An FBI agent must stop a Nazi spy from stealing America’s nuclear secrets in this WWII historical thriller by the author of Fear Itself. Chicago, 1942. As World War II rages overseas, special agent Jimmy Nessheim has asked for extended leave from the FBI. Becoming a law student at the University of Chicago seems like the perfect way to re-enter civilian life. But the school is home to more than an erstwhile FBI agent. Deep under the stands at Staff Field, renowned scientist Enrico Fermi is beginning work on what will become known as the Manhattan Project—nuclear research that could not only change the course of the war, but the face of war itself. When the White House learns that a Nazi agent may have infiltrated Fermi’s staff, Nesshiem is perfectly placed to assist. Persuaded to return to duty, Nessheim is on the hunt for a traitor who may already have access to the most important military secrets of the twentieth century. Almost simultaneously, Nessheim’s old flame Madison has found him in Chicago. But is her reappearance a coincidence? Drawn once again into a web of international intrigue, Nessheim faces his most deadly threat yet.
By the end of January 1968 the American people thought their armed forces were winning in South Vietnam after three years of escalating conflict. Then the North Vietnamese Army and Viet Cong struck back, hitting military and political targets across the country. While the NVA and Viet Cong suffered a military defeat, they dealt a huge blow to US support for the war. If you want to understand what happened and why − read Battle Story. Detailed profiles examine the background of the opposing commanders, as well as the contrasting tactics and equipment of their fighting forces. Contemporary accounts reveal the true story of this pivotal battle and its consequences for the Vietnam War. Specially commissioned maps analyse the key developments during the battle. Excellent photographs place the reader at the centre of the fighting. Orders of battle show the composition of the opposing forces' armies.
A homegrown Nazi conspiracy threatens to destroy America in this historical FBI thriller: “A stirring successor to Frederick Forsyth” (The Independent). Washington, DC, 1940. Jimmy Nessheim, a young special agent in the fledgling FBI, is assigned to infiltrate a new German American organization known as the Bund. Ardently pro-Nazi, the Bund is conspiring to sabotage American efforts against Adolf Hitler. But Nessheim’s investigation soon uncovers something far more sinister—and it leads directly to the White House. Drawn into the rarified world of Washington’s high society, Nessheim is caught in a web of political intrigue, secret lives, and a lethal plot that could rewrite history. With sharp wit and a keen eye for period detail, author Andrew Rosenheim brings to life an America at the crucial period before it entered World War II. He seamlessly weaves into the narrative larger-than-life figures such as J. Edgar Hoover, Clyde Tolson, and Lucy Mercer Rutherford, as well as historical events like the 1939 pro-Nazi rally held at New York City’s Madison Square Garden.
This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions. Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
Does a business have nexus in a particular jurisdiction? With the rate of change, you can't afford to be out-of-date with your knowledge of this critical tax area. Spotlighting updates on the latest on state tax reforms and the Wayfair Decision, this guide will help you to develop a working knowledge of both multistate tax compliance and related planning opportunities, so you can skillfully guide your clients through the maze of multistate corporate tax codes. Key topics covered include: Constitutional limits and P.L. 86-272 Nexus, UDITPA, MTC Calculation of state taxable income Filing methods for multistate taxpayers Apportionment and allocation Multistate income tax planning Audit defense strategies
An FBI agent scours LA’s criminal underground “in a noirish World War II–era thriller that’s rich in atmosphere” by the acclaimed author of Fear Itself (Kirkus Reviews). Autumn, 1941. Special Agent Jimmy Nessheim is in Hollywood for two reasons: to consult on a movie being made about the Bureau, and to investigate a suspicious Russian payment to a Japanese bank. Jimmy taps his trusted informant, Billy Osaka, to look into the matter. But when Billy disappears, Jimmy’s California vacation turns into a dangerous chase with no time to lose. His frantic search takes him through the dangerous streets of Little Tokyo and into a risky undercover gambit in Hawaii, just hours before the Japanese surprise attack on Pearl Harbor. The Little Tokyo Informant is another well-researched historical thriller from “a stirring successor to Frederick Forsyth” (The Independent). “Rosenheim is even better this time out at melding interesting leads with a thrilling story line and vivid descriptions of such locales as L.A.’s Little Tokyo.” —Publishers Weekly (starred review) “The ghosts of Dashiell Hammett and Raymond Chandler loom large.” —Kirkus Reviews
