The famous songwriter Cole Porter once asked, What Is This Thing Called Love? His question caused author Andrew J. Salat to wonder: is the condition physical, spiritual, or, as some cynics might describe, a temporary madness of the heart? Salat believes Mr. Porters question is answered quite well in Short Stories for Romantics. The story High Heels is a haunting tale of love found and lost, told to him by an interesting airline passenger. Adriennes Room takes the reader on an unforgettable roller-coaster ride. For a more spiritual journey, High Level Meeting seeks to bring on second thoughts about the way we live our lives. These sixteen stories take the reader on an imaginary sojourn we all must take in order to experience true love in our lives. Mr. Salat is a gifted storyteller with imagination and eloquent style. His stories had me turning pages to the very last. Beverly DeGeorge, literary consultant
In 2013 and 2014, some of Massachusetts' wealthiest and most powerful individuals hatched an audacious plan to bring the 2024 Summer Olympics to Boston. Like their counterparts in cities around the world, Boston's Olympic boosters promised political leaders, taxpayers, and the media that the Games would deliver incalculable benefits and require little financial support from the public. Yet these advocates refused to share the details of their bid and only grudgingly admitted, when pressed, that their plan called for billions of dollars in construction of unneeded venues. To win the bid, the public would have to guarantee taxpayer funds to cover cost overruns, which have plagued all modern Olympic Games. The United States Olympic Committee (USOC) chose Boston 2024's bid over that of other American cities in January 2015-and for a time it seemed inevitable that the International Olympic Committee (IOC) would award the Games to Boston 2024. No Boston Olympics is the story of how an ad hoc, underfunded group of diverse and engaged citizens joined together to challenge and ultimately derail Boston's boosters, the USOC, and the IOC. Chris Dempsey was cochair of No Boston Olympics, the group that first voiced skepticism, demanded accountability, and catalyzed dissent. Andrew Zimbalist is a world expert on the economics of sports, and the leading researcher on the hidden costs of hosting mega-events such as the Olympics and the World Cup. Together, they tell Boston's story, while providing a blueprint for citizens who seek to challenge costly, wasteful, disruptive, and risky Olympic bids in their own cities.
An unforgettable coming-of-age novel that becomes a profound mediation on life, death, and lifelong friendship. Everyone has a Tully Dawson: the friend who defines your life. In the summer of 1986, in a small Scottish town, James and Tully ignite a brilliant friendship based on music, films and the rebel spirit. With school over and the locked world of their fathers before them, they rush towards the climax of their youth: a magical weekend in Manchester, the epicentre of everything that inspires them in working-class Britain. There, against the greatest soundtrack ever recorded, a vow is made: to go at life differently. Thirty years on, half a life away, the phone rings. Tully has news--news that forces the life-long friends to confront their own mortality head-on. What follows is an incredibly moving examination of the responsibilities and obligations we have to those we love. Mayflies is at once a finely-tuned drama about the delicacy and impermanence of human connection and an urgent inquiry into some of the most important questions of all: Who are we? What do we owe to our friends? And what does it mean to love another person amidst tragedy?
Whilst upholding some of the criticisms of Colin Gunton's work, this incisive book argues that there is a Hauptbriefe in Gunton reception that assumes his early classic works, The One, the Three and the Many and The Promise of Trinitarian Theology (1st ed), are definitive of his project and fail to engage adequately with the progressions in Gunton's later thought. Instead, this book offers a fresh reading of Gunton by giving greater prominence to his later writings, which are centred in the mediation of the Son and the Spirit in creation. Andrew Picard argues that Gunton's trinitarian theology of culture emerges from his later trinitarian theology of mediation, creation, Christology, pneumatology, and ecclesiology. Exploring these doctrinal foci enables an understanding of Gunton's account of faithful human culture as embodied worship; a living sacrifice of praise which contributes to the divine redemption and perfection of creation. It is the church's particular calling to embody such praise through its visible life in community. The study concludes by intersecting Gunton's theology with the social sciences to critique ableism and consider the politics of the church's belonging in community.
In 1998, Andrew Carroll founded the Legacy Project, with the goal of remembering Americans who have served their nation and preserving their letters for posterity. Since then, over 50,000 letters have poured in from around the country. Nearly two hundred of them comprise this amazing collection -- including never-before-published letters that appear in the new afterword. Here are letters from the Civil War, World War I, World War II, Korea, the Cold War, Vietnam, the Persian Gulf war, Somalia, and Bosnia -- dramatic eyewitness accounts from the front lines, poignant expressions of love for family and country, insightful reflections on the nature of warfare. Amid the voices of common soldiers, marines, airmen, sailors, nurses, journalists, spies, and chaplains are letters by such legendary figures as Gen. William T. Sherman, Clara Barton, Theodore Roosevelt, Ernie Pyle, Gen. Douglas MacArthur, Julia Child, Gen. Norman Schwarzkopf, and Gen. Benjamin O. Davis Sr. Collected in War Letters, they are an astonishing historical record, a powerful tribute to those who fought, and a celebration of the enduring power of letters.
