If Adam Gopnik's Paris to the Moon described daily life in contemporary Paris, this book describes daily life in Paris throughout its history: a history of the city from the point of view of the Parisians themselves. Paris captures everyone's imaginations: It's a backdrop for Proust's fictional pederast, Robert Doisneau's photographic kiss, and Edith Piaf's serenaded soldier-lovers; a home as much to romance and love poems as to prostitution and opium dens. The many pieces of the city coexist, each one as real as the next. What's more, the conflicted identity of the city is visible everywhere-between cobblestones, in bars, on the métro. In this lively and lucid volume, Andrew Hussey brings to life the urchins and artists who've left their marks on the city, filling in the gaps of a history that affected the disenfranchised as much as the nobility. Paris: The Secret History ranges across centuries, movements, and cultural and political beliefs, from Napoleon's overcrowded cemeteries to Balzac's nocturnal flight from his debts. For Hussey, Paris is a city whose long and conflicted history continues to thrive and change. The book's is a picaresque journey through royal palaces, brothels, and sidewalk cafés, uncovering the rich, exotic, and often lurid history of the world's most beloved city.
Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.
DescriptionIn Paris in Springtime: An Episode, author Andrew Webster charts his distressing and colourful world of 'madness'. His manic depression takes him to France where he destroys his driving licence, passport and credit cards believing that this will give him new freedom. Within a day of leaving a comfortable hotel, he is homeless on the streets of Paris, without money, destitute. His paranoia has him convinced he is being hunted. In this exhausted and fragile state he has a spiritual experience: believing that he is living the Christ-Consciousness; the Initiations of the Initiate's journey. Writing has helped Andrew heal trauma. About the AuthorAndrew Webster's career and marriage ended with the onset of manic depression in 1990. Born in 1955, Webster, educated at Harrow, did a Short Service commission in the Army before joining the Food Industry - working up from shop floor to senior management within six years. In 1995, he founded mental health and employment charity, Talent To Work which successfully challenged State Benefit regulations, also winning a New Deal contract for its innovative Manchester employment project, for people with mental health problems. In 2009, Webster's manic depression resurfaced and he experienced a psychotic illness and profound spiritual awakening in Paris.
50th Anniversary of original publication; this is a unique Paris guidebook from the late, great, architecture and travel writer Ian Nairn. Illustrated with the author's black and white snaps of the city, Nairn shows his eye for detail - whether it is stonework on an archway, shadows cast by a railing, or an empty chair in a Paris park, in this book which celebrates the City of Light. Nairn's Paris captures the city on the cusp of great changes and provides a glimpse of a city that is about to disappear. Here is an idiosyncratic and unpretentious portrait of the 'collective masterpiece' that is Paris. Introduced by writer and BBC presenter Andrew Hussey, author of the popular Paris: The Secret History. 'About one third of the book is discovery, in the sense that I came upon the sites by accident or by following a topographical hunch. There must be many more, and all you need for the search is the ability to turn off the main road, switch on your antennae and respond. Good luck.' - Ian Nairn
With this scathing indictment of modern America, editor Steve Burris takes us on a pilgrimage that is foundational. It is necessary that we go back to fundamental matters at this point in our history, he writes. We live in an instant culture. We have come to expect instantaneous answers to all of life's questions. Yet, he notes, we are called by God to be the light and salt of the earth even as problems of the world permeate the church and threaten it. It is from this need that Essentials of Christian Faith was born. That is why Burris has drawn together many of the most influential and prolific Restoration writers. As a Christian, what is essential that you know and believe? The answer to that question is here in Essentials of Christian Faith.
