Anyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagum sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on downloadable resources. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.
This is the first book on Korean opera in a language other than Korean. Its subject is ch’angguk, a form of musical theater that has developed over the last hundred years from the older narrative singing tradition of p’ansori. Andrew Killick examines the history and current practice of ch’angguk as an ongoing attempt to invent a traditional Korean opera form to compare with those of neighboring China and Japan. In this, the work addresses a growing interest within the fields of ethnomusicology and Asian studies in the adaptation of traditional arts to conditions in the modern world. Ch’angguk presents an intriguing case in that, unlike the "invented traditions" described in Hobsbawm and Ranger's influential book that were firmly established within a few years of their invention, ch’angguk remains in a marginal position relative to recognized traditional art forms such as South Korea’s "Important Intangible Cultural Properties" after more than a century. Performers, writers, directors, and historians have looked for ways to make the genre more traditional, including looking outside Korea for comparisons with traditional theater forms in other countries and for recognition of ch’angguk as a national art form by international audiences. For the benefit of readers who have not seen ch’angguk performed, the author begins with a detailed description of a typical performance, illustrated with photographs and musical examples, followed by a history of the genre—from its still disputed origins in the early twentieth century through a major revival under Japanese colonial rule and the flourishing of an all-female version (yosong kukkuk) after Liberation to the efforts of the National Changgeuk Company and others to establish ch’angguk as Korean traditional opera. Killick concludes with analyses of the stories and music of ch’angguk and a personal view on developing a Korean national theater form for international audiences.
Key Modern Architects provides an accessible and thought-provoking introduction to the work of the most significant architects of the modern era. Fifty short chapters introduce fifty key architects, from Le Corbusier to Aldo Van Eyck to Zaha Hadid, exploring their most influential buildings and developing a critique of each architect's work within a broader cultural and historical context. The selection represents the most influential architects working from 1890 to the present, those most likely to be taught on survey courses in modern architectural history, along with some lesser-known names with an equal claim to influence. Emphasis is placed on a critical and interpretative approach, allowing the student to position each architect in a cultural and intellectual context quickly and easily. Artistic, technical, social, and intellectual developments are brought to the fore – built and unbuilt projects, writings and influences. This approach brings to light the ideology behind architectural work, offering insights into each architect's working practice. - Helps students to develop a critical approach to understanding modern architectural history. - One chapter per architect – meaning chapters may be read individually as a concise resource for the study of an architect, or together as a coherent book-length history of the whole period of modern architecture. - Chapters are supported by boxed lists of each architect's most significant projects, along with suggestions for further reading as a springboard to further study and research. Combining the clarity and accessibility of a textbook with in-depth reading and a critical approach, Key Modern Architects provides an invaluable resource for both the classroom and for independent study in architectural and art history.
Recently global health issues have leapt to the forefront of the international agenda and are now an everyday concern around the world. The war for global health is clearly being lost on many fronts and the massive body count is mounting fast. Re-emerging diseases such as polio and tuberculosis, long thought to be on the verge of elimination, are now coupled with the devastation of newly emerging ones such as SARS and avian influenza. In addition, the shock of bioterrorism has given a tragic poignancy to the importance of studying the failure of the global health governance system. Compiled by renowned specialists, this volume studies the global challenges and responses to these issues, as well as the roles of central institutions such as the World Health Organization, the World Trade Organization and the G8. Health practitioners and clinicians seeking a context for their front-line care provision, as well as scholars and students of global health issues, will find the volume highly valuable.
This is the first academic study of the science fiction television devised and written by Terry Nation, who wrote Dalek stories and other serials for Doctor Who, and created the BBC's 1970s post-apocalyptic space adventure series Blake's 7".--Back cover.
The definitive biography of the poet who was almost as notorious for his 'rock 'n' roll' lifestyle as his artistic work Dylan Thomas was a romantic and controversial figure; a poet who lived to excess and died young. An inventive genius with a gift for both lyrical phrases and impish humour, he also wrote for films and radio, and was renowned for his stage performances. He became the first literary star in the age of popular culture - a favourite of both T.S. Eliot and John Lennon. As his status as a poet and entertainer increased, so did his alcoholic binges and his sexual promiscuity, threatening to destroy his marriage to his fiery Irish wife Caitlin. As this extraordinary biography reveals, he was a man of many contradictions. But out of his tempestuous life, he produced some of the most dramatic and enduring poetry in the English language.
Since it was founded in 2003, Good African Coffee has helped thousands of farmers earn a decent living, send their children to school and escape a spiral of debt and dependence. Africa has received over $1 trillion in aid over the last fifty years and yet despite these huge inflows, the continent remains mired in poverty, disease and systemic corruption. In A Good African Story, as Andrew Rugasira recounts the very personal story of his company and the challenges that he has faced – and overcome – as an African entrepreneur, he provides a tantalising glimpse of what Africa could be, and argues that trade has achieved what years of aid have failed to deliver. This is a book about Africa taking its destiny in its own hands, and dictating the terms of its future.
