An invited collection of peer-reviewed papers surveying key areas of Roger Needham's distinguished research career at Cambridge University and Microsoft Research. From operating systems to distributed computing, many of the world's leading researchers provide insight into the latest concepts and theoretical insights--many of which are based upon Needham's pioneering research work. A critical collection of edited-survey research papers spanning the entire range of Roger Needham's distinguished scientific career, from operating systems to distributed computing and security. Many of the world's leading researchers survey their topics' latest developments and acknowledge the theoretical foundations of Needham's work. Introduction to book written by Rick Rashid, Director of Microsoft Research Worldwide.
In December 1863, Civil War soldiers took refuge from the dismal conditions of war and weather. They made their winter quarters in the Piedmont region of central Virginia: the Union’s Army of the Potomac in Culpeper County and the Confederacy’s Army of Northern Virginia in neighboring Orange County. For the next six months the opposing soldiers eyed each other warily across the Rapidan River. In Music Along the Rapidan James A. Davis examines the role of music in defining the social communities that emerged during this winter encampment. Music was an essential part of each soldier’s personal identity, and Davis considers how music became a means of controlling the acoustic and social cacophony of war that surrounded every soldier nearby. Music also became a touchstone for colliding communities during the encampment—the communities of enlisted men and officers or Northerners and Southerners on the one hand and the shared communities occupied by both soldier and civilian on the other. The music enabled them to define their relationships and their environment, emotionally, socially, and audibly.
Why is Andy scared of stepping stones? Why can't Andy concentrate at school? Why doesn't Andy join in with the other children? Why does Andy keep making involuntary promises to perform mundane actions? Why is Andy fat? Do photographs show, between unrelated people, genetic links independent of matter? Here is a book about unorthodox persuasions, unexpected inhibitions, and the idea that matter may transcend physical limitations.
In 1841, the Welsh sent their first missionary, Thomas Jones, to evangelise the tribal peoples of the Khasi Hills of north-east India. This book follows Jones from rural Wales to Cherrapunji, the wettest place on earth and now one of the most Christianised parts of India. As colonised colonisers, the Welsh were to have a profound impact on the culture and beliefs of the Khasis. The book also foregrounds broader political, scientific, racial and military ideologies that mobilised the Khasi Hills into an interconnected network of imperial control. Its themes are universal: crises of authority, the loneliness of geographical isolation, sexual scandal, greed and exploitation, personal and institutional dogma, individual and group morality. Written by a direct descendant of Thomas Jones, it makes a significant contribution in orienting the scholarship of imperialism to a much-neglected corner of India, and will appeal to students of the British imperial experience more broadly.
Divine simplicity is the idea that, as the ultimate principle of the universe, God must be a non-composite unity not made up of parts or diverse attributes. Radde-Gallwitz explores how this idea was appropriated by early Christian theologians from non-Christian philosophy with particular reference to Basil of Caesarea and Gregory of Nyssa.
New edition of bestselling introductory text outlining the history and ways of reading Gothic literatureThis revised edition includes:* A new chapter on Contemporary Gothic which explores the Gothic of the early twenty first century and looks at new critical developments* An updated Bibliography of critical sources and a revised Chronology The book opens with a Chronology and an Introduction to the principal texts and key critical terms, followed by five chapters: The Gothic Heyday 1760-1820; Gothic 1820-1865; Gothic Proximities 1865-1900; Twentieth Century; and Contemporary Gothic. The discussion examines how the Gothic has developed in different national contexts and in different forms, including novels, novellas, poems, films, radio and television. Each chapter concludes with a close reading of a specific text - Frankenstein, Jane Eyre, Dracula, The Silence of the Lambs and The Historian - to illustrate ways in which contextual discussion informs critical analysis. The book ends with a Conclusion outlining possible future developments within scholarship on the Gothic.
