Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
Charles Golightly (1807-1885) was a notorious Protestant polemicist. His life was dedicated to resisting the spread of ritualism and liberalism within the Church of England and the University of England. For half of a century he led many memorable campaigns, such as building a martyrs' memorial and attempting to close a theological college. John Henry Newman, Samuel Wilberforce, and Benjamin Jowett were amongst his adversaries. This is the first study of Golightly's controversial career.
“A comprehensive exploration of spying in its myriad forms from the Bible to the present day . . . Easy to dip into, and surprisingly funny.” —Ben Macintyre in The New York Times Book Review The history of espionage is far older than any of today’s intelligence agencies, yet largely forgotten. The codebreakers at Bletchley Park, the most successful WWII intelligence agency, were completely unaware that their predecessors had broken the codes of Napoleon during the Napoleonic wars and those of Spain before the Spanish Armada. Those who do not understand past mistakes are likely to repeat them. Intelligence is a prime example. At the outbreak of WWI, the grasp of intelligence shown by US President Woodrow Wilson and British Prime Minister Herbert Asquith was not in the same class as that of George Washington during the Revolutionary War and eighteenth-century British statesmen. In the first global history of espionage ever written, distinguished historian and New York Times–bestselling author Christopher Andrew recovers much of the lost intelligence history of the past three millennia—and shows us its continuing relevance. “Accurate, comprehensive, digestible and startling . . . a stellar achievement.” —Edward Lucas, The Times “For anyone with a taste for wide-ranging and shrewdly gossipy history—or, for that matter, for anyone with a taste for spy stories—Andrew’s is one of the most entertaining books of the past few years.” —Adam Gopnik, The New Yorker “Remarkable for its scope and delightful for its unpredictable comparisons . . . there are important lessons for spymasters everywhere in this breathtaking and brilliant book.” —Richard J. Aldrich, Times Literary Supplement “Fans of Fleming and Furst will delight in this skillfully related true-fact side of the story.” —Kirkus Reviews “A crowning triumph of one of the most adventurous scholars of the security world.” —Financial Times Includes illustrations
Andrew Ashworth and Mike Redmayne address one of the most controversial areas of the entire criminal process - the pre-trial stage. Following the detention of suspects in police custody, the authors examine key issues in the pre-trial process.
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
The Treaty of Ghent signed in 1814 allowed Americans once again to travel abroad. Intrepid Americans ventured to Athens, to Constantinople, and even to Egypt. This book covers the 25-year period after 1815 that saw young men from East Coast cities traveling to the lands of the Bible and of the Greek and Latin authors they had first known as teenagers. Naval officers off ships of the Mediterranean squadron visited Cairo to see the pyramids. Two groups went on business, one importing steam-powered rice and cotton mills from New York, the other exporting giraffes from the Kalahari Desert for wild animal shows in New York.
This book critically reviews the origins, development, and decline of the Class Meeting. Beginning with an overview of the religious and societal milieu from the sixteenth century, and examining the heritage of John and Charles Wesley, the inheritance John Wesley took from the past is studied. The rise of the Anglican Unitary Societies is considered and Wesley's active work within those societies drawn out. The arrival of the Moravians in London in 1738 to form a group for Germans resident in London influenced many of the Anglican society members, not least the Wesley brothers. These influences are also considered before the Methodist movement, and particularly the Class Meeting are considered in detail. This book is unique in its drawing together the manner of religious association experienced in the Evangelical Revival and aims to show how Methodism was a fusion of pre-existing ideas, formed into a new working model of religious association. Paramount to the success of the early Methodist was the Class Meeting. This book draws on testimony, diary, and journal records to provide first-hand accounts of people's lives being changed through attendance at the Class Meeting and its making possible growth in grace and holiness. In the early period of Methodism the Class Meeting was the crown to Methodist identity. An analysis of the primary aims of this meeting, which gave the Methodist people their distinct characteristics, is followed by a study of the social identity and group processes that occurred when prospective members considered joining the Methodists. The decline of the Class Meeting to 1791 forms the concluding chapters, and, using three classic sociological models-Weber (routinisation), Durkheim (totemism), and Troeltsch (primary/secondary religion)-as themes, the reasons why the class became a cross are examined. Journal, diary, and testimonial material support the Methodists' declining interest in the class that led to its irrelevance for a people seeking respectability rather than an immediate encounter with God.
