Andrew Potok is an intense, vigorous, sensual man--and a gifted painter. Then, passing forty, he rapidly begins to go blind from an inherited eye disease, retinitis pigmentosa. Depressed and angry, he rages at the losses that are eradicating his life as an artist, his sources of pleasure, his competence as a man. He hates himself for becoming blind. But as he will ultimately discover, and as this remarkable memoir recounts, it is not the end of the world. It is the beginning. Ordinary Daylight This the story of Potok’s remarkable odyssey out of despair. He attempts to come to terms with his condition: learning skills for the newly blind, dealing with freakish encounters with the medical establishment, going to London for a promised cure through a bizarre and painful “therapy” of bee stings. He wrestles with the anguish of knowing that his daughter has inherited the same disease that is stealing his own eyesight. And then, as he edges ever closer to complete blindness, there comes the day when he recognizes that the exhilaration he once found in the mix of paint and canvas, hand and eye, he has begun to find in words. By turns fierce, blunt, sexy, and uproariously funny, Andrew Potok’s memoir of his journey is as shatteringly frank as it is triumphant.
Andrew Potok is a vigorous, sensual man -- a talented painter. Then he begins to go blind. He enters a world of confusing shadows and shapes, self-doubt and depression. He hates himself for being blind. But it isn't the end of the world -- it's the beginning. Share his journey as he attempts to find a cure for his mysterious disease. You will be amazed, uplifted and enlightened to see what he has seen.
Young Adam Krinsky's artistic drawings delight his Uncle Bolek until it becomes apparent that Adam's career aspirations lie in the art world and not in Bolek's prized business, Prince Casimir Furs
From A Matter of Dignity: I realized that I needed to learn about the legislative and legal aspects of disability as much as I did about our feelings regarding wholeness, beauty and ugliness, about the state called normalcy, about liberating technologies and therapies, about the role of the disabled in history and literature. And what could better inform and enlighten me than contact with people who help create access, who elicit change via care, support, teaching, and study as their life’s work? As it turned out, I have learned from them that, in spite of the American addiction to youthfulness, “normalcy,” virility, activity, and physical beauty, diversity in all its forms provides not only fascination but strength. Diversity tends toward higher forms, uniformity toward dullness and extinction. What could make more sense than to value all that is diverse, unexpected, and exuberantly impure?
The turmoil, terror and betrayal of their escape from Poland at the start of World War II lead us into this tale of hatred and forgiveness between father and son.
CHOICE 1997 Outstanding Academic Books Analyzing a wide array of Jewish-American fiction on Israel, Andrew Furman explores the evolving relationship between the Israeli and American Jew. He devotes individual chapters to eight Jewish-American writers who have "imagined" Israel substantially in one or more of their works. In doing so, he gauges the impact of the Jewish state in forging the identity of the American Jewish community and the vision of the Jewish-American writer. Furman devotes individual chapters to Meyer Levin, Leon Uris, Saul Bellow, Hugh Nissenson, Chaim Potok, Philip Roth, Anne Roiphe, and Tova Reich. To chart the evolution of the Jewish-American relationship with Israel from pre-statehood until the present, he considers works from 1928 to 1995, examining them in their historical and political contexts. The writers Furman examines address the central issues which have linked and divided the American and Israeli Jewish communities: the role of Israel as both safe haven and spiritual core for Jews everywhere pitted against its secularism, militarism, and entrenched sexism. While the writers Furman examines depict contrasting images of the Middle East, the very persistence of Israel in occupying that imagination reveals, above all, how prominent a role Israel played and continues to play in shaping the Jewish-American identity.
52 readings, each with a scripture passage and prayer, from one of our most loved and respected Christian leaders and speakers. Each reading contains a story, often startling and arresting, from Andrew’s astonishingly eventful ministry, blended with his reflections on life and faith.
Andrew Potok is an intense, vigorous, sensual man--and a gifted painter. Then, passing forty, he rapidly begins to go blind from an inherited eye disease, retinitis pigmentosa. Depressed and angry, he rages at the losses that are eradicating his life as an artist, his sources of pleasure, his competence as a man. He hates himself for becoming blind. But as he will ultimately discover, and as this remarkable memoir recounts, it is not the end of the world. It is the beginning. Ordinary Daylight This the story of Potok’s remarkable odyssey out of despair. He attempts to come to terms with his condition: learning skills for the newly blind, dealing with freakish encounters with the medical establishment, going to London for a promised cure through a bizarre and painful “therapy” of bee stings. He wrestles with the anguish of knowing that his daughter has inherited the same disease that is stealing his own eyesight. And then, as he edges ever closer to complete blindness, there comes the day when he recognizes that the exhilaration he once found in the mix of paint and canvas, hand and eye, he has begun to find in words. By turns fierce, blunt, sexy, and uproariously funny, Andrew Potok’s memoir of his journey is as shatteringly frank as it is triumphant.
What do Joyce Brothers and Sigmund Freud, Rabbi Harold Kushner and philosopher Martin Buber have in common? They belong to a group of pivotal and highly influential Jewish thinkers who altered the face of modern America in ways few people recognize. So argues Andrew Heinze, who reveals in rich and unprecedented detail the extent to which Jewish values, often in tense interaction with an established Christian consensus, shaped the country's psychological and spiritual vocabulary. Jews and the American Soul is the first book to recognize the central role Jews and Jewish values have played in shaping American ideas of the inner life. It overturns the widely shared assumption that modern ideas of human nature derived simply from the nation's Protestant heritage. Heinze marshals a rich array of evidence to show how individuals ranging from Erich Fromm to Ann Landers changed the way Americans think about mind and soul. The book shows us the many ways that Jewish thinkers influenced everything from the human potential movement and pop psychology to secular spirituality. It also provides fascinating new interpretations of Sigmund Freud, Alfred Adler, and Western views of the psyche; the clash among Protestant, Catholic, and Jewish moral sensibilities in America; the origins and evolution of America's psychological and therapeutic culture; the role of Jewish women as American public moralists, and more. A must-read for anyone interested in the contribution of Jews and Jewish culture to modern America.
Autobiography of Andrew Dickson White Volume II", by Andrew Dickson White. Andrew Dickson White was a diplomat, historian and educator, who was the co-founder of Cornell University (1832-1918).
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