NEW YORK TIMES EDITORS’ CHOICE • An “epic and intimate” (David M. Kennedy) portrait of four generations of the Morgenthau family, a dynasty of power brokers and public officials with an outsize—and previously unmapped—influence extending from daily life in New York City to the shaping of the American Century “Magisterial . . . a vivid retelling of critical domestic and world events over two centuries.”—Dr. Fiona Hill After coming to America from Germany in 1866, the Morgenthaus made history in international diplomacy, in domestic politics, and in America’s criminal justice system. With unprecedented, exclusive access to family archives, award-winning journalist and biographer Andrew Meier vividly chronicles how the Morgenthaus amassed a fortune in Manhattan real estate, advised presidents, advanced the New Deal, exposed the Armenian genocide, rescued victims of the Holocaust, waged war in the Mediterranean and Pacific, and, from a foundation of private wealth, built a dynasty of public service. In the words of former mayor Ed Koch, they were “the closest we’ve got to royalty in New York City.” Lazarus Morgenthau arrived in America dreaming of rebuilding the fortune he had lost in his homeland. He ultimately died destitute, but the family would rise again with the ascendance of Henry, who became a wealthy and powerful real estate baron. From there, the Morgenthaus went on to influence the most consequential presidency of the twentieth century, as Henry’s son Henry Jr. became FDR’s longest-serving aide, his Treasury secretary during the war, and his confidant of thirty years. Finally, there was Robert Morgenthau, a decorated World War II hero who would become the longest-tenured district attorney in the history of New York City. Known as the “DA for life,” he oversaw the most consequential and controversial prosecutions in New York of the last fifty years, from the war on the Mafia to the infamous Central Park Jogger case. The saga of the Morgenthaus has lain half hidden in the shadows for too long. At heart a family history, Morgenthau is also an American epic, as sprawling and surprising as the country itself.
The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE
Contemporary American poetry can often seem intimidating and daunting in its variety and complexity. This engaging and accessible book provides the first comprehensive introduction to the rich body of American poetry that has flourished since 1945 and offers a useful map to its current landscape. By exploring the major poets, movements, and landmark poems at the heart of this era, this book presents a compelling new version of the history of American poetry that takes into account its variety and breadth, its recent evolution in the new millennium, its ever-increasing diversity, and its ongoing engagement with politics and culture. Combining illuminating close readings of a wide range of representative poems with detailed discussion of historical, political, and aesthetic contexts, this book examines how poets have tirelessly invented new forms and styles to respond to the complex realities of American life and culture.
A leading critic of contemporary Spanish poetry examines here the work of ten important poets who came to maturity in the immediate post-Civil War period and whose major works appeared between 1956 and 1971: Francisco Brines; Eladio Cabañero; Angel Crespo; Gloria Fuertes; Jaime Gil de Biedma; Angel González; Manuel Mantero; Claudio Rodríguez; Carlos Sahagún; and José Angel Valente. Although each of these poets has developed an individual style, their work has certain common characteristics: use of the everyday language and images of contemporary Spain, development of language codes and intertextual references, and, most strikingly, metaphoric transformations and surprising reversals of the reader's expectations. Through such means these poets clearly invite their readers to join them in journeys of poetic discovery. Andrew P. Debicki's is the first detailed stylistic analysis of this generation of poets, and the first to approach their work through the particularly appropriate methods developed in "reader-response" criticism.
Andrew B. Leiter presents the first book-length study of the sexually violent African American man, or "black beast," as a composite literary phenomenon. According to Leiter, the black beast theme served as a fundamental link between the Harlem and Southern Renaissances, with writers from both movements exploring its psychological, cultural, and social ramifications. Indeed, Leiter asserts that the two groups consciously engaged one another's work as they struggled to define roles for black masculinity in a society that viewed the black beast as the raison d'être for segregation. Leiter begins by tracing the nineteenth-century origins of the black beast image, and then provides close readings of eight writers who demonstrate the crucial impact anxieties about black masculinity and interracial sexuality had on the formation of American literary modernism. James Weldon Johnson's The Autobiography of an Ex-Colored Man, Walter White's The Fire in the Flint, George Schuyler's Black No More, William Faulkner's Light in August, Margaret Mitchell's Gone with the Wind, Allen Tate's The Fathers, Erskine Caldwell's Trouble in July, and Richard Wright's Native Son, as well as other works, provide strong evidence that perceptions of black male sexual violence shaped segregation, protest traditions, and the literature that arose from them. Leiter maintains that the environment of southern race relations -- which allowed such atrocities as the Atlanta riot of 1906, numerous lynchings, Virginia's Racial Integrity Act, and the Scottsboro trials -- influenced in part the development of both the Harlem and Southern Renaissances. While the black beast image had the most pernicious impact on African American individual and communal identities, he says the "threat" of black masculinity also shaped concepts of white national and communal identities, as well as white femininity and masculinity. In the Shadow of the Black Beast signals a fresh interpretation of a literary stereotype within its social and historical context.
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