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
Choo's Evidence provides a lucid and concise account of the principles of the law of civil and criminal evidence in England and Wales. Critical and thought-provoking, it is the ideal text for undergraduate law students.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be briefly stated. Poetry begins, as Aristotle says, in improvisation. Every man is his own poet, and, in moments of stronge motion, expresses himself in song. A typical example is the Song of Lamech in Genesis—“I have slain a man to my wounding, And a young man to my hurt.” Instances perpetually occur in the Sagas: Grettir, Egil, Skarphedin, are always singing. In Kidnapped, Mr. Stevenson introduces “The Song of the Sword of Alan,” a fine example of Celtic practice: words and air are beaten out together, in the heat of victory. In the same way, the women sang improvised dirges, like Helen; lullabies, like the lullaby of Danae in Simonides, and flower songs, as in modern Italy. Every function of life, war, agriculture, the chase, had its appropriate magical and mimetic dance and song, as in Finland, among Red Indians, and among Australian blacks. “The deeds of men” were chanted by heroes, as by Achilles; stories were told in alternate verse and prose; girls, like Homer’s Nausicaa, accompanied dance and ball play, priests and medicine-men accompanied rites and magical ceremonies by songs. These practices are world-wide, and world-old. The thoroughly popular songs, thus evolved, became the rude material of a professional class of minstrels, when these arose, as in the heroic age of Greece. A minstrel might be attached to a Court, or a noble; or he might go wandering with song and harp among the people. In either case, this class of men developed more regular and ample measures. They evolved the hexameter; the laisse of the Chansons de Geste; the strange technicalities of Scandinavian poetry; the metres of Vedic hymns; the choral odes of Greece. The narrative popular chant became in their hands the Epic, or the mediaeval rhymed romance. The metre of improvised verse changed into the artistic lyric. These lyric forms were fixed, in many cases, by the art of writing. But poetry did not remain solely in professional and literary hands. The mediaeval minstrels and jongleurs (who may best be studied in Léon Gautier’s Introduction to his Epopées Françaises) sang in Court and Camp. The poorer, less regular brethren of the art, harped and played conjuring tricks, in farm and grange, or at street corners. The foreign newer metres took the place of the old alliterative English verse. But unprofessional men and women did not cease to make and sing.
Creeks and Southerners studies the ways in which many children of these relationships lived both as Creek Indians and white Southerners. By carefully altering their physical appearances, choosing appropriate clothing, learning multiple languages, embracing maternal and paternal kinsmen and kinswomen, and balancing their loyalties, the children of intermarriages found ways to bridge what seemed to be an unbridgeable divide."--BOOK JACKET.
The Allies claimed victory at the end of the Second World War, but the United States’ invention of the atomic bomb and its replication by the Soviet Union posed new dangers for all nations. In Peace Prepared examines what Canada’s Cold War Army did to prepare for war – and why and how it did it. Although a Third World War never happened, army officers supported by a large civilian defence workforce of scientists, engineers, and designers responded aggressively to the challenges presented by the possibility of nuclear attack. Through innovation and adaptation, they developed a collaborative and systematic approach to problem solving that not only played a significant role in the evolution of Canada’s national force but also shaped how armies in the Western Alliance related to one another during the Cold War and beyond.
A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond. 'A treasure trove of human ingenuity' The Times Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business. We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Régime and Civil War America. And we witness the entry of spying into mainstream popular culture throughout the twentieth century and beyond - from the adventures of James Bond to the thrillers of John le Carré and long-running TV series such as The Americans. 'Thoroughly entertaining' Spectator 'Perfect...read as you settle into James Bond on Christmas afternoon.' Daily Telegraph
Consumption is well established as a key theme in the study of the eighteenth century. Spaces of Consumption brings a new dimension to this subject by looking at it spatially. Taking English towns as its scene, this inspiring study focuses on moments of consumption – selecting and purchasing goods, attending plays, promenading – and explores the ways in which these were related together through the spaces of the town: the shop, the theatre and the street. Using this fresh form of analysis, it has much to say about sociability, politeness and respectability in the eighteenth century.
What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry—the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Blake was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves.
