ANDREW MILLER'S WRITING IS A SOURCE OF WONDER AND DELIGHT' Hilary Mantel 'ONE OF OUR MOST SKILFUL CHRONICLERS OF THE HUMAN HEART AND MIND' Sunday Times Shortlisted for the Booker Prize and the Whitbread Novel Award 'Beautiful' The Times 'Superbly realised' Sunday Telegraph 'Breathtaking' Irish Times The third novel from the critically acclaimed author of Pure - a deeply moving exploration of courage, love and liberation in the modern age In the summer of 1997, four people reach a turning point: Alice Valentine, who lies gravely ill in her West Country home; her two sons, one still searching for a sense of direction, the other fighting to keep his acting career and marriage afloat; and László Lázár, who leads a comfortable life in Paris yet is plagued by his memories of the 1956 Hungarian uprising. For each, the time has come to assess what matters in life, and all will be forced to take part in an act of liberation - though not necessarily the one foreseen. PRAISE FOR ANDREW MILLER 'Unique, visionary, a master at unmasking humanity' Sarah Hall 'A writer of very rare and outstanding gifts' Independent on Sunday 'A highly intelligent writer, both exciting and contemplative' The Times 'A wonderful storyteller' Spectator
It is the biggest of America’s big secrets—MERIDIAN, the deepest black and most intensely protected program since the Atom Bomb. The MERIDIAN program contains the furthest leading edge of weapons technology and with origins more profoundly startling than the technology itself. Governments will stop at nothing to get it. Laszlo Csengerny, a Russian–controlled spy, a man haunted by demons from his past, has uncovered the key to destroying the program. In this prequel to SNOW MEN, CIA agent Pete Novak is racing to Europe with orders to stop Laszlo, to kill him if that’s what it takes. Several agents have already died trying. Novak’s dedicated security escort, J.T. Brannon, former assassin unmatched in the art of killing, is leery of Novak’s assignment and warns him of its danger. As Novak unravels the alarming secrets behind the MERIDIAN program and his path converges with Laszlo’s desperate pursuit to annihilate his demons, Novak and his family are swept into the crosshairs of rogue Agency assassins. Only Brannon can save Novak’s family, and he is committed to sacrificing his own life to do so. The final confrontation and profound revelation of MERIDIAN explode into a deadly struggle over what may be the very future of mankind itself.
Medieval Europe is a dark and dangerous place. In 1054 the Church tears itself in two, setting the scene for nearly 500 years of turmoil. Empires will collide and dynasties will rise and fall; marriages will be made and alliances broken. It is a place where love clashes with ambition and violence rules – enemies are blinded, rivals are murdered and heretics are burnt at the stake. As the Black Death sweeps the continent and the Mongol hordes threaten its borders, can the kings of the old world survive the dawn of a new era?
Arriving in America after World War II, Andrew Laszlo kept much of his Hungarian childhood a secret. Decades later, his wife Ann, convinced him to share the secret with his grown children. When Andrew was born in 1926, His middle-class family lived in Papa, a small town west of Budapest. It was a happy time. At age fifteen, Andrew was not allowed to join the Boy Scouts. His brother could not attend the university. The reason…. Their mother was Jewish. As Nazi inspired antisemitism grew, Andrew’s determination to survive was tested again and again. On March 19, 1944, Germany invaded Hungary. He wrote: “…as I warned you…Yes, from here on this account is going to get rough.” His family was relocated to the Ghetto and forced to wear the yellow Star of David. Andrew’s brother, Sandor, and then Andrew were conscripted into Hungarian Labor forces. His mother, father, grandmother and aunt were taken away. As the war dragged on, Andrew was sent to the Bergen-Belsen Concentration Camp. Years later; his children learned that Anne Frank was a prisoner in the camp at the same time. She perished before the war ended. The loss of his family deeply affected Andrew. At 20 years old, having nothing left, he escaped Russian occupied Hungary and made his way to post-war Germany. There, he filed an emigration petition for the United States. He arrived in New York Harbor on January 17, 1947. He carried his secret past locked in his heart…for 50 years. Andrew Laszlo went on to have a distinguished motion picture career. He was a cinematographer for over 50 movies and televisions series, including Shogun and Rambo, First Blood. He worked with many of the movie stars of his time. He traveled the world doing pictures and teaching the next generation of film makers.