From the glittering dance halls of Paris during World War I to the maisons de rendezvous, luxurious châteaus in the French countryside, The Woman Before Wallis recounts the untold story of Prince Edward's tempestuous affair with a Parisian courtesan and the scandalous aftermath that has remained secret until now. Prince Edward was the King of England when he famously abdicated his crown over his love for the American divorcée Wallis Simpson. But two decades earlier, he was an inexperienced young man, stationed behind the lines during World War I, socializing with the elite aristocracy of Europe while fellow soldiers were being shelled in the trenches. Gradually, the awkward young man, who was desperate to see action, became involved in a very different sort of action—when his path crossed with the queen of the Paris demimonde. Marguerite Alibert was a beautiful but tough Parisian who had fought her way up from street gamine to a woman haut de gamme, possibly the highest-ranking courtesan in Paris. She entertained some of the richest and most powerful men in the world—from princes to pashas. When the inexperienced Prince Edward was introduced to the alluring Marguerite, he was instantly smitten. After their tumultuous love affair ended, Edward thought he was free of Marguerite, but he was wrong. Several years later, Marguerite murdered her husband—a wealthy Egyptian playboy—by shooting him three times in the back at the Savoy Hotel in London. When Marguerite stood trial for murder, Edward was at risk of having his affair and behavior during the war exposed. What happened next was kept from the public for decades, uncovered thanks to exceptional access to unpublished documents held in the Royal Archives and private collections in England and France.
The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.
A vibrant account of both the sensuous cultural scene of postwar Paris and the life of an alluring icon of modern art. Isidore Isou was a young Jew in wartime Bucharest who barely survived the Romanian Holocaust. He made his way to Paris, where, in 1945, he founded the avant-garde movement Lettrism, described as the missing link between Dada, Surrealism, Situationism, and May ’68. In Speaking East, Andrew Hussey presents a colorful picture of the postwar Left Bank, where Lettrist fists flew in avantgarde punch-ups in Jazz clubs and cafés, and where Isou—as sexy and as charismatic as the young Elvis—gathered around him a group of hooligan disciples who argued, drank, and had sex with the Parisian intellectual élite. This is a vibrant account of the life and times of a pivotal figure in the history of modern art.
On a rainy day in May 2007, the mayor of Paris inaugurated the Jardins d’Éole, a park whose completion was hailed internationally as an exemplar of sustainable urbanism. The park was the result of a hard-fought, decadelong protest movement in a low-income Maghrebi and African immigrant district starved for infrastructure, but the Mayor’s vision of urban sustainability was met with jeers. Drawing extensively from immersive, firsthand ethnographic research with northeast Paris residents, as well as an analysis of green architecture and urban design, Andrew Newman argues that environmental politics must be separated from the construct of urban sustainability, which has been appropriated by forces of redevelopment and gentrification in Paris and beyond. France’s turbulent political environment also provides Newman with powerful new insights into the ways in which multiethnic coalitions can emerge⎯even amid overt racism and Islamophobia⎯in the struggle for more just cities and more inclusive societies. A tale of multidimensional political efforts, Landscape of Discontent cuts through the rhetoric of green cities to reveal the promise that environmentalism holds for urban communities anywhere.
Come live with me and be my love..." Nothing personalizes a wedding more than using the right words. Brides- and grooms-to-be looking for unique, inspiring ways to celebrate their special day will find the best words of love in this practical guide. Romantic and witty, classic and contemporary, multicultural, pop-cultural, and just plain fun-if it's been said about love, it's in this book. Covering everything from invitations and wedding websites to readings, programs, party favors, and more, Words for the Wedding presents hundreds of classic and contemporary poems, quotes, quips, and blessings-from the Buddha to Bono-along with advice on how to use them most memorably. Whether you're planning a traditional nuptial or a do-it-yourself celebration on a shoestring, this useful and inspiring book will help you find all the right words to go along with "I do.
Jefferson’s years in France as minister plenipotentiary were a time of large edification. He approached his ministry as a “looker on”: Jefferson, while in France, always kept a critical distance from events, so that he could measure and critically examine them from the perspective of a dispassionate natural philosopher. Being dispassionate, Jefferson was pulled into events only insofar as circumstances required him to do so. Yet his “adventures” from his critical distance (e.g., his trip to London to meet the king, his ventures in the salons of Paris, and his travels through Southern France, Northern Italy, the Rhineland, and the Netherlands) were many, and varied. He even, at times, lost his critical, looker-on perspective from distance as he allowed himself to become immersed in events, as in the case of his relationship with lovely Italian artist and musician Maria Cosway.... > This book is a portal into the mind of Thomas Jefferson, as looker-on, during his tenure in Paris. Why was Jefferson so eager to accept the ministry to Paris? What was his impression of the great city and its people while he stayed? What lessons, while in Paris, did he learn which he could transport to Virginia and his country? Those and other questions Holowchak aims to answer in this book.
ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times ***Winner of the Costa Book of the Year Award*** 'Irresistibly compelling' Sunday Telegraph 'Dazzling' Guardian 'A work of beauty' The Times An enthralling tale of an extraordinary year in pre-revolutionary Paris from the critically acclaimed author of Oxygen and The Slowworm's Song Deep in the heart of Paris, its oldest cemetery is, by 1785, overflowing, tainting the very breath of those who live nearby. Into their midst comes Jean-Baptiste Baratte, a young, provincial engineer charged by the king with demolishing it. At first Baratte sees this as a chance to clear the burden of history, a fitting task for a modern man of reason. But before long, he begins to suspect that the destruction of the cemetery might be a prelude to his own. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator
If Adam Gopnik's Paris to the Moon described daily life in contemporary Paris, this book describes daily life in Paris throughout its history: a history of the city from the point of view of the Parisians themselves. Paris captures everyone's imaginations: It's a backdrop for Proust's fictional pederast, Robert Doisneau's photographic kiss, and Edith Piaf's serenaded soldier-lovers; a home as much to romance and love poems as to prostitution and opium dens. The many pieces of the city coexist, each one as real as the next. What's more, the conflicted identity of the city is visible everywhere-between cobblestones, in bars, on the métro. In this lively and lucid volume, Andrew Hussey brings to life the urchins and artists who've left their marks on the city, filling in the gaps of a history that affected the disenfranchised as much as the nobility. Paris: The Secret History ranges across centuries, movements, and cultural and political beliefs, from Napoleon's overcrowded cemeteries to Balzac's nocturnal flight from his debts. For Hussey, Paris is a city whose long and conflicted history continues to thrive and change. The book's is a picaresque journey through royal palaces, brothels, and sidewalk cafés, uncovering the rich, exotic, and often lurid history of the world's most beloved city.
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.
A provocative rethinking of France's long relationship with the Arab world To fully understand both the social and political pressures wracking contemporary France—and, indeed, all of Europe—as well as major events from the Arab Spring in the Middle East to the tensions in Mali, Andrew Hussey believes that we have to look beyond the confines of domestic horizons. As much as unemployment, economic stagnation, and social deprivation exacerbate the ongoing turmoil in the banlieues, the root of the problem lies elsewhere: in the continuing fallout from Europe's colonial era. Combining a fascinating and compulsively readable mix of history, literature, and politics with his years of personal experience visiting the banlieues and countries across the Arab world, especially Algeria, Hussey attempts to make sense of the present situation. In the course of teasing out the myriad interconnections between past and present in Algeria, Morocco, Tunisia, Beirut, and Western Europe, The French Intifada shows that the defining conflict of the twenty-first century will not be between Islam and the West but between two dramatically different experiences of the world—the colonizers and the colonized.
Since its construction, Notre Dame Cathedral has played a central role in French cultural identity. In the wake of the tragic fire of 2019, questions of how to restore the fabric of this quintessential French monument are once more at the forefront. This all-too-prescient book, first published in French in 2013, takes a central place in the conversation. The Gothic cathedral par excellence, Notre Dame set the architectural bar in the competitive years of the third quarter of the twelfth century and dazzled the architects and aesthetes of the Enlightenment with its structural ingenuity. In the nineteenth century, the cathedral became the touchstone of a movement to restore medieval patrimony to its rightful place at the cultural heart of France: it was transformed into a colossal laboratory in which architects Jean-Baptiste Lassus and Eugène-Emmanuel Viollet-le-Duc anatomized structures, dismembered them, put them back, or built them anew—all the while documenting their work with scientific precision. Taking as their point of departure a three-dimensional laser scan of the cathedral created in 2010, architectural historians Dany Sandron and the late Andrew Tallon tell the story of the construction and reconstruction of Notre Dame in visual terms. With over a billion points of data, the scan supplies a highly accurate spatial map of the building, which is anatomized and rebuilt virtually. Fourteen double-page images represent the cathedral at specific points in time, while the accompanying text sets out the history of the building, addressing key topics such as the fundraising campaign, the construction of the vaults, and the liturgical function of the choir. Featuring 170 full-color illustrations and elegantly translated by Andrew Tallon and Lindsay Cook, Notre Dame Cathedral is an enlightening history of one of the world’s most treasured architectural achievements.