After the head of the wealthy Baz family dies, his son Tibbs find himself in the center of a mystery involving conspiracies and super natural forces. What follows is a surreal adventure across reality, dreams and the after life. There's an entire world hidden in plain view, with many strange and off putting things to see.
And as he sat upon the mount of Olives, the disciples came unto him privately, saying, "Tell us, when shall these things be? and what shall be the sign of thy coming, and of the end of the world?" ""Matthew 24:3 Read and witness the testimony! That the words of Jesus are truly come to pass. This is a story, based on true events, of just how the prophesies of Christ were fulfilled. How many people were going to be deceived by false prophets and false Christs. How deception not only can mislead a people but open up a pathway to be used and highly taken advantage of. Jesus foretold we would recognize these prophets by their fruits. "Ye shall know them by their fruits. Do men gather grapes of thorns, or figs of thistles?" (Matthew 7:16). This truth will describe, in detail, exactly what those fruits look like. Nevertheless, how pain and suffering a people felt like they had to endure. How a lack of knowledge can truly cause discord and unravel the very things that we hold most dear in our hearts, minds, and in our lives. Things such as family, happiness and, most of all, love. The same commandment that our Lord and Savior, Jesus Christ left to us. "A new commandment I give unto you, That ye love one another; as I have loved you, that ye also love one another"(John 13:34). This tale reminds us of how we should never forget that. Moreover, also how God looks out for His own, even in the midst of extreme adversity. That even in the depths of misery, there is no place where God's power cannot reach. There are no chains that bind, that God cannot loose. Nevertheless, there is no mind or heart that is bound, that God cannot make free. "And ye shall know the truth, and the truth shall make you free" (John 8:32).
Lights Burning Blue is a tender story of an unlikely friendship, and also a page-turning thriller set in the world of the theatre. Brooke McCarthy left drama school over a year ago. After many months of waiting for her big break, she gets a job with The Edwardian Palace Theatre Company on the south coast. 'Why did I feel slightly ashamed of the fact that my first real job since leaving college is stage-managing? It’s an important job. Vital in fact, and it can be a very rewarding and challenging career. Except in my case I didn’t really want to do it.' It’s not everything she hoped for; it’s not a proper acting job and the play’s director, the notorious Jimmy Knowles, is difficult to work for and a hard man to please. The play is not even rehearsing at the theatre itself, but in an out-of-the-way village hall near a woodland nature reserve miles from anywhere. But this is the theatrical profession. Jobs don’t come along very easily, and Brooke is fed up with working as a temp in an office. On her first day, Brooke meets an endearing old man who lives in the cottage just across the path from the rehearsal hall. A man with an interesting past and an infectious love of the theatre.. Just the week before Brooke arrives at her new job, a young girl who looks somewhat like her has been found murdered in the woods... Lights Burning Blue is a page-turning thriller that will not only keep you guessing, but being written by an actor, will also give you an insider's view of what it is really like to work in the theatre.
Meet the increasing need for effective brain tumor management with the highly anticipated revision of Brain Tumors by Drs. Andrew H. Kaye and Edward R. Laws. Over the past decade, enormous advances have been made in both the diagnosis and the surgical and radiotherapeutic management of brain tumors. This new edition guides you through the latest developments in the field, including hot topics like malignant gliomas, functional brain mapping, neurogenetics and the molecular biology of brain tumors, and biologic and gene therapy. Benefit from the knowledge and experience of Drs. Andrew H. Kaye and Edward R. Laws, globally recognized experts in the field of neurosurgery, as well as many other world authorities.
