While many Jews have picked Florida as the perfect place to retire, Matt Glassman has chosen it as the place to begin his adulthood. Perhaps that's because the pressures of life have always reminded him about his grandfather who