The Last Agrarian" portrays the history and character of the people of the mid-South through a history of his family, giving, in the words of critic J. A. Bryant, Jr., a “rendering of a bygone world that brings the ache of beauty remembered.” Southern Classics Series.
The Last Agrarian" portrays the history and character of the people of the mid-South through a history of his family, giving, in the words of critic J. A. Bryant, Jr., a “rendering of a bygone world that brings the ache of beauty remembered.” Southern Classics Series.
A Name for Evil examines the question whether an individual can, through sheer force of will, recover the past. During World War II, Henry Brent and wis wife buy a deteriorating Tennessee mansionm intending to restore it to its former glory. The land, however, is imbued with the spirit of its former owner, Major Brent, a malevolent presence hanging over the property and appearing to Henry as a ghostly shade. A psychological study of egotism, tradition, and progress, A Name for Evil os a tragic examination of man's consuming desire to overcome mortality and control the past -- and future.
On April 12, 1864, on the Tennessee banks of the Mississippi River, a force of more than 3,000 Confederate cavalrymen under General Nathan Bedford Forrest stormed Fort Pillow, overwhelming a garrison of some 350 Southern white Unionists and over 300 former slaves turned artillerymen. By the next day, hundreds of Federals were dead, over 60 black soldiers had been captured and re-enslaved, and over 100 white soldiers had been marched off to their doom at Andersonville. Confederates called this bloody battle and its aftermath a hard-won victory. Northerners deemed it premeditated slaughter. To this day, Fort Pillow remains one of the most controversial battles in American history. River Run Red vividly depicts the incompetence and corruption of Union occupation in Tennessee, the horrors of guerrilla warfare, the legacy of slavery, and the pent-up bigotry and rage that found its release at Fort Pillow. Andrew Ward brings to life the garrison’s black soldiers and their ambivalent white comrades, and the former slave trader Nathan Bedford Forrest and his ferocious cavalry, in a fast-paced narrative that hurtles toward that fateful April day and beyond. Destined to become as controversial as the battle itself, River Run Red establishes Fort Pillow’s true significance in the annals of American history.
In The Twilight of the Middle Class, Andrew Hoberek challenges the commonly held notion that post-World War II American fiction eschewed the economic for the psychological or the spiritual. Reading works by Ayn Rand, Ralph Ellison, Saul Bellow, Phillip Roth, Flannery O'Connor, Thomas Pynchon, Don DeLillo, and others, he shows how both the form and content of postwar fiction responded to the transformation of the American middle class from small property owners to white-collar employees. In the process, he produces "compelling new accounts of identity politics and postmodernism that will be of interest to anyone who reads or teaches contemporary fiction. Hoberek argues that despite the financial gains and job security enjoyed by the postwar middle class, the transition to white-collar employment paved the way for its current precarious state in a country marked by increasingly deep class divisions. Postwar fiction provided the middle class with various imaginative substitutes for its former property-owning independence, substitutes that since then have not only allowed but abetted this class's downward mobility. To read this fiction in the light of the middle-class experience is thus not only to restore the severed connections between literary and economic "history in the second half of the twentieth "century, but to explore the roots of the contemporary crisis of the middle class.
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