Explores the crucial role played by the city in the construction of modernismThis innovative book examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna. Focusing on how literary outsiders represented various spaces in these cities, it draws upon contemporary theories of affect and literary geography. Particular attention is given to the transnational qualities of modernist writing by examining writers whose view of the cities considered is that of migrants, exiles or strangers, including Mulk Raj Anand, Blaise Cendrars, Bryher, Joseph Conrad, T. S. Eliot, Christopher Isherwood, Hope Mirrlees, Noami Mitchison, Jean Rhys, Sam Selvon and Stephen Spender.Key FeaturesThe first book in modernist studies to bring detailed discussion of these four cities togetherBreaks new ground in being the first book to bring affect theory and literary geography together in order to analyse modernismAn extensive range of authors is analysed, from the canonical to the previously marginalSituates the literary and filmic texts within the context of urban spaces and cultural institutions
Andrew Trout's new book on Paris during the period preceding the end Louis XIV's reign is a fascinating social history of the city anchored by the lives of two of its most famous citizens: Cardinal Richelieu and Louis XIV. Beginning with the emergence of Richelieu as a political force and concluding with the end of Louis XIV's reign, Trout describes the city as it looked during the seventeenth century and answers a myriad of interesting questions: Did the houses have numbers? Were residential buildings flush with the street? What was anyone likely to see along the River Seine? By answering such questions, Trout constructs a social history of the city that is unequalled. Trout's book is illustrated with maps and engravings that bring the city to life. City on the Seine is an indispensable work of social history.
More than a history, this book is a passionate reliving of the French May Events of 1968. The authors, ardent participants in the movement in Paris, documented the unfolding events as they pelted the police and ran from the tear gas grenades. Their account is imbued with the impassioned efforts of the students to ignite political awareness throughout society. Feenberg and Freedman select documents, graffiti, brochures, and posters from the movement and use them as testaments to a very different and exciting time. Their commentary, informed by the subsequent development of French culture and politics, offers useful background information and historical context for what may be the last great revolutionary challenge to the capitalist system.
Sandy Beech doesn't believe in witches and the supernatural. However, certain strange events occur which put his scepticism to the test: a burning book, a falling crucifix, a mysterious illness, and a fire in a convent which kills all twelve nuns. On her deathbed, Bernadette, the last surviving nun, warns him to control his lusts and avoid African women. Sandy finds this difficult, since he is attracted to exotic, dark-skinned women and after his hedonistic university exchange year in Paris, marries Rocky from the Ivory Coast. Five years later, childless and with the marriage souring, they decide to visit Rocky's home country. Sandy is drawn into a world of strange beliefs and practices: he finds out about the Witch's List - a list of people destined to die, and is attacked by various animals starting with a ferocious dog in Abidjan. He delves further and further into the realm of African witchcraft, but the horrific truth remains obscure... The Witch's List is the first of a trilogy.
Andrew Trout's new book on Paris during the period preceding the end Louis XIV's reign is a fascinating social history of the city anchored by the lives of two of its most famous citizens: Cardinal Richelieu and Louis XIV. Beginning with the emergence of Richelieu as a political force and concluding with the end of Louis XIV's reign, Trout describes the city as it looked during the seventeenth century and answers a myriad of interesting questions: Did the houses have numbers? Were residential buildings flush with the street? What was anyone likely to see along the River Seine? By answering such questions, Trout constructs a social history of the city that is unequalled. Trout's book is illustrated with maps and engravings that bring the city to life. City on the Seine is an indispensable work of social history.
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