Andrew Lownie's acclaimed biography - the first in over thirty years - reveals a character as complex and fascinating as any in his great quartet of thrillers starring master spy Richard Hannay. He succeeds in the daunting task of retelling Buchan's life in all its variety, breadth, and complexity. Based on exhaustive research and drawing on private papers previously unavailable to biographers, this is a compelling picture of Buchan's life, and a panoramic view of British political, social, and literary circles during the first half of the twentieth-century."--Jacket.
For the author of the fourth Gospel, there is neither a Christless church nor a churchless Christ. Though John's Gospel has been widely understood as ambivalent toward the idea of 'church', Andrew Byers argues that ecclesiology is as central a Johannine concern as Christology. Rather than focusing on the community behind the text, John's Gospel directs attention to the vision of community prescribed within the text, which is presented as a 'narrative ecclesiology' by which the concept of 'church' gradually unfolds throughout the Gospel's sequence. The theme of oneness functions within this script and draws on the theological language of the Shema, a centerpiece of early Jewish theology and social identity. To be 'one' with this 'one God' and his 'one Shepherd' involves the believers' corporate participation within the divine family. Such participation requires an ontological transformation that warrants an ecclesial identity expressed by the bold assertion found in Jesus' citation of Psalm 82: 'you are gods'.
Andrew Brunson examines the presence and function of Ps 118 in the Gospel of John, placing particular emphasis on its interpretation in a New Exodus context which has previously not been developed in the Fourth Gospel. Following a comprehensive survey of Ps 118's Jewish setting, its role in the festivals, and its use in the Synoptic Gospels, special attention is given to the quotations in the Entrance Narrative.The author argues that John portrays Jesus as bringing an end to Israel's state of continuing exile by fulfilling the role reserved to Yahweh in the New Exodus. This culminates in the Entrance to Jerusalem where Jesus embodies the return of Yahweh to reign among his people. A literary study of the coming-sent theme in John underscores the extent to which Jesus is identified ontologically and functionally with the Father. A previously unnoticed allusion to Ps 118 and Jubilees in John 8.56 is explored, and attention is paid to establishing the presence and developing the function of several neglected allusions to the psalm in 10:7-10; 10:24-25; and 11:41-42.
As an explorer, John Charles Frémont led five expeditions into the American West--two of them disastrous. He was also one of California’s first two senators (1850), America’s first Republican candidate for president (1856), a Civil War general, and the territorial governor of Arizona (1878-83). But his life was one of rash and rebellious conduct against authority. During the Mexican War he claimed to be the military governor of California, which resulted in a court-martial in 1848. At the outbreak of the Civil War he reentered the army as one of four major generals, outranking even Ulysses S. Grant. However, when he antagonized President Abraham Lincoln by issuing his own emancipation proclamation in advance of the president’s, Lincoln relieved him of command. In this comprehensive biography, Andrew Rolle carefully examines the historical record with a psychobiographical approach that explores and explains the many irrationalities of Frémont’s character.
This volume affords a visual documentation of the most varied political career in American history and exemplifies the work of the principal American portraitists from the days of Copley and Stuart to the dawn of the Daguerrean era. Included in the 159 illustrations are all the known life portraits, busts, and silhouettes of John Quincy and Louisa Catherine Adams, along with important replicas, copies, engravings, and representative likenesses of their siblings. The book is organized into seven chapters which generally coincide with the major divisions of John Quincy Adams' political career. Within each chapter are discussed the artists, their relationships with the Adams's, and the provenance of each of their works. A chronology of John Quincy Adams' life for each period accompanies the chapter to which it pertains. Information about the size of each likeness, the inscriptions if any, the date executed, and present ownership where known is summarized in the List of Illustrations. The Adams's, as they watched themselves age over the years in the marble, ink, or oil of the artists who portrayed them, recorded much by way of commentary on the artistic talent and process at hand. The author makes use of the diaries and correspondence preserved in the Adams Papers, thus combining a learned appreciation with an intimate glimpse of Adams's as they saw themselves.
Inspired by Ayn Rand's characters in Atlas Shrugged and The Fountainhead, penetrating profiles of both the innovators who move our world forward and those who seek to destroy the achievement of others John Galt, the fictional character from Ayn Rand's bestselling novel, Atlas Shrugged, has come to embody the individualist capitalist who acts in his own enlightened self interest, and in doing so lifts the world around him. Some of today's most successful CEOs, journalists, sports figures, actors, and thinkers have led their lives according to Galt's (i.e., Rand's) philosophy. Now, in I Am John Galt, these inspiring stories are gathered with the keen insight and analysis of well-known market commentator Donald Luskin and business writer Andrew Greta. Filled with exclusive interviews, profiles, and analyses of leading financial, business, and artistic stars who have based their lives, and careers, on the philosophy of the perennially popular Ayn Rand, this book both inspires and enlightens. On the other side are Rand's arch villains?the power-seekers, parasites, and lunatics who would destroy that which the creators and builders make. Who are today's anti-heroes, fighting the creativity of the innovators? Contains insightful interviews, profiles, and analyses of the individuals who have lived by a Randian code to achieve greatness for themselves and others Offers a probing analysis of those who seek to destroy or undo the achievements of others?from academics, pundits, and government bureaucrats to fraudsters who have wreaked havoc on our world Engaging and entertaining, I Am John Galt examines how the inspiration that is Galt thrives more than 50 years after publication of Atlas Shrugged. It will spark the interest of Ayn Rand fans everywhere, as well as those seeking a way to succeed in today's turbulent and confusing times.
The letters from John written to churches at the end of the first century CE possess meaningful theological insight for Christians today—in a sense, they were written for us. Working from this standpoint, Thomas Andrew Bennett keeps historical speculation to a minimum and delves into the theological depths of 1–3 John in this commentary. He begins by providing a new translation of the text from the Greek, along with verse-by-verse exegesis, and then moves into an extended reflection on a litany of relevant theological topics, including questions of trinitarianism, creation, faith, atonement, eschatology, salvation, the nature of divine and human love, and the composition of the church. In these pages, readers challenged by Johannine metaphors (“walking in the light,” “children of God,” etc.) will find clarity, and pastors will find detailed guidance for teaching and preaching. Bennett’s scholarship is critical but confessional, academic but accessible, and, above all, rooted in a faithful reverence that seeks not to read 1–3 John as a detached outsider to the text, but as the author’s fellow believer, so that the text’s theological concerns can be spoken to once again in a fresh and compelling way.
The Vestry Book of Albemarle Parish is one of the priceless original public records of the Old Dominion that has survived the vicissitudes of time, wars, invasions, fire, and neglect. Now, for the first time, the Vestry Book is widely available to researchers owing to the transcription efforts of Virginia Lee Hutcheson Davis and Andrew Wilburn Hogwood.
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