Key Modern Architects provides an accessible and thought-provoking introduction to the work of the most significant architects of the modern era. Fifty short chapters introduce fifty key architects, from Le Corbusier to Aldo Van Eyck to Zaha Hadid, exploring their most influential buildings and developing a critique of each architect's work within a broader cultural and historical context. The selection represents the most influential architects working from 1890 to the present, those most likely to be taught on survey courses in modern architectural history, along with some lesser-known names with an equal claim to influence. Emphasis is placed on a critical and interpretative approach, allowing the student to position each architect in a cultural and intellectual context quickly and easily. Artistic, technical, social, and intellectual developments are brought to the fore – built and unbuilt projects, writings and influences. This approach brings to light the ideology behind architectural work, offering insights into each architect's working practice. - Helps students to develop a critical approach to understanding modern architectural history. - One chapter per architect – meaning chapters may be read individually as a concise resource for the study of an architect, or together as a coherent book-length history of the whole period of modern architecture. - Chapters are supported by boxed lists of each architect's most significant projects, along with suggestions for further reading as a springboard to further study and research. Combining the clarity and accessibility of a textbook with in-depth reading and a critical approach, Key Modern Architects provides an invaluable resource for both the classroom and for independent study in architectural and art history.
Lutheran preacher and theologian Andreas Osiander (1498–1552) played a critical role in spreading the Lutheran Reformation in sixteenth-century Nuremberg. Besides being the most influential ecclesiastical leader in a prominent German city, Osiander was also a well-known scholar of Hebrew. He composed what is considered to be the first printed treatise by a Christian defending Jews against blood libel. Despite Osiander’s importance, however, he remains surprisingly understudied. The Apocalypse in Reformation Nuremberg: Jews and Turks in Andreas Osiander’s World is the first book in any language to concentrate on his attitudes toward both Jews and Turks, and it does so within the dynamic interplay between his apocalyptic thought and lived reality in shaping Lutheran identity. Likewise, it presents the first published English translation of Osiander’s famous treatise on blood libel. Osiander’s writings on Jews and Turks that shaped Lutherans’ identity from cradle to grave in Nuremberg also provide a valuable mirror to reflect on the historical antecedents to modern antisemitism and Islamophobia and thus elucidate how the related stereotypes and prejudices are both perpetuated and overcome.
The Challenge to Academic Freedom in Hungary: A Case Study in Culture War, Authoritarianism and Resistance presents a case study as to how an authoritarian regime like the one in Hungary seeks to tame academic freedom. Andrew Ryder probes the reasons for ideological conflict within the academy through concepts like ‘culture war’ and authoritarian populism. He explores how the Orbán administration has introduced a series of reforms leading to limitations being placed on the Hungarian Academy of Sciences, Gender Studies no longer being recognized by the State, the relocation of the Central European University because of government pressure and new reforms that ostensibly appear to give universities autonomy but critics assert are in fact changes that will lead to cronyism and pro-government interference in academic freedom.
Why did Hungary, a country that shared much of the religious and institutional heritage of western Europe, fail to replicate the social and political experiences of the latter in the nineteenth and early twenties centuries? The answer, the author argues, lies not with cultural idiosyncracies or historical accident, but with the internal dynamics of the modern world system that stimulated aspirations not easily realizable within the confines of backward economics in peripheral national states. The author develops his theme by examining a century of Hungarian economic, social, and political history. During the period under consideration, the country witnessed attempts to transplant liberal institutions from the West, the corruption of these institutions into a "neo-corporatist" bureaucratic state, and finally, the rise of diverse Left and Right radical movements as much in protest against this institutional corruption as against the prevailing global division of labor and economic inequality. Pointing to significant analogies between the Hungarian past and the plight of the countries of the Third World today, this work should be of interest not only to the specialist on East European politics, but also to students of development, dependency, and center-periphery relations in the contemporary world.
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
An in-depth look at the mavericks, moments, and mistakes that sparked the greatest medical discoveries in modern times—plus the cures that will help us live longer and healthier lives in this century . . . and beyond. Human history hinges on the battle to confront our most dangerous enemies—the half-dozen diseases responsible for killing almost all of mankind. And while the story of our triumphs over these afflictions reveals an inspiring tapestry of human achievement, the journey was far from smooth. In The Masters of Medicine, Dr. Andrew Lam distills the long arc of medical progress down to the crucial moments that were responsible for the world’s greatest medical miracles. Discover fascinating true stories of scientists and doctors throughout history, including: Rival surgeons who killed patient after patient in their race to operate on beating hearts—and put us on the path toward the heart transplant A quartet of Canadians whose miraculous discovery of insulin was marred by jealousy and resentment The doctors who discovered penicillin, but were robbed of the credit The feud between two Americans in the quest for the polio vaccine A New York surgeon whose “heretical” idea to cure patients by deliberately infecting them has now inspired our next-best hope to defeat cancer A Hungarian doctor who solved the greatest mystery of maternal deaths in childbirth, only to be ostracized for his discovery The Masters of Medicine is a fascinating chronicle of human courage, audacity, error, and luck. This riveting ode to mankind reveals why the past is prelude to the game-changing breakthroughs of tomorrow.