An atmospheric and unsettling story of the depths of grief found in an ancient farm in northern England—now a major motion picture starring Matt Smith and Morfydd Clark. The worst thing possible has happened. Richard and Juliette Willoughby's son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place. Convinced Ewan still lives there in some form, Juliette seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree. But as they delve further into their grief, both uncover more than they set out to. Starve Acre is a devastating novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.
Higher education comes at exactly the right time: in the twilight of your teens, you're just starting to coagulate as a human being, to pull away from parental influence and find your own feet. What better than three years in which to explore the inner you, establish a feasible worldview, and maybe get on Blockbusters.' After an idyllic provincial 1970s childhood, the 1980s took Andrew Collins to London, art school and the classic student experience. Crimping his hair, casting aside his socks and sporting fingerless gloves, he became Andy Kollins: purveyor of awful poetry; disciple of moany music, and wannabe political activist. What follows is a universal tale of trainee hedonism, girl trouble, wasted grants and begging letters to parents. A synth-soundtracked rite of passage that's often painfully funny, it traces one teenager's metamorphosis from sheltered suburban innocent to semi-mature metropolitan male through the pretensions and confusions of trying to stand alone for the first time in your own kung fu pumps in a big bad city.
Nigel Kneale is perhaps best known for his pioneering work in television fantasy, notably the creation of Quatermass, and his landmark adaptation of George Orwell’s 1984 for the BBC. This book is the first in-depth study of another, arguably lesser known but equally as important, Kneale creation: the 1976 Folk Horror anthology television series, Beasts. Each of the six episodes of Beasts was a standalone supernatural drama exploring themes and ideas prevalent throughout Kneale’s work, all within the confines of a lowly British television budget. From pilot episode Murrain to cult favourite Baby, Beasts charted an uncanny British landscape, where the ghost of a dolphin haunts an aquarium and a supermarket is plagued by a mysterious animalistic presence. In researching and writing this book, author Andrew Screen was given rare access to Kneale’s original scripts and production paperwork and provides an exclusive account of Kneale’s trials and tribulations in developing the series. There are also interviews with members of cast and crew, a discussion of episode treatments that were prepared but never realised — and the reasons why Kneale abandoned these at an early stage. Moreover, each storyline is contextualised with real life developments and events, exploring the mythological and cultural inspirations that place the series within its immediate historical framework. Written with full permission from the Kneale estate, THE BOOK OF BEASTS is a comprehensive overview of a cult television series and its enduring impact on viewers today. With a foreword by Johnny Mains.
Andrew Collins was born 37 years ago in Northampton. His parents never split up, in fact they rarely exchanged a cross word. No-one abused him. Nobody died. He got on well with his brother and sister and none of his friends drowned in a canal. He has never stayed overnight in a hospital and has no emotional scars from his upbringing, except a slight lingering resentment that Anita Barker once mocked the stabilisers on his bike. Where Did It All Go Right? is a jealous memoir written by someone who occasionally wishes life had dealt him a few more juicy marketable blows. The author delves back into his first 18 years in search of something - anything - that might have left him deeply and irreparably damaged. With tales of bikes, telly, sweets, good health, domestic harmony and happy holidays, Andrew aims to bring a little hope to all those out there living with the emotional after-effects of a really nice childhood. Andrew Collins kept a diary from the age of five, so he really can remember what he had for tea everyday and what he did at school, excerpts from his diary run throughout the book and it is this detail which makes his story so compelling.
Covering the political, social and historical background of each language, Dictionary of Languages offers a unique insight into human culture and communication. Every language with official status is included, as well as all those that have a written literature and 175 'minor' languages with special historical or anthropological interest. We see how, with the rapidly increasing uniformity of our culture as media's influence spreads, more languages have become extinct or are under threat of extinction. The text is highlighted by maps and charts of scripts, while proverbs, anecdotes and quotations reveal the features that make a language unique.
The authors highlight the new symbolic forces put in play by technologies of the illustrated press and the sound film - technologies that converged with efforts among writers, artists, and other intellectuals to respond to the crises of the decade.
This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.
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