Screen Saviors studies how the self of whites is imagined in Hollywood movies—by white directors featuring white protagonists interacting with people of another color. This collaboration by a sociologist and a film critic, using the new perspective of critical "white studies," offers a bold and sweeping critique of almost a century's worth of American film, from Birth of Nation (1915) through Black Hawk Down (2001). Screen Saviors studies the way in which the social relations that we call "race" are fictionalized and pictured in the movies. It argues that films are part of broader projects that lead us to ignore or deny the nature of the racial divide in which Americans live. Even as the images of racial and ethnic minorities change across the twentieth century, Hollywood keeps portraying the ideal white American self as good-looking, powerful, brave, cordial, kind, firm, and generous: a natural-born leader worthy of the loyalty of those of another color. The book invites readers to conduct their own analyses of films by showing how this can be done in over 50 Hollywood movies. Among these are some films about the Civil War—Birth of a Nation , Gone with the Wind, and Glory; some about white messiahs who rescue people of another color—Stargate, To Kill a Mockingbird, Mississippi Burning, Three Kings, and The Matrix; the three versions of Mutiny on the Bounty (1935, 1962, and 1984) and interracial romance—Guess Who's Coming to Dinner. Forty years of Hollywood fantasies of interracial harmony, from The Defiant Ones and In the Heat of the Night through the Lethal Weapon series and Men in Black are examined. This work in the sociology of knowledge and cultural studies relates the movies of Hollywood to the large political agendas on race relation in the United States. Screen Saviors appeals to the general reader interested in the movies or in race and ethnicity as well as to students of com
Includes CD-Rom ′Intriguing and timely...I whole heartedly recommend this text to teacher educators and their trainees, certainly across English and the Arts, but arguably to all engaged in considering critical pedagogy across the curriculum′ - ESCalate `This is a very timely book, firmly rooted in authentic, albeit visionary, classroom practice, that has much to offer to teachers of all subjects, but should be particularly welcomed by English and media colleagues′ - English Drama Media `Heaving with ideas...outstanding lesson ideas and inspiring work from students′ - The Secondary English Magazine `I really enjoyed working my way through this book...The book is accompanied by a DVD organised into chapters which correspond to those in the book, and it was great to see the ideas and schemes referred to in the text come alive. The schemes have been included which makes it even easier to adapt the work to fit the technology and resources available in your own school..All teachers of media would benefit from browsing this book′ - Learning & Teaching Update This book is for secondary English, Media, and ICT teachers who want to develop practical media work and media literacy across the curriculum. It is ideal for secondary English and media teachers and curriculum leaders in secondary schools, as well as ICT teachers and co-ordinators, PCGE English/Media students, and researchers working on media, English and ICT projects. A range of case studies are presented which show how digital media work, from video editing to computer game authoring, can be developed in schools, drawing on children′s own cultural knowledge. It also shows the benefits of such projects in terms of learning outcomes and increased self-esteem for a range of learners. The book comes with a CD-Rom of children′s work from the various case study projects, exhibiting the high standard of moving image work, animations and computer games that can be produced with the help of this text. With an integrated approach drawing together practice, theory and research, the book will help teachers to plan for and develop their own media projects in school. It offers advice on integrating media work across the curriculum (in English and media classes as well as in ICT and citizenship), and presents a model of progression which shows how learning can develop from the first years of secondary school through to GCSE level. In line with current government initiatives to open up curriculum boundaries, the book shows how to plan for longer periods of time for these projects.
Creativity and Advertising develops novel ways to theorise advertising and creativity. Arguing that combinatory accounts of advertising based on representation, textualism and reductionism are of limited value, Andrew McStay suggests that advertising and creativity are better recognised in terms of the ‘event’. Drawing on a diverse set of philosophical influences including Scotus, Spinoza, Vico, Kant, Schiller, James, Dewey, Schopenhauer, Whitehead, Bataille, Heidegger and Deleuze, the book posits a sensational, process-based, transgressive, lived and embodied approach to thinking about media, aesthetics, creativity and our interaction with advertising. Elaborating an affective account of creativity, McStay assesses creative advertising from Coke, Evian, Google, Sony, Uniqlo and Volkswagen among others, and articulates the ways in which award-winning creative advertising may increasingly be read in terms of co-production, playfulness, ecological conceptions of media, improvisation, and immersion in fields and processes of corporeal affect. Philosophically wide-ranging yet grounded in robust understanding of industry practices, the book will also be of use to scholars with an interest in aesthetics, art, design, media, performance, philosophy and those with a general interest in creativity. Andrew McStay lectures at Bangor University and is author of Digital Advertising, and The Mood of Information: A Critique of Online Behavioural Advertising and Deconstructing Privacy, the latter forthcoming in 2014.
One of the first Army bases to implement on a large scale President Truman's call for racial integration of the armed forces, Fort Jackson, South Carolina, quickly took its place in the Defense Department's official history of the process. What reporters, and later on, historians, overlooked was the interaction between the integration of Fort Jackson and developments, in particular, the civil rights movement, in the wider communities in which the base is situated.In Black, White, and Olive Drab, Andrew H. Myers redresses this oversight; taking a case-study approach, Myers meticulously weaves together a wide range of official records, newspaper accounts, and personal interviews, revealing the impact of Fort Jackson's integration on the desegregation of civilian buses, schools, housing, and public facilities in the surrounding area. Examining the ways in which commanders and staff at the installation navigated challenges over racial issues in their dealings with municipal authorities, state politicians, federal legislators, and the upper echelons of the military bureaucracy, Myers also addresses how post leaders dealt with the potential for participation in civil rights demonstrations by soldiers under their command. Original and provocative, Black, White, and Olive Drab will engage historians and sociologists who study military-social relations, the civil rights movement, African American history, and the South, as well as those who are interested in or familiar with basic training or the American armed forces.
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