Unpicking the ecopolitics of Shakespeare's plays at the Stuart court, Shakespeare Beyond the Green World establishes that the playwright was remarkably attentive to the environmental issues of his era. As a court dramatist, he designed his plays to captivate a patron deeply involved in both the conservation and exploitation of a burgeoning empire's natural resources. Spurred by James' campaign to unify his kingdoms, the Jacobean Shakespeare ventures beyond the green and pleasant lowlands of England to chart the wild topographies of an expansionist Great Britain: the blasted heath in Macbeth, the caves and mines of Timon of Athens, the overfished North Sea in Pericles, the Welsh mountains in Cymbeline, the Arctic fur country in The Winter's Tale, the fens in The Tempest, overcrowded London and empty Ulster in Measure for Measure and Coriolanus, and the night in Antony and Cleopatra and King Lear. While these plays often simulate a monarch's-eye-view of the natural world, t reveal that Crown policies were fiercely contested from below. In addition to trekking beyond verdant landscapes, Shakespeare Beyond the Green World seeks to mitigate the Anglocentric and anthropocentric bias of the archive by putting the plays into conversation with texts in which the subaltern wild growls back. Combining deep dives into environmental history with close readings of Shakespearean wordplay, original typography, and original performance conditions, this study re-wilds the Renaissance stage. It spotlights Shakespeare's tendency to humanize beasts and bestialize allegedly godlike monarchs, debunking fantasies of human exceptionalism. By clarifying how the Jacobean plays expose monarchical dominion as ecological tyranny, this study remains scrupulously historicist while reasserting Shakespearean drama's scorching relevance in the Anthropocene.
When Socinianism was at the height of its power, Andrew Fuller challenged it in its self-professed point of greatest strength --the virtue encouraged by its principles of theistic rationality. Do the extended implications of its principles compare favorably with Calvinism in the development of virtue? Using their own writings and the admissions they make concerning piety and virtue among Socinians, Fuller compared both systems in their tendency to convert profligates to a life of holiness, to convert professed unbelievers, their development of a standard of morality, to encourage love to God, candor and benevolence toward men, encourage humility and charity, promote love for Christ and veneration of Scripture, develop happiness, cheerfulness, gratitude, obedience, and heavenly-mindedness in the followers of the respective systems. If challenged that he is being judgmental and has focused on subjective criteria, Fuller replied that he is merely engaging the Socinians at the place where they have invited investigation. Fuller intended to lay bare the emptiness of the Socinian boast to virtue. The work first was published in 1793.
Andrew Motion brings all his lyricism and inventiveness to bear in this fictional autobiography of the great swindler, Thomas Griffiths Wainewright. A painter, writer, and friend of Blake, Byron, and Keats, Wainewright was almost certainly a murderer. When he died in a penal colony in Tasmania, he left behind fragments of documents and a beguiling legend which Motion uses to create an imagined confession laced with facts, telling the story as no straightforward history could. "Thomas Griffiths Wainewright is a dream subject for either novelist or biographer. . . . Andrew Motion, Britain's poet laureate, clearly felt that neither straight biography nor pure fiction would do Wainewright's complexities justice, and so he combined the two genres. The result is stunning. The central voice is that of Wainewright himself, reflecting back on his life. After each chapter Mr. Motion has added detailed notes that inform and flesh out the narrative, giving not only his own informed opinion of Wainewright's actions but also those of Wainewright's contemporaries and the scholars and writers who have studied him over the past two centuries."—Lucy Moore, Washington Times "Brilliantly innovative, gripping, intricately researched, Motion's biography does justice to its subject at last."—John Carey, The Sunday Times "Engaging and convincing. . . . The trajectory of this character-from neglected and resentful child to arrogant and envious London dandy to sociopathic murderer on to an enfeebled, frightened prisoner-is indelibly imagined and drawn."