This book introduces recently developed mixed finite element methods for large-scale geophysical flows that preserve essential numerical properties for accurate simulations. The methods are presented using standard models of atmospheric flows and are implemented using the Firedrake finite element library. Examples guide the reader through problem formulation, discretisation, and automated implementation. The so-called “compatible” finite element methods possess key numerical properties which are crucial for real-world operational weather and climate prediction. The authors summarise the theory and practical implications of these methods for model problems, introducing the reader to the Firedrake package and providing open-source implementations for all the examples covered. Students and researchers with engineering, physics, mathematics, or computer science backgrounds will benefit from this book. Those readers who are less familiar with the topic are provided with an overview of geophysical fluid dynamics.
This book introduces recently developed mixed finite element methods for large-scale geophysical flows that preserve essential numerical properties for accurate simulations. The methods are presented using standard models of atmospheric flows and are implemented using the Firedrake finite element library. Examples guide the reader through problem formulation, discretisation, and automated implementation. The so-called “compatible” finite element methods possess key numerical properties which are crucial for real-world operational weather and climate prediction. The authors summarise the theory and practical implications of these methods for model problems, introducing the reader to the Firedrake package and providing open-source implementations for all the examples covered. Students and researchers with engineering, physics, mathematics, or computer science backgrounds will benefit from this book. Those readers who are less familiar with the topic are provided with an overview of geophysical fluid dynamics.
This is Volume 12 of a 16 Volume set originally published in 1885 by Charles Scribners's & Sons. Written by 14 different authors such as Abner Doubleday, John Nicolay and Jacob D. Cox, these volumes present the Army and the Navy in the Civil war. The Army series covers causes and battles from the" Outbreak of Rebellion" to "Chancellorsville and Gettysburg" and on the "Virginia Campaign of '64 and '65. A volume of Statistical Records completes the Army set. The three volumes about the Navy include "The Blockade and the Cruisers," "The Atlantic Coast" and "The Gulf and Inland Waters." Each volume contains a wealth of information, with its own introduction, preface, index, appendix(s), illustrations and maps. As a set, it is in-depth view the Civil War.
Understanding Wine Chemistry Understand the reactions behind the world’s most alluring beverages The immense variety of wines on the market is the product of multiple chemical processes – whether acting on components arising in the vineyard, during fermentation, or throughout storage. Winemaking decisions alter the chemistry of finished wines, affecting the flavor, color, stability, and other aspects of the final product. Knowledge of these chemical and biochemical processes is integral to the art and science of winemaking. Understanding Wine Chemistry has served as the definitive introduction to the chemical components of wine, their properties, and their reaction mechanisms. It equips the knowledgeable reader to interpret and predict the outcomes of physicochemical reactions involved with winemaking processes. Now updated to reflect recent research findings, most notably in relation to wine redox chemistry, along with new Special Topics chapters on emerging areas, it continues to set the standard in the subject. Readers of the second edition of Understanding Wine Chemistry will also find: Case studies throughout showing chemistry at work in creating different wine styles and avoiding common adverse chemical and sensory outcomes Detailed treatment of novel subjects like non-alcoholic wines, non-glass alternatives to wine packaging, synthetic wines, and more An authorial team with decades of combined experience in wine chemistry research and education Understanding Wine Chemistry is ideal for college and university students, winemakers at any stage in their practice, professionals in related fields such as suppliers or sommeliers, and chemists with an interest in wine.
Despite the substantial interest in landscape genetics from the scientific community, learning about the concepts and methods underlying the field remains very challenging. The reason for this is the highly interdisciplinary nature of the field, which combines population genetics, landscape ecology, and spatial statistics. These fields have traditionally been treated separately in classes and textbooks, and very few scientists have received the interdisciplinary training necessary to efficiently teach or apply the diversity of techniques encompassed by landscape genetics. To address the current knowledge gap, this book provides the first in depth treatment of landscape genetics in a single volume. Specifically, this book delivers fundamental concepts and methods underlying the field, covering particularly important analytical methods in detail, and presenting empirical and theoretical applications of landscape genetics for a variety of environments and species. Consistent with the interdisciplinary nature of landscape genetics, the book combines an introductory, textbook like section with additional sections on advanced topics and applications that are more typical of edited volumes. The chapter topics and the expertise of the authors and the editorial team make the book a standard reference for anyone interested in landscape genetics. The book includes contributions from many of the leading researchers in landscape genetics. The group of scientists we have assembled has worked on several collaborative projects over the last years, including a large number of peer reviewed papers, several landscape genetics workshops at international conferences, and a distributed graduate seminar on landscape genetics. Based on the experiences gained during these collaborative teaching and research activities, the book includes chapters that synthesize fundamental concepts and methods underlying landscape genetics (Part 1), chapters on advanced topics that deserve a more in depth treatment (Part 2), and chapters illustrating the use of concepts and methods in empirical applications (Part 3). This structure ensures a high usefulness of the book for beginning landscape geneticists and experienced researchers alike, so that it has a broad target audience. At least one of the four co editors is involved in almost every chapter of the book, thereby ensuring a high consistency and coherency among chapters.
Harry Parr-Davies was no more than a name to me until I saw the documentary play about Gracie Fields and realised that the songs Sing as We Go, Wish Me Luck As You Wave Me Goodbye, Pedro the Fisherman, and I Leave My Heart in an English Garden were all composed by the same man. This set me about discovering more about him. Consulting the internet, I discovered a web-site and even more importantly was given Gabrielle Bell’s CD of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s I also gathered as many items of second sheetmusi and two vocal scores. After compiling a family genealogy I now start to collate my material into biographical form so I could explore the man and his music set against the times he lived in. I consulted local libraries for Groves and Dictionary of National Biography. Giving more personal detail were the archives in Neath and West Glamorgan Libraries . even more usefully I came across accounts of the 2005 Exhibition in Neath about Harry which Edward Beckerleg had mounted with the help of late Bill Hanks. I contacted them both and they were helpful. Sadly Bill died, but Edwardhas provided with copies of material on the boards he had done for the exhibition. Even more importantly, he posted to me CD’s of Harry’s music covering the styles and sounds of 30’s, 40’s and 50’s. He in addition, sent me a selection of his photographs concerning Harry to use in my book. (see those use in the list below.)
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