The Concilium Sanguinarius, the Council of Blood who rule the vampires with an iron fist and manipulate the mortal world from the shadows, with a deftness born of the countless centuries. In New York, as the millennium moves and the twenty first Century dawns, a female vampire, Danaan, feels pangs of loneliness and begins to search the night for a companion. Also in the city is Ymochel, outcast and distrusted, and eager for revenge on the Concilium and, more specifically, Danaan. Theirs is a history that crosses boundless centuries and a myriad taboos, but now their histories converge in the most violent of ways. But do they act alone, or is a more sinister power at work? What occurs between them threatens the entire stability of vampire society.
The author of Fast Fade tells the fascinating story of one of the most important and controversial directors of our time. The man responsible for The Last Picture Show, and Paper Moon went on to Playboy model Dorothy Stratten. Illustrations.
Arriving in America after World War II, Andrew Laszlo kept much of his Hungarian childhood a secret. Decades later, his wife Ann, convinced him to share the secret with his grown children. When Andrew was born in 1926, His middle-class family lived in Papa, a small town west of Budapest. It was a happy time. At age fifteen, Andrew was not allowed to join the Boy Scouts. His brother could not attend the university. The reason…. Their mother was Jewish. As Nazi inspired antisemitism grew, Andrew’s determination to survive was tested again and again. On March 19, 1944, Germany invaded Hungary. He wrote: “…as I warned you…Yes, from here on this account is going to get rough.” His family was relocated to the Ghetto and forced to wear the yellow Star of David. Andrew’s brother, Sandor, and then Andrew were conscripted into Hungarian Labor forces. His mother, father, grandmother and aunt were taken away. As the war dragged on, Andrew was sent to the Bergen-Belsen Concentration Camp. Years later; his children learned that Anne Frank was a prisoner in the camp at the same time. She perished before the war ended. The loss of his family deeply affected Andrew. At 20 years old, having nothing left, he escaped Russian occupied Hungary and made his way to post-war Germany. There, he filed an emigration petition for the United States. He arrived in New York Harbor on January 17, 1947. He carried his secret past locked in his heart…for 50 years. Andrew Laszlo went on to have a distinguished motion picture career. He was a cinematographer for over 50 movies and televisions series, including Shogun and Rambo, First Blood. He worked with many of the movie stars of his time. He traveled the world doing pictures and teaching the next generation of film makers.
Human faces are unique biological structures which convey a complex variety of important social messages. Even strangers can tell things from our faces. Written in a clear and accessible style, this book will be of interest to all students studying face perception and social cognition.
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
The Rat Catcher is a who-dun-it when the doer is cheered on, as The Rat sets out to execute the perpetrators of the Holocaust who received no punishment, or merely a slap on the wrist for their gruesome crimes. The executions are vivid and gruesome, befitting the crimes of the perpetrators. A Hungarian super sleuth and a NYPD senior detective are assigned the task of running down and bringing to justice the serial killer. Their chase runs over three continents, and altogether takes ten years. The never do manage to catch The Rat, and the identity of the serial killer, even after 25 killings (executions) remains a mystery to all but the NYPD detective and the reader. A great story, well told by a retired ciunematographer (SHOGUN his most famous credit) who knows how to lay out a vivid scene.
Hershberger is the winner of a 2015 Insight Award from the Society for Photographic Education for his work on this book and for his overall contributions to the field! Photographic Theory: An Historical Anthology presents a compendium of readings spanning ancient times to the digital age that are related to the history, nature, and current status of debates in photographic theory. Offers an authoritative and academically up-to-date compendium of the history of photographic theory Represents the only collection to include ancient, Renaissance, and 19th-, 20th-, and 21st-century writings related to the subject Stresses the drama of historical and contemporary debates within theoretical circles Features comprehensive coverage of recent trends in digital photography Fills a much-needed gap in the existing literature
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