—Edmund White, Financial Times "[A] fascinating look at an evil artist, a charmer still having his way with us. We can hear him being economical with the truth, telling us and himself just what he wants to hear."—Michael Olmert, New Jersey Star Ledger "Motion crafts a fascinating tale as complex and compelling as if Wainewright himself had written it."—Michael Spinella, Booklist "Did he kill his servant, and possibly others as well? . . . The footnotes seem to say yes, but Wainewright adamantly argues his own case. Motion's prose is flawless, and Wainewright's voice is convincing. But in the long run, it's this ambiguity that makes Wainewright the Poisoner a fascinating and memorable read."—R.V. Schelde, Sacramento News and Review "Who could as for a better Romantic villain than Thomas Griffiths Wainewright? . . . [The book] succeeds on many levels: as an act of ventriloquism, a work of scholarship, a psychological study, as a set of sharp portraits of famous men and an engrossing read. . . ."—Polly Shulman, Newsday "Instead of a straightforward biography, Andrew Motion gives us Wainewright's first person, fictionalized "confession."—a document as circumspect, slyly reticent, and oeaginously smooth as the man himself. Splendid."—John Banville, Literary Review "A genuine tour de force, and on a non-fictional level, a telling portrait of a strange, intriguing and repellant man."—Brian Fallon, Irish Times "A marvelous literary hybrid that totters with one foot in the world of nonfiction, the other in the land of make-believe. One is alternatively swept up in Motion's dizzy imaginative pastiche, or sent crashing into a dusty stack of scholarly cogitations. . . ."—Philadelphia Inquirer "As true a portrait of a liar as its subject could wish. Rich and strange. . . ."—Glasgow Herald
His case book testifies to the scope and prosperity of Monro's "trade in lunacy," and Jonathan Andrews and Andrew Scull brilliantly exploit the opportunity it affords to look inside the mad-business.".
In his four-volume "Principles", Steuart noted, for example, the economic consequences of the Seven Years' War in Germany, the state of agriculture in Picardy, and the problem of depopulation in the cities of the Austrian Netherlands.
DIV Aristocratic Vice examines the outrage against—and attempts to end—the four vices associated with the aristocracy in eighteenth-century England: duelling, suicide, adultery, and gambling. Each of the four, it was commonly believed, owed its origin to pride. Many felt the law did not go far enough to punish those perpetrators who were members of the elite. In this exciting new book, Andrew explores each vice’s treatment by the press at the time and shows how a century of public attacks on aristocratic vices promoted a sense of “class superiority” among the soon-to-emerge British middle class. “Donna Andrew continues to illuminate the mental landscapes of eighteenth-century Britain. . . . No historian of the period has made greater or more effective use of the newspaper press as a source for cultural history than she. This book is evidently the product of a great deal of work and is likely to stimulate further work.”—Joanna Innes, University of Oxford /div
Warm up with the magic of the North. Craft cocktails, Scandinavian-inspired food, and everything good about colder climates: In Portland, Maine, Andrew and Briana Volk welcome guests into their restaurant like it’s an extension of their home. It's here, in the James Beard-nominated Portland Hunt + Alpine Club, that they create innovative cocktails like Lunar Phases (an award-winning riff on the gin and tonic) and the Norseman (a Scandinavian old-fashioned of sorts, with aquavit). They've also perfected the classics behind the bar, from the Pimm’s Cup to hot buttered rum. After the drinks, Northern Hospitality moves on to food inspired by both Portland and Scandinavia. The bar snacks are addictive—green chile popcorn and smoked trout deviled eggs are just the beginning. Smorgasbords feature gravlax, homemade pretzels, and fresh cider pickles. On a cold northern day, Swedish meatballs with spaetzle and nutmeg cream are sure to warm you up. Or go further from the known and try the clams with absinthe and bottarga. Features on ice fishing, shucking oysters, how to build a bonfire, and après-ski provide a sense of place and an experience as unique as the club itself. With Northern Hospitality,celebrate the seasons the way those in the north do: with the warmth, fun, and a sense of wonder.
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