This book provides an introduction to political and strategic aspects of nuclear weaponry. It offers an accessible overview of the concept of nuclear weapons, outlines how thinking about these weapons has developed and considers how nuclear threats can continue to be managed in the future. It includes: Coverage of nuclear testing, proliferation, strategy, global actors and disarmament. Analysis of contemporary topics such as nuclear terrorism. A timeline of key nuclear events. Annotated further reading lists helping you to locate sources for essays and assignments. Summaries, study questions and a glossary of key terms Free SAGE journal articles available on the Resources tab The author will be providing regular updates to his suggested web resources, so be sure to check the Resources tab for the most up-to-date. The Politics of Nuclear Weapons is essential reading for both undergraduate and postgraduate students taking courses in Nuclear Politics.
Lorca in English examines the evolution of translations of Federico García Lorca into English as a case of rewriting and manipulation through politically and ideologically motivated translation. As new translations of Federico García Lorca continue to appear in the English-speaking world and his literary reputation continues to be rewritten through these successive re-translations, this book explores the reasons for this constant desire to rewrite Lorca since the time of his murder right into the 21st century. From his representation as the quintessential Spanish Republican martyr, to his adoption through translation by the Beat Generation, to his elevation to iconic status within the Queer Studies movement, this volume analyzes the reasons for this evolution and examines the current direction into which this canonical author is heading in the English-speaking world.
Andrew Choo's 'Evidence' provides a lucid and concise account of the principles of the law of civil and criminal evidence in England and Wales. Critical and thought-provoking, it is the ideal text for undergraduate law students.
The Rough Guide to Buenos Aires is the ultimate travel guide to the sophisticated and enchanting capital of Argentina, with clear maps and detailed coverage of all the city's best attractions. Discover Buenos Aires' highlights with stunning photography and information on everything from the city's magnificent palaces, modern art museums and trendy nightclubs, to the old, cobbled quarter of San Telmo with its antique stores and tango haunts. Find detailed practical advice on what to see and do in Buenos Aires, relying on up-to-date descriptions of the best hotels, bars, clubs, shops and restaurants for all budgets. The Rough Guide to Buenos Aires also includes full-colour sections on two of Buenos Aires' greatest attractions - tango and architecture. Explore every corner of this charming city with easy-to-use maps to help make sure you don't miss the unmissable. Make the most of your holiday with The Rough Guide to Buenos Aires.
As threats to the security of information pervade the fabric of everyday life, A Vulnerable System describes how, even as the demand for information security increases, the needs of society are not being met. The result is that the confidentiality of our personal data, the integrity of our elections, and the stability of foreign relations between countries are increasingly at risk. Andrew J. Stewart convincingly shows that emergency software patches and new security products cannot provide the solution to threats such as computer hacking, viruses, software vulnerabilities, and electronic spying. Profound underlying structural problems must first be understood, confronted, and then addressed. A Vulnerable System delivers a long view of the history of information security, beginning with the creation of the first digital computers during the Cold War. From the key institutions of the so-called military industrial complex in the 1950s to Silicon Valley start-ups in the 2020s, the relentless pursuit of new technologies has come at great cost. The absence of knowledge regarding the history of information security has caused the lessons of the past to be forsaken for the novelty of the present, and has led us to be collectively unable to meet the needs of the current day. From the very beginning of the information age, claims of secure systems have been crushed by practical reality. The myriad risks to technology, Stewart reveals, cannot be addressed without first understanding how we arrived at this moment. A Vulnerable System is an enlightening and sobering history of a topic that affects crucial aspects of our lives.
This is the first biography of one of this nation's most outrageous individuals, a man who was president of the medical departments of two universities and chancellor of two others, a member and officer of at least twenty different agricultural, medical, or social organizations, an itinerant minister in three different denominations, and a lobbyist who successfully ushered bills through legislatures in Ohio, Virginia, Indiana, and Illinois. Bennett's roles ranged from mayor of Nauvoo, confidant of Joseph Smith, and chicken breeder to surgeon, quartermaster general of Illinois, promoter of the tomato, and diploma salesman. His story is brilliantly told by an author who spent nine years uncovering and piecing together the facts. The Saintly Scoundrel reveals Bennett as one of the nineteenth century's most enterprising and entertaining humbugs, truly a man who excelled at promoting beliefs, places, things, and himself, whose ability to abruptly shift positions on people and faiths would dazzle even the most formidable propagandist of the twentieth century.
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