Seminar paper from the year 2016 in the subject Sociology - Children and Youth, , course: Development Studies, language: English, abstract: The population of Kenya is a youthful one comprising about 78.31% aged below 34 years. Youth, however, has been declining to engage in agriculture. Notable is that agriculture is the main economic activity of Kenya. The sector has been recording a poor performance in the recent years and the continuous decline of youth engaging in agriculture may lead to a further setback. The effect will be a strain to the achievements of set government goals towards economic growth and development. Therefore, this study sought to assess challenges affecting youth engagement in agriculture in Kiambu County. Specifically, the study sought to find out; to what extent knowledge, land, attitude and credit affect youth’s engagement in agriculture. The study was conducted in Limuru Sub County because of the issue of high land fragmentation. The study adopted a survey research design that was cross sectional in nature. It targeted a population of 10,633 youth. The researcher used proportionate sampling to sample 300 youths from the peri-urban population of the constituency. A semi structured questionnaire was administered to both female and male research subjects. Thereafter, quantitative data was analyzed using Statistical Package for Social Science (SPSS) computer software version 11.5. The data was presented in form of frequencies, means, pie chart bar graphs and standard deviation. Pearson’s r, correlation was used to determine the relationship between the variables whereas, qualitative data analysis was based on grounded theories and presented along emerging themes. The study concluded that lack of land and a poor attitude towards agriculture were the major causes of non-engagement in agriculture. The study further concluded that agricultural knowledge led to an interest in agriculture engagement. It also found out that in peri- urban areas, because of availability of casual jobs and business opportunities, capital for agriculture was raised through personal and group savings more than borrowing from financial institutions. The study recommended reviving farmer cooperatives, extensive training focusing on importance of youth engagement in agriculture for families and frequent farm visits to demonstrate new farming techniques for youth. Further it recommended formation of structured financial groups by youth.
Critical Brass tells the story of neofanfarrismo, an explosive carnival brass band community turned activist musical movement in Rio de Janeiro, as Brazil shifted from a country on the rise in the 2000s to one beset by various crises in the 2010s. Though predominantly middle-class, neofanfarristas have creatively adapted the critical theories of carnival to militate for a more democratic city. Illuminating the tangible obstacles to musical movement building, Andrew Snyder argues that festive activism with privileged origins can promote real alternatives to the neoliberal city, but meets many limits and contradictions in a society marked by diverse inequalities. -- Salwa El-Shawan Castelo-Branco, Professor Emerita, NOVA University of Lisbon
Andrew's recent book Story of Achu was published in November, 2020. This is a story of a person born in Kerala, India in a poor family, achieved good education through scholarship in India, migrated to USA, advanced is education in Finance and Investment, became an investment banker and became a millionaire in capitalistic USA. The story is narrated with contemporary governments and economic conditions in India and USA.
The subject of cattle-raids carried out by various nomadic communities on their counterparts is a subject of interest, intrigue and misinterpretation. What was the original purpose of cattle-raids in the concerned nomadic communities? How exactly were the raids carried out? What were the norms and taboos governing cattle-raids and wars in the traditional tribal folklore? Is cattle-raising compatible with modern society? Is it acceptable for perpetrators of modern cattle-raiding to hide behind "tradition" and justify their criminal activities. The above are some of the questions that inspired this author of this book to undertake 11 years of research which is presented here in the form of a novel.
Spirited Away, directed by the veteran anime film-maker Hayao Miyazaki, is Japan's most successful film, and one of the top-grossing 'foreign language' films ever released. Set in modern Japan, the film is a wildly imaginative fantasy, at once personal and universal. It tells the story of a listless little girl, Chihiro, who stumbles into a magical world where gods relax in a palatial bathhouse, where there are giant babies and hard-working soot sprites, and where a train runs across the sea. Andrew Osmond's insightful study describes how Miyazaki directed Spirited Away with a degree of creative control undreamt of in most popular cinema, using the film's delightful, freewheeling visual ideas to explore issues ranging from personal agency and responsibility to what Miyazaki sees as the lamentable state of modern Japan. Osmond unpacks the film's visual language, which many Western (and some Japanese) audiences find both beautiful and bewildering. He traces connections between Spirited Away and Miyazaki's prior body of work, arguing that Spirited Away uses the cartoon medium to create a compellingly immersive drawn world. This edition includes a new foreword by the author in which he considers the world of animated cinema post-Spirited Away, considering its influence on films ranging from del Toro's Pan's Labyrinth to Pixar's Inside Out.
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