These diverse poems of past and present, of order and disorder, press on with the forceful explorations that Andrew Hudgins began with his first book, SAINTS AND STRANGERS, a runner-up for the Pulitzer Prize in 1985. The wide-ranging poems in this new volume respond with passion to the natural world, to family life, to history, to inheritance: before he flooded the rubble, he swept up the dust of Babylon / to give as presents, and he stored it in a jar.
American Rendering showcases twenty-four new poems as well as a generous selection from Andrew Hudgins’s six previous volumes, spanning a distinguished career of more than twenty-five years. Hudgins, who was born in Texas and spent most of his childhood in the South, is a lively and prolific poet who draws on his vivid Southern and,more specifically, Southern Baptist, childhood. Influenced by writers such as John Crowe Ransom,William Faulkner, Flannery O’Connor, and James Dickey, Hudgins has developed a distinctively descriptive form of the Southern Gothic imagination. His poems are rich with religious allusions, irreverent humor, and at times are inflected with a dark and violent eroticism.Of Hudgins’s most recent collection, Ecstatic in the Poison, Mark Strand wrote: “[It] is full of intelligence, vitality, and grace. And there is a beautiful oddness about it.Dark moments seem charged with an eerie luminosity and the most humdrum events assume a startling lyric intensity. A deep resonant humor is everywhere, and everywhere amazing.”
National Book Award finalist Andrew Hudgins offers a meditation on humor, ruminating on the consolations and terrors, delights and discomforts of laughter.
Since Andrew Hudgins was a child, he was a compulsive joke teller, so when he sat down to write about jokes, he found that he was writing about himself--what jokes taught him and mistaught him, how they often delighted him but occasionally made him nervous with their delight in chaos and sometimes anger. Because Hudgins's father, a West Point graduate, served in the US Air Force, his family moved frequently; he learned to relate to other kids by telling jokes and watching how his classmates responded. And jokes opened him up to the serious, taboo subjects that his family didn't talk about openly--religion, race, sex, and death. Hudgins tells and analyzes the jokes that explore the contradictions in the Baptist religion he was brought up in, the jokes that told him what his parents would not tell him about sex, and the racist jokes that his uncle loved, his father hated, and his mother, caught in the middle, was ambivalent about. This book is both a memoir and a meditation on jokes and how they educated, delighted, and occasionally horrified him as he grew"--
The Glass Hammer, the fourth book of poems by the celebrated author of After the Lost War, is a southern narrative poem. It tells the story of a boy brought up in a military family in Texas and Alabama, and it is as rich in emotion and experience as any novel, as family life itself. In a sequence of sixty-five short lyrics, the narrator moves from the anecdotal circumstances of his infancy to the rebellions of his youth and adolescence, from the tragedy of his mother's death to the acceptance of his father's disciplinary love. This sequence of poems is human, solid, passionate, rueful, and eminently readable. It is as transparent as a mountain brook and moves as fast. It is as painful and powerful and surprising as first love and first loss.
“The woman who emerges from these pages is as riveting as her books” (The Wall Street Journal) in this compelling celebration of the famously private V.C. Andrews—featuring family photos, personal letters, a partial manuscript for an unpublished novel, and more. Best known for her internationally, multi-million-copy bestselling novel Flowers in the Attic, Cleo Virginia Andrews lived a fascinating life. Born to modest means, she came of age in the American South during the Great Depression and faced a series of increasingly challenging health issues. Yet, once she rose to international literary fame, she prided herself on her intense privacy. Now, The Woman Beyond the Attic aims to connect her personal life with the public novels for which she was famous. Based on Virginia’s own letters, and interviews with her dearest family members, her long-term ghostwriter Andrew Neiderman tells Virginia’s full story for the first time. Perfect for anyone hoping to learn more about the enigmatic woman behind one of the most important novels of the 20th century, The Woman Beyond the Attic will have you “transfixed” (Publishers Weekly) from the first page.
National Book Award finalist Andrew Hudgins offers a meditation on humor, ruminating on the consolations and terrors, delights and discomforts of laughter.
First published in September 1992, the book traces the nature and development of the fundamental legal relationships among slaves, masters, and third parties. It shows how the colonial and antebellum Southern judges and legislators accommodated slavery’s social relationships into the common law, and how slave law evolved in different states over time in response to social political, economic, and intellectual developments. The book states that the law of slavery in the US South treated slaves both as people and property. It reconciles this apparent contradiction by demonstrating that slaves were defined in the law as items of human property without any legal rights. When the lawmakers recognized slaves as people, they burdened slaves with added legal duties and disabilities. This epitomized in legal terms slavery’s oppressive social relationships. The book also illustrates how cases in which the lawmakers recognized slaves as people legitimized slavery’s inhumanity. References in the law to the legal humanity of people held as slaves are shown to be rhetorical devices and cruel ironies that regulated the relative rights of the slaves’ owners and other free people that were embodied in people held as slaves. Thus, it is argued that it never makes sense to think of slave legal rights. This was so even when the lawmakers regulated the individual masters’ rights to treat their slaves as they wished. These regulations advanced policies that the lawmakers perceived to be in the public interest within the context of a slave society.
