The Preparator’s Handbook :A Practical Guide for Preparing and Installing Collection Objects is an invaluable resource for emerging museum professionals or anyone working in galleries and collections with little-to-no previous preparatory experience or training. This handbook explores, explains, and illustrates the basics for the preparation and installation professionals. - practical, step-by-step guides that outline museum-standard procedures for most types of collection objects, including works on paper, archival volumes, and historic artifacts. - templates and guides for presentation, preservation, and collection storage - illustrated inventories of standard and specialized tools, materials and hardware - the basics of lighting, audio, and video in installations. - unique case-studies from working professionals for a wide-range of objects and installations including examples from the Field Museum, the Corning Museum of Glass, and the Folger Shakespeare Library. - Over 50 illustrations and photographs that accompany the written text. This practical book is the first of its kind: a guide for novice or amateur collection and gallery professionals as well as an academic textbook for museum studies and fine art students.
This book explores Archbishop Fisher's influence on major contemporary issues and events, including divorce-law reform, capital punishment at home, the end of Empire and the most dangerous years of the Cold War abroad. This new biography establishes the continuing significance not only of the office of Archbishop in the Church but also of the Church at large in the tumultuous world of the later twentieth century. A final section of original source material includes letters, sermons and other writings bringing vividly to life the range and character of Fisher's public and private role.
This lively chronicle in a bilingual edition details the characters, settings and events of the 17th-century expedition resulting in the founding of the Maryland colony. It is a significant document in the classical tradition of the English colonies in North America.
It deals with the problems of the Latin text (taking account of Michael Winterbottom's new edition), it delineates the work's structure and sometimes elusive train of thought, clarifies the underlying Greek and Latin concepts, and provides starting points for approaching the philosophical and historical problems that De Officiis raises.
Taking in hand the current "discovery" that we can listen to the cosmos, Andrew Hicks argues that sound-and the harmonious coordination of sounds, sources, and listeners-has always been an integral part of the history of studying the cosmos. In Composing the World, Hicks presents a narrative tour through medieval Platonic cosmology with reflections on important philosophical movements along the way. The book will resonate with a variety of readers, and it encourages us to rethink the role of music and sound within our greater understanding of the universe.
In 2004 the author's first book "The Lost Tomb of Alexander the Great" was published to the accompaniment of international media attention, since it reported the first credible suggestion as to the current whereabouts of the long-vanished corpse of the illustrious conqueror. In the intervening years, progress by testing the candidate remains has been thwarted by the Church authorities, yet much new information has emerged, casting the enigma in an ever more probing light. In this extensively updated and extended account, the meanderings of the evidence have been tracked with scrupulous care and the tangled threads of erstwhile hidden history have been teased apart. Thus the forgotten secrets of one of the greatest mysteries bequeathed to us by the ancient world are laid bare, culminating in the novel suggestion that the body stolen from Alexandria in AD828 and now in Venice may have acquired a false identity at the time that paganism was outlawed by the Emperor of Rome in the 4th century AD.
For more than forty years Nicholas Brooks has been at the forefront of research into early medieval Britain. In order to honour the achievements of one of the leading figures in Anglo-Saxon studies, this volume brings together essays by an internationally renowned group of scholars on four themes that the honorand has made his own: myths, rulership, church and charters. Myth and rulership are addressed in articles on the early history of Wessex, Æthelflæd of Mercia and the battle of Brunanburh; contributions concerned with charters explore the means for locating those hitherto lost, the use of charters in the study of place-names, their role as instruments of agricultural improvement, and the reasons for the decline in their output immediately after the Norman Conquest. Nicholas Brooks's long-standing interest in the church of Canterbury is reflected in articles on the Kentish minster of Reculver, which became a dependency of the church of Canterbury, on the role of early tenth-century archbishops in developing coronation ritual, and on the presentation of Archbishop Dunstan as a prophet. Other contributions provide case studies of saints' cults with regional and international dimensions, examining a mass for St Birinus and dedications to St Clement, while several contributions take a wider perspective, looking at later interpretations of the Anglo-Saxon past, both in the Anglo-Norman and more modern periods. This stimulating and wide-ranging collection will be welcomed by the many readers who have benefited from Nicholas Brooks's own work, or who have an interest in the Anglo-Saxon past more generally. It is an outstanding contribution to early medieval studies.
In Jefferson’s Political Philosophy and the Metaphysics of Utopia, M. Andrew Holowchak traces the development of Jeffersonian republicanism as a political philosophy, though it is today seldom seen as a political philosophy, by examining the documents he wrote (e.g., Declaration, First Inaugural Address, and significant letters) and key literature he read. That political philosophy, fundamentally progressive and people-first, was driven by a vision of an “empire of liberty”—a global confederation of republican nations in moral and political partnership and peaceful coexistence—and was to take root in North America. Jefferson's vision influenced his domestic and foreign policies as president and the numerous letters he wrote after his presidency, but never took root there, or anywhere. Was that due to a defect of vision—a view of humans’ capacities and goodness at odds with reality—or were historical forces at play which were antagonistic to the rooting and suckering of Jeffersonian republicanism?
Aiming to reconceptualize some of Freud's earliest psychoanalytic thinking, Andrew Barnaby's Coming Too Late argues that what Freud understood as the fundamental psychoanalytic relationship—a son's ambivalent relationship to his father—is governed not by the sexual rivalry of the Oedipus complex but by the existential predicament of belatedness. Analyzing the rhetorical tensions of Freud's writing, Barnaby shows that filial ambivalence derives particularly from the son's vexed relation to a paternal origin he can never claim as his own. Barnaby also demonstrates how Freud at once grasped and failed to grasp the formative nature of the son's crisis of coming after, a duality marked especially in Freud's readings and misreadings of a series of precursor texts—the biblical stories of Moses, Shakespeare's Hamlet, E. T. A. Hoffmann's "The Sandman"—that often anticipate the very insights that the Oedipal model at once reveals and conceals. Reinterpreting Freudian psychoanalysis through the lens of Freud's own acts of interpretation, Coming Too Late further aims to consider just what is at stake in the foundational relationship between psychoanalysis and literature.
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