Underlay: a Rhapsody in Colour and Black And White...a political satire, comic fantasy, horror story, detective novel. Featuring...Death and Romance, Heroes, Villains, Demons, Succubi...confused men, fey women, a child who is fated to replay old records, a journalist whose hair and car are both yellow, two boys in the movie business, another who builds fish, several competing producers/directors... Giving up...Murder, Treachery, a talking penis. Incorporating Pain and an idea of Justice in a city that is all cities... On Earth as it is in Hell And Heaven, Past And Future, the Mother Metropolis: ILEUM.
An unfortunate private eye washes up in a town off the map. Palace Porad is locked in a bygone era of heavy industry. Arriving to investigate the disappearance of a company father, Samuel Dickinson finds himself drawn into and under a self-contained world of hellish upswellings and mysterious human archives - souls that are books and books that are souls. He writes to his own Scheherazade, as slowly he sinks, spied upon by crows and coming to grips with the idea of a truly mechanical universe. There are stories and there are living stories. And there are the dead.
Michael Tomatoes, artist, sculptor and manic-depressive, is a man at pains to discover the nature of self, even if that means being someone else. A tool of fate, he sticks his fingers in the electric socket of life and wonders about suffering and loss. Is his obsession with numbers the result of a robotic condition, metal under the skin, or a paranoic attempt to decipher the intricacies of a more mundane and human predicament? That is: breathing, sucking in and blowing out all those other selves that compose a reality at once familiar and strange.
From the banks of the Tyne, via the Spanish Civil War, Malta and the industrialised innards of Sicily's Mt. Etna, Swene's journey is one possessed of unrelenting momentum. Fleeing a murder, he escapes his past but is inevitably drawn back, memory loss and identity crises seemingly in tandem with a future he struggles to comprehend, governed by dark and beautiful women and a watch with two faces that can literally turn back time. Meanwhile, Stalwart, a century earlier, chooses to embroil himself and his underdeveloped journalistic skills in conspiracies both foreign and domestic. An unwitting bit player, he pokes his nose and flaunts his shiny new boots in and about the corrupted guts of Newcastle, presenting himself as a willing fool whilst secretly unearthing the dark and terrible truths of his otherworldly being. Is the sign of the orange propeller a time-travellers' secret sigil, an anarchist codex, or the blurred apparatus of the aerial interloper Stalwart believes to be his real father?
A Geordie sketchbook featuring time travel, reincarnation and the entire history of Newcastle-upon-Tyne from Roman to present day. There is a mythology inherent in regions with a strong cultural identity, none more so than North East England, where the fabulous exists alongside the mundane and both are treated with a dispassion born of having seen it all before. The world was invented here, and it started with the first bridge, Pons Aelius, over the Tyne. Merging historical fact with picturesque invention and involving notable names, perilous deeds and fantastical undertakings, Ocellus is a unique mix of all things weird and wordy that boasts both supernatural elements and everyday machinations, served up on a plate of local manners with a good dollop of humour, metaphysics and poetry.
You are a component; purpose unknown."" Being the space and time of Skidmore Shuffledeck, galactic mechanic. Tutored on the machine world of Perridi, Skidmore takes his first steps into a space divided. The human diaspora is in full swing, just not in the twelve worlds, where Horatio Holroyd bends the void and Yours Truly chases his tail. Or on the cusp of the apocalypse, where Terminals seek the star at the centre of the universe - that they might destroy it. Skidmore has to learn fast. Firstly, interspatial displacement, aka ""the trumpet."" Secondly, himself, and who he can trust. For the difference between man and machine is the difference between passive stoicism and frenzied blood.
Oriel is a planet with a roof, a crusted atmospheric ceiling that falls in chunks like oversized snow. The snow is alive, the Ologists joke. It mimics life, but only out of the corner of your eye...or behind your back. Oriel is a far-flung world whose raw potential is contested. A deliberately crashed spaceship throws the planet's atmosphere into turmoil, kick-starting an evolutionary process that accelerates out of control. There is indigenous life on Oriel but in a form unrecognised by man. Soon this, along with man himself, is transmuted into a pastiche of 21st Century Earth, people and buildings grown from the land itself in a matter of days, flourishing briefly before falling into conflict and decay. A few surviving humans struggle to make sense of the new world, whilst others are drawn to Oriel in a hopeless search for answers, redemption, and even lost love.
Scherzo Trepan's journey to the underworld begins each morning on the banks of a river. A rusted fridge is his elevator and to the sweat and heat of an incinerator plant he travels. Until one day he wakes up in a hospital to the sight of aliens landing and the sound of a snapped on rubber glove. He searches for his dead sister, Rhiann, whose marriage to the Devil has been arranged by their father as a means of enhancing his job prospects. Accompanied by a three-legged mutant and a spanner, Scherzo makes a perilous descent into Hell, whilst on the surface world plots shift and transubstantiate, past and future conjoin, entities expostulate, characters - living and dead - get stuck on roundabouts. ""A manic surrealist tapestry of outrageous colours and heady descriptive passages that may well burn holes in your brain. Or make a cat-flap.
After half his body was burned in a forest fire, Miles McEwan left his life behind and moved to the most remote place he could find, a little village in the Yukon called Ross River. He's sitting at his usual spot in the town's one bar as two life-changing forces approach from opposite sides: one is a forest fire, set with the flick of a match; the other is his former girlfriend, who after five years of searching has tracked him down, bringing with her a daughter Miles didn't know he had. As head of the town's firefighters, Miles must confront the fire, find a killer, and protect his newfound family. Andrew Pyper's vivid, panoramic story encompasses the vast wilderness of the Yukon, as malevolent forces of nature and man converge on Ross River, in this "brilliant melding of mystery, suspense, survival, and the supernatural" (The Vancouver Sun).
