Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers: these are the character types explored in Conrad's Popular Fictions. This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.
The Case of Sherlock Holmes uncovers what is untold, partly told, wrongly told, or deliberately concealed in Arthur Conan Doyle's Sherlock Holmes saga.
Detectives, police informers, spies and spymasters, anarchists and terrorists, swindlers: these are the character types explored in Conrad's Popular Fictions. This book shows how Joseph Conrad experimented creatively with genres such as crime and espionage fiction, and sheds new light on the sources and contexts of his work.
The Case of Sherlock Holmes uncovers what is untold, partly told, wrongly told, or deliberately concealed in Arthur Conan Doyle's Sherlock Holmes saga.
This edited volume examines the implications for international development actors of new kinds of terrorism taking place in civil conflicts. The threat from terrorism and violent extremism has never been greater – at least in the global South where the vast majority of violent extremist attacks take place. Some of the most violent extremist groups are also parties to civil conflicts in regions such as the Middle East and the Horn of Africa. But are these groups – especially the violent Islamists which constitute the greatest current threat – qualitatively different from other conflict actors? If they are, what are the implications for development practitioners working in war zones and fragile or poverty-afflicted countries? This study aims to answer these questions through a combination of theoretical enquiry and the investigation of three case studies – Kenya, Nigeria, and Iraq/Syria. It aims to illuminate the differences between violent Islamists and other types of conflict actor, to identify the challenges these groups pose to development practice, and to propose a way forward for meeting these challenges.
This book builds firm bridges between theory and practice through exploring evidence-based practice and pursues what this means for new English teachers.
Graham Greene was one of the most versatile writers of the 20th century, and he remains a figure of particular interest to those concerned with the relationship between literature and cinema. As well as being a skilled screenwriter in his own right, most famously with The Third Man, Greene's fiction has proved to be a perennially popular source for adaptation, appealing to the broadest range of filmmakers imaginable. In this engaging and accessibly written study, Richard J. Hand and Andrew Purssell introduce adaptation studies and its relation to Greene's works. They present new and incisive readings of key texts, including the various screen versions of Brighton Rock, The End of the Affair and The Quiet American, among others, and offer a critical examination of the industries in which Greene functioned as author, screenwriter, film critic and cultural figure. By closely exploring the various critical aspects of Greene and adaptation, and by encouraging readers to engage with the topics discussed through the inclusion of innovative exercises, Adapting Graham Greene makes a significant contribution to Graham Greene Studies and Adaptation Studies, as well as to Film and Literary Studies more generally.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.