This book examines the life and times of John Bolton, a Cambridge graduate who graduated as a Baker Scholar from Harvard Business School, and returned to Britain to quickly chair Solartron, one of the outstanding of the early British electronics companies in the 1950s. John Bolton also enjoyed a career of public service and private good works. He led the founding of the Foundation for Management Education, which had an extremely influential role in the development of management education in Britain, and chaired the 1968-71 Committee of Inquiry on Small Firms, resulting in what is now generally called the Bolton Report. The Bolton Report became and continues to be the starting point for analysis of the sector at a time when small business is again being seen as a major contributor to the British economy and has revolutionized attitudes and policy towards the small business sector at all levels. Bolton’s career covered a range of different dimensions of mid to late twentieth century industrial and public life in Britain, and the history is as much about these as it is of the man himself. The intention of this book is to illuminate the institutions in which Bolton worked as well as to paint a picture of his own role.
How is the world organized politically? How should it be organized? What forms of political organization are required to deal with such global challenges as climate change, terrorism, or nuclear proliferation? Drawing on work in international law, international relations, and global governance, this book provides a clear and wide-ranging introduction to the analysis of global political order — how patterns of governance and institutionalization in world politics have already changed; what the most important challenges are; and what the way forward might look like. The first section develops three analytical frameworks: a world of sovereign states capable of only limited cooperation; a world of ever-denser international institutions embodying the idea of an international community; and a world in which global governance moves beyond the state and into the realms of markets, civil society and networks. Part II examines five of the most important issues facing contemporary international society: nationalism and the politics of identity; human rights and democracy; war, violence and collective security; the ecological challenge; and the management of economic globalization in a highly unequal world. Part III considers the idea of an emerging multi-regional system; and the picture of global order built around US empire. The conclusion looks at the normative implications. If international society has indeed been changing in the ways discussed in this book, what ought we to do? And, still more crucially, who is the 'we' that is to be at the centre of this drive to create a morally better world? This book is concerned with the fate of international society in an era of globalization and the ability of the inherited society of sovereign states to provide a practically viable and normatively acceptable framework for global political order. It lays particular emphasis on the different forms of global inequality and the problems of legitimacy that these create and on the challenges posed by cultural diversity and value conflict.
The short story remains a crucial - if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way.
Before the fall of the Berlin Wall many East German writers were praised in the Western world as dissident voices of truth, bravely struggling with the draconian constraints of living under the GDR's communist regime. However, since unification, Germany has been rocked by scandals showing the level to which the Stasi, the East German Secret Police, controlled these same writers. This is the first study in English to systematically explore how the writers have responded to the challenge of dealing with the Stasi from the 1950s to the present day.
The international financial community blamed the Asian crisis of 1997–1998 on deep failures of domestic financial governance. To avoid similar crises in the future, this community adopted and promoted a set of international "best practice" standards of financial governance. The G7 asked specialized public and private sector bodies to set international standards, and tasked the International Monetary Fund and the World Bank with their global dissemination. Non-Western countries were thereby encouraged to emulate Western practices in banking and securities supervision, corporate governance, financial disclosure, and policy transparency. In Governing Finance, Andrew Walter explains why Indonesia, Malaysia, South Korea, and Thailand—key targets and test cases of this international standards project—were placed under intense pressure to transform their domestic financial governance. Walter finds that the depth of the economic crisis, and more enduring aspects of Asian capitalism, such as family ownership of firms, made substantive compliance with international standards very costly for the private sector and politically difficult for governments to achieve. In spite of international compliance pressure, the result was varying degrees of cosmetic or "mock" compliance. In a book containing lessons for any agency or country attempting to implement lasting change in financial governance, Walter emphasizes the limits of global regulatory convergence in the absence of support from domestic politicians, institutions, and firms.
A Restatement of the English Law of Contract is the second Restatement of English law undertaken by Andrew Burrows following on the success of A Restatement of the English Law of Unjust Enrichment (OUP, 2012). Designed to enhance the accessibility of the common law the Restatement comprises a number of clear succinct rules, fully explained by a supporting commentary, which set out the general law of contract in England and Wales. Written by one of the leading authorities in this area, in collaboration with an advisory group of senior judges, academics, and legal practitioners, the Restatement offers a novel and powerfully persuasive statement of the law in this central area of English law. All lawyers dealing with the English law of contract, whether as practitioners, judges, academics, or law students, cannot but benefit from this Restatement. The English law of contract is one of the most respected systems of contract law in the world and by the device of a 'choice of law' clause is often chosen by foreign commercial parties as the applicable law to govern their contract. One of the aims of the Restatement is for the reader, including those from civil law jurisdictions, to see quickly and easily how the different elements of the English law of contract fit together.
District by district, the author pinpoints extraordinary scenes of scandal and intrigue, murder and mayhem - some still vivid in memory, others buried by the tastes of subsequent generations - that have lent London notoriety.
This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic approach, Killick draws on 25 years of personal acquaintance and study with Hwang Byungki, as well as experience in playing his music, to analyse the works and celebrate the career of this influential Korean composer, performer, and scholar. Using Hwang Byungki as a focal point, this book also explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order.
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