Haunted. Scarred. Alone. And the nightmare's just beginning. Of all the end-of-the-world places he could have run to after he was burned, Miles McEwan chose Ross River. Buried deep in the vast wilderness of the Yukon, it seemed the perfect place to escape the past. Best of all, he could carry on doing what he did best--fighting fire. But five years on, Miles is still troubled by two phantoms of his previous life: the young man whose agonizing death preys on his conscience, and the woman he abandoned as a consequence. And in the dark forest around Ross River, fire and violence are brewing. As a small blaze becomes an inferno, a group of bear trackers is about to encounter nature in its wildest form. Elsewhere a killer is going about his work, quietly and ruthlessly. As the survivors of the hunting party are picked off one by one and fire rages through the mountains, Miles embarks on a desperate rescue mission, driven by love for a daughter who, until this dangerous summer, had been a perfect stranger. A remarkable work, The Wildfire Season is an edgy psychological thriller, a supernatural chiller, a terrifying tale of untamed nature, and an unusual--and unusually moving--story of what one can choose to endure in the name of love.
The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything - freedom, individuality, rationality and even a secular experience of the transcendental - that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.
The New Atheist Novel is the first study of a major new genre of contemporary fiction. It examines how Richard Dawkins's so-called 'New Atheism' movement has caught the imagination of four eminent modern novelists: Ian McEwan, Martin Amis, Salman Rushdie and Philip Pullman. For McEwan and his contemporaries, the contemporary novel represents a new front in the ideological war against religion, religious fundamentalism and, after 9/11, religious terror: the novel apparently stands for everything - freedom, individuality, rationality and even a secular experience of the transcendental - that religion seeks to overthrow. In this book, Bradley and Tate offer a genealogy of the New Atheist Novel: where it comes from, what needs it serves and, most importantly, where it may go in the future. What is it? How does it dramatise the war between belief and non-belief? To what extent does it represent a genuine ideological alternative to the religious imaginary or does it merely repeat it in secularised form? This fascinating study offers an incisive critique of this contemporary testament of literary belief and unbelief.
From the bestselling author of Mayflies and Caledonian Road ** Order Andrew O'Hagan's now novel Caledonian Road now ** 'There is no page on which there is not something surprising or quotable or pleasurable of thought-provoking.' Hilary Mantel 'One of the few truly essential works of fiction to emerge from this country during the past 20 years or more.' John Burnside, Daily Telegraph Longlisted for the Booker Prize, Be Near Me is a brilliantly moving story of art and politics, love and change, and the way we live now. When an English priest takes over a small Scottish parish, not everyone is ready to accept him. He makes friends with two local youths, Mark and Lisa, and clashes with a world he can barely understand. The town seems to grow darker each night. Fate comes calling, and before the summer is out Father David's quiet life is the focus of public hysteria.
Wheatley's Road Traffic Law in Scotland is a highly regarded source of reference for all those involved in the detection and prosecution of road traffic offences with all the relevant law and authority presented in a clear and accessible style. The sixth edition of this authoritative text has been updated to reflect the many legislative changes brought into force since the Road Safety Act 2006. This edition updates case law and takes account of the focused priorities of Police Scotland and guidance by the Lord Advocate on matters such as careless driving. Consideration is also given to statutory changes given further devolution of power under the Scotland Act 2012.
A new series of bespoke, full-coverage resources developed for the 2015 A Level English qualifications. Endorsed for the AQA A/AS Level English Literature B specifications for first teaching from 2015, this print Student Book is suitable for all abilities, providing stretch opportunities for the more able and additional scaffolding for those who need it. Helping bridge the gap between GCSE and A Level, the unique three-part structure focuses on texts within a particular time period and supports students in interpreting texts and reflecting on how writers make meaning. An enhanced digital version and free Teacher's Resource are also available.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The early Salvation Army professed its commitment to sexual equality in ministry and leadership. In fact, its founding constitution proclaimed women had the right to preach and hold any office in the organization. But did they? Women in God’s Army is the first study of its kind devoted to the critical analysis of this central claim. It traces the extent to which this egalitarian ideal was realized in the private and public lives of first- and second-generation female Salvationists in Britain and argues that the Salvation Army was found wanting in its overall commitment to women’s equality with men. Bold pronouncements were not matched by actual practice in the home or in public ministry. Andrew Mark Eason traces the nature of these discrepancies, as well as the Victorian and evangelical factors that lay behind them. He demonstrates how Salvationists often assigned roles and responsibilities on the basis of gender rather than equality, and the ways in which these discriminatory practices were supported by a male-defined theology and authority. He views this story from a number of angles, including historical, gender and feminist theology, ensuring it will be of interest to a wide spectrum of readers. Salvationists themselves will appreciate the light it sheds on recent debates. Ultimately, however, anyone who wants to learn more about the human struggle for equality will find this book enlightening.
This is a reissue edition of the previously published title Peat Smoke and Spirit (9780747245780), published in 2005. 'This is not simply an appreciation of whisky, but a voyage into the history and geography of a tiny Scottish island' Daily Mail Those who discover malt whisky quickly learn that the malts made on the Isle of Islay are some of the wildest and most characterful in the malt-whisky spectrum. In Whisky Island, Islay's fascinating story is uncovered: from its history and stories of the many shipwrecks which litter its shores, to the beautiful wildlife, landscape and topography of the island revealed through intimate descriptions of the austerely beautiful and remote countryside. Interleaved through these different narrative strands comes the story of the whiskies themselves, traced from a distant past of bothies and illegal stills to present-day legality and prosperity. The flavour of each spirit is analysed and the differences between them teased out, as are the stories of the notable men and women who have played such a integral part in their creation.
A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.
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