiration from quotidian manifestations of the unknown God of incarnate love. It includes detailed studies of Grace Jantzen, Amy Hollywood, Catherine Keller, Karl Rahner, Adrienne von Speyr, Hans Urs von Balthasar, Michel Henry, Michel de Certeau, Luce Irigaray, Julia Kristeva, Gloría Anzaldúa, Ada María Isasi-Díaz, Alice Walker, M. Shawn Copeland, and more.
White Property, Black Trespass traces the eurochristian, settler colonial, racial capitalist history and present of police power, re-narrating the mass criminalization of Black and economically dispossessed peoples as a religious project that "saves" the pseudo-sacred order of whiteness and property by exiling those who trespass against it to carceral hell"--
Andrew Jackson is one of the most critical and controversial figures in American history. A dominant actor on the American scene in the period between the Revolution and Civil War, he stamped his name first on a mass political movement and then an era. At the same time Jackson's ascendancy accelerated the dispossession and death of Native Americans and spurred the expansion of slavery. 'The Papers of Andrew Jackson' is a project to collect and publish Jackson's entire extant literary record. The project is now producing a series of seventeen volumes that will bring Jackson's most important papers to the public in easily readable form."--
The political value of African American literature has long been a topic of great debate among American writers, both black and white, from Thomas Jefferson to Barack Obama. In his compelling new book, Representing the Race, Gene Andrew Jarrett traces the genealogy of this topic in order to develop an innovative political history of African American literature. Jarrett examines texts of every sort—pamphlets, autobiographies, cultural criticism, poems, short stories, and novels—to parse the myths of authenticity, popular culture, nationalism, and militancy that have come to define African American political activism in recent decades. He argues that unless we show the diverse and complex ways that African American literature has transformed society, political myths will continue to limit our understanding of this intellectual tradition. Cultural forums ranging from the printing press, schools, and conventions, to parlors, railroad cars, and courtrooms provide the backdrop to this African American literary history, while the foreground is replete with compelling stories, from the debate over racial genius in early American history and the intellectual culture of racial politics after slavery, to the tension between copyright law and free speech in contemporary African American culture, to the political audacity of Barack Obama’s creative writing. Erudite yet accessible, Representing the Race is a bold explanation of what’s at stake in continuing to politicize African American literature in the new millennium.
Most mid-nineteenth-century Americans regarded the United States as an exceptional democratic republic that stood apart from a world seemingly riddled with revolutionary turmoil and aristocratic consolidation. Viewing themselves as distinct from and even superior to other societies, Americans considered their nation an unprecedented experiment in political moderation and constitutional democracy. But as abolitionism in England, economic unrest in Europe, and upheaval in the Caribbean and Latin America began to influence domestic affairs, the foundational ideas of national identity also faced new questions. And with the outbreak of civil war, as two rival governments each claimed the mantle of civilized democracy, the United States' claim to unique standing in the community of nations dissolved into crisis. Could the Union chart a distinct course in human affairs when slaveholders, abolitionists, free people of color, and enslaved African Americans all possessed irreconcilable definitions of nationhood? In this sweeping history of political ideas, Andrew F. Lang reappraises the Civil War era as a crisis of American exceptionalism. Through this lens, Lang shows how the intellectual, political, and social ramifications of the war and its meaning rippled through the decades that followed, not only for the nation's own people but also in the ways the nation sought to redefine its place on the world stage.
The highly publicized obscenity trial of Radclyffe Hall's The Well of Loneliness (1928) is generally recognized as the crystallizing moment in the construction of a visible modern English lesbian culture, marking a great divide between innocence and deviance, private and public, New Woman and Modern Lesbian. Yet despite unreserved agreement on the importance of this cultural moment, previous studies often reductively distort our reading of the formation of early twentieth-century lesbian identity, either by neglecting to examine in detail the developments leading up to the ban or by framing events in too broad a context against other cultural phenomena. Fashioning Sapphism locates the novelist Radclyffe Hall and other prominent lesbians--including the pioneer in women's policing, Mary Allen, the artist Gluck, and the writer Bryher--within English modernity through the multiple sites of law, sexology, fashion, and literary and visual representation, thus tracing the emergence of a modern English lesbian subculture in the first two decades of the twentieth century. Drawing on extensive new archival research, the book interrogates anew a range of myths long accepted without question (and still in circulation) concerning, to cite only a few, the extent of homophobia in the 1920s, the strategic deployment of sexology against sexual minorities, and the rigidity of certain cultural codes to denote lesbianism in public culture.
In her day, Eva Tanguay (1879–1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"—named after a song she popularized and her independent, even brazen persona—Tanguay established herself as a vaudeville and musical comedy star in 1901 with the New York City premiere of the show My Lady—and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930s, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality. In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.