A veteran US frogman recounts his experiences in World War II and the risky pre-invasion missions of the Underwater Demolition Teams. ?Into Enemy Waters is the story of World War II’s most elite and daring unit of warriors, the direct precursors to the Navy SEALs, told through the eyes of its last living member, ninety-five-year-old George Morgan. Morgan was just a wiry, seventeen-year-old lifeguard from New Jersey when he joined the Navy’s new combat demolition unit, tasked to blow up enemy?coastal defenses ahead of landings by Allied forces. His first assignment: Omaha Beach on D-Day. When he returned stateside, Morgan learned that his service was only beginning. Outfitted with swim trunks, a dive mask, and fins, he was sent to Hawaii and then on to deployments in the Pacific as a member of the elite and pioneering Underwater Demolition Teams. GIs called them “half fish, half nuts.” Today, we call them frogmen—and Navy SEALS. Led by maverick Naval Reserve Officer Draper Kauffman, Morgan would spend the fierce final year of the war swimming up to enemy controlled beaches to gather intel and detonate underwater barriers. He’d have to master the sea, muster superhuman grit, and overcome the demons of Omaha Beach. Moving closer to Japan, the enemy’s island defenses were growing more elaborate and its soldiers more fanatical. From the black sand beaches of Iwo Jima to the shark infested reefs of Okinawa, to the cold seas of Tokyo Bay, teenaged George Morgan was there before most, fighting for his life. And for all of us. Perfect for fans of?Unbroken,?The Right Stuff, and?Band of Brothers. Praise for Into Enemy Waters “A compelling narrative full of World War II fireworks.” —Kirkus Reviews “A rousing history. . . . Drawing on extensive interviews with Morgan, Dubbins creates a vivid and fast-moving narrative of courage and sacrifice under the most extreme conditions. WWII buffs will be thrilled.” —Publishers Weekly “This well-researched book is both visceral and uplifting, telling of a time of great courage, integrity and camaraderie.” —Jill?Heinerth,?author of Into The Planet: My Life as a Cave Diver
This introduction to wavelet analysis 'from the ground level and up', and to wavelet-based statistical analysis of time series focuses on practical discrete time techniques, with detailed descriptions of the theory and algorithms needed to understand and implement the discrete wavelet transforms. Numerous examples illustrate the techniques on actual time series. The many embedded exercises - with complete solutions provided in the Appendix - allow readers to use the book for self-guided study. Additional exercises can be used in a classroom setting. A Web site offers access to the time series and wavelets used in the book, as well as information on accessing software in S-Plus and other languages. Students and researchers wishing to use wavelet methods to analyze time series will find this book essential.
First published in September 1992, the book traces the nature and development of the fundamental legal relationships among slaves, masters, and third parties. It shows how the colonial and antebellum Southern judges and legislators accommodated slaverye(tm)s social relationships into the common law, and how slave law evolved in different states over time in response to social political, economic, and intellectual developments. The book states that the law of slavery in the US South treated slaves both as people and property. It reconciles this apparent contradiction by demonstrating that slaves were defined in the law as items of human property without any legal rights. When the lawmakers recognized slaves as people, they burdened slaves with added legal duties and disabilities. This epitomized in legal terms slaverye(tm)s oppressive social relationships. The book also illustrates how cases in which the lawmakers recognized slaves as people legitimized slaverye(tm)s inhumanity. References in the law to the legal humanity of people held as slaves are shown to be rhetorical devices and cruel ironies that regulated the relative rights of the slavese(tm) owners and other free people that were embodied in people held as slaves. Thus, it is argued that it never makes sense to think of slave legal rights. This was so even when the lawmakers regulated the individual masterse(tm) rights to treat their slaves as they wished. These regulations advanced policies that the lawmakers perceived to be in the public interest within the context of a slave society.
This new book by Andrew Fede considers the law of freedom suits and manumission from the point-of-view of legal procedure, evidence rules, damage awards, and trial practicein addition to the abstract principles stated in the appellate decisions. The author shows that procedural and evidentiary roadblocks made it increasingly impossible for many slaves, or free blacks who were wrongfully held as slaves, to litigate their freedom. Even some of the most celebrated cases in which the courts freed slaves must be read as tempered by the legal realities the actors faced or the courts actually recognized in the process. Slave owners in almost all slave societies had the right to manumit or free all or some of their slaves. Slavery law also permitted people to win their freedom if they were held as slaves contrary to law. In this book, Fede provides a comprehensive view of how some enslaved litigants won their freedom in the courtand how many others, like Dred and Harriet Scott, did not because of the substantive and procedural barriers that both judges and legislators placed in the way of people held in slavery who sought their freedom in court. From the 17th century to the Civil War, Southern governments built roadblock after roadblock to the freedom sought by deserving enslaved people, even if this restricted the masters' rights to free their slaves or defied settled law. They increasingly prohibited all manumissions and added layers of procedure to those seeking freedomwhile eventually providing a streamlined process by which free blacks "voluntarily" enslaved themselves and their children. Drawing on his three decades of legal experience to take seriously the trial process and rules under which slave freedom cases were decided, Fede considers how slave owners, slaves, and lawyers caused legal change from the bottom up.
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