Have No Fear reminds us what it meant to live under a system where segregation was important enough to kill for and where being treated with dignity and respect was a whites-only entitlement." --The New York Times Book Review "A gutsy, American patriot and treasure . . . an important slice of American history."--Dan Rather "Charles Evers has given us one of the most extraordinary memoirs about race in America that I know. This holy sinner of the civil rights era, who kept company with mobsters, bootleggers, call girls, Kings, Kennedys, and Rockefellers has produced, with Andrew Szanton, a salient one-man's history of Mississippi and the United States before and after Brown v. Board of Education. The fascinating interplay of racial nihilism and political sagacity is reminiscent of the early Malcolm X and the mature Frederick Douglass." --David Levering Lewis "Truly spellbinding . . . relives the fear, desperation, and confrontation that marked the civil rights struggle." --The seattle times
The practical need to partition the world of viruses into distinguishable, universally agreed upon entities is the ultimate justification for developing a virus classification system. Since 1971, the International Committee on Taxonomy of Viruses (ICTV) operating on behalf of the world community of virologists has taken on the task of developing a single, universal taxonomic scheme for all viruses infecting animals (vertebrate, invertebrates, and protozoa), plants (higher plants and algae), fungi, bacteria, and archaea. The current report builds on the accumulated taxonomic construction of the eight previous reports dating back to 1971 and records the proceedings of the Committee since publication of the last report in 2005. Representing the work of more than 500 virologists worldwide, this report is the authoritative reference for virus organization, distinction, and structure.
It has been said that sport is the great leveler, that on the playing field everyone is of equal status. Through the years, however, few institutions have better embodied America's ideals and prejudices than baseball. Jackie Robinson's debut with the Brooklyn Dodgers marked the first time an African American participated in a major league contest in the 20th century, and his abilities verified what many had believed all along--that African Americans could compete with white players and excel. The experiences and important contributions of six African American baseball players from the 1900s to the present day are presented in this work. The players are Andrew "Rube" Foster, perhaps the most important figure in black baseball during the first quarter of the 20th century; Satchel Paige, whose talent quickly became known in organized baseball and was built into a near mythical figure by an enchanted press; Larry Doby, who took the field with the Cleveland Indians three months after Jackie Robinson appeared with the Dodgers; Curt Flood, remembered less for the exceptional player he was than for challenging baseball's reserve clause; Dave Parker, the first black player to make a million dollars a year but also a prominent witness to the Pittsburgh drug trial; and Barry Bonds, known for his clashes with fans and the media but most recently revered for his MVP season in 2002 and record-breaking 73 home runs in 2001.
A “magisterial” (The Wall Street Journal) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize—and previously unmapped—influence extending from daily life in New York City to the shaping of the American Century A New York Times Book Review Editor’s Choice • A New Yorker Book of the Year “Exhaustively researched, vividly written, and a welcome reminder that even the most noxious evils can be vanquished when capable and committed citizens do their best.”—David M. Kennedy, Pulitzer Prize–winning author of Freedom from Fear After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America’s criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were “the closest we’ve got to royalty in New York City.” Lazarus Morgenthau arrived in America dreaming of rebuilding the fortune he had lost in his homeland. He ultimately died destitute, but the family would rise again with the ascendance of Henry, who became a wealthy and powerful real estate baron. From there, the Morgenthaus went on to influence the most consequential presidency of the twentieth century, as Henry’s son Henry Jr. became FDR’s longest-serving aide, his Treasury secretary during the war, and his confidant of thirty years. Finally, there was Robert Morgenthau, a decorated World War II hero who would become the longest-tenured district attorney in the history of New York City. Known as the “DA for life,” he oversaw the most consequential and controversial prosecutions in New York of the last fifty years, from the war on the Mafia to the infamous Central Park Jogger case. The saga of the Morgenthaus has lain half hidden in the shadows for too long. At heart a family history, Morgenthau is also an American epic, as sprawling and surprising as the country itself.
Spectral analysis is widely used to interpret time series collected in diverse areas. This book covers the statistical theory behind spectral analysis and provides data analysts with the tools needed to transition theory into practice. Actual time series from oceanography, metrology, atmospheric science and other areas are used in running examples throughout, to allow clear comparison of how the various methods address questions of interest. All major nonparametric and parametric spectral analysis techniques are discussed, with emphasis on the multitaper method, both in its original formulation involving Slepian tapers and in a popular alternative using sinusoidal tapers. The authors take a unified approach to quantifying the bandwidth of different nonparametric spectral estimates. An extensive set of exercises allows readers to test their understanding of theory and practical analysis. The time series used as examples and R language code for recreating the analyses of the series are available from the book's website.
Still the least-understood theater of the Civil War, the Southwest Borderlands saw not only Union and Confederate forces clashing but Indians, Hispanos, and Anglos struggling for survival, power, and dominance on both sides of the U.S.-Mexico border. While other scholars have examined individual battles, Andrew E. Masich is the first to analyze these conflicts as interconnected civil wars. Based on previously overlooked Indian Depredation Claim records and a wealth of other sources, this book is both a close-up history of the Civil War in the region and an examination of the war-making traditions of its diverse peoples. Along the border, Masich argues, the Civil War played out as a collision between three warrior cultures. Indians, Hispanos, and Anglos brought their own weapons and tactics to the struggle, but they also shared many traditions. Before the war, the three groups engaged one another in cycles of raid and reprisal involving the taking of livestock and human captives, reflecting a peculiar mixture of conflict and interdependence. When U.S. regular troops were withdrawn in 1861 to fight in the East, the resulting power vacuum led to unprecedented violence in the West. Indians fought Indians, Hispanos battled Hispanos, and Anglos vied for control of the Southwest, while each group sought allies in conflicts related only indirectly to the secession crisis. When Union and Confederate forces invaded the Southwest, Anglo soldiers, Hispanos, and sedentary Indian tribes forged alliances that allowed them to collectively wage a relentless war on Apaches, Comanches, and Navajos. Mexico’s civil war and European intervention served only to enlarge the conflict in the borderlands. When the fighting subsided, a new power hierarchy had emerged and relations between the region’s inhabitants, and their nations, forever changed. Masich’s perspective on borderlands history offers a single, cohesive framework for understanding this power shift while demonstrating the importance of transnational and multicultural views of the American Civil War and the Southwest Borderlands.
Beaches of the Queensland Coast provides the first description of all Queensland's ocean beaches between Cooktown and Coolangatta, including beaches on 18 islands and in several large bays. It is based on the results of the Australian Beach Safety and Management Program, a nationwide assessment of Australian beach systems. This book has two aims. First, to provide the public with general information on the origin and nature of Queensland's beaches, including the contribution of geology, oceanography, climate and biota to the beaches, and information on beach hazards and safety. Second, to provide a description of each beach, including its name(s), location, access, facilities, dimensions and the character of the beach and surf zone. The book comments on the suitability of the beach for bathing, surfing and fishing, with special emphasis on the natural hazards. Based on the physical hazards, all beaches are rated in terms of public safety and scaled from 1 (least hazardous) to 10 (most hazardous).
In nineteenth-century America, the belief that blacks and whites could not live in social harmony and political equality in the same country led to a movement to relocate African Americans to Liberia, a West African colony established by the United States government and the American Colonization Society in 1822. In The Price of Liberty, Claude Clegg accounts for 2,030 North Carolina blacks who left the state and took up residence in Liberia between 1825 and 1893. By examining both the American and African sides of this experience, Clegg produces a textured account of an important chapter in the historical evolution of the Atlantic world. For almost a century, Liberian emigration connected African Americans to the broader cultures, commerce, communication networks, and epidemiological patterns of the Afro-Atlantic region. But for many individuals, dreams of a Pan-African utopia in Liberia were tempered by complicated relationships with the Africans, whom they dispossessed of land. Liberia soon became a politically unstable mix of newcomers, indigenous peoples, and "recaptured" Africans from westbound slave ships. Ultimately, Clegg argues, in the process of forging the world's second black-ruled republic, the emigrants constructed a settler society marred by many of the same exclusionary, oppressive characteristics common to modern colonial regimes.
Since 1954, Campbell-Walsh Urology has been internationally recognized as the pre-eminent text in its field. Edited by Alan J. Wein, MD, PhD(hon), Louis R. Kavoussi, MD, Alan W. Partin, MD, PhD, Craig A. Peters, MD, FACS, FAAP, and the late Andrew C. Novick, MD, it provides you with everything you need to know at every stage of your career, covering the entire breadth and depth of urology - from anatomy and physiology through the latest diagnostic approaches and medical and surgical treatments. Consult this title on your favorite e-reader with intuitive search tools and adjustable font sizes. Elsevier eBooks provide instant portable access to your entire library, no matter what device you're using or where you're located. Be certain with expert, dependable, accurate answers for every stage of your career from the most comprehensive, definitive text in the field! Required reading for all urology residents, Campbell-Walsh Urology is the predominant reference used by The American Board of Urology for its board examination questions. Visually grasp and better understand critical information with the aid of algorithms, photographs, radiographs, and line drawings to illustrate essential concepts, nuances of clinical presentation and technique, and decision making. Stay on the cutting edge with online updates. Get trusted perspectives and insights from hundreds of well-respected global contributors, all of whom are at the top and the cutting edge of their respective fields. Stay current with the latest knowledge and practices. Brand-new chapters and comprehensive updates throughout include new information on perioperative care in adults and children, premature ejaculation, retroperitoneal tumors, nocturia, and more! Meticulously revised chapters cover the most recent advancements in robotic and laparoscopic bladder surgery, open surgery of the kidney, management of metastic and invasive bladder cancer, and many other hot topics! Reference information quickly thanks to a new, streamlined print format and easily searchable online access to supplemental figures, tables, additional references, and expanded discussions as well as procedural videos and more at www.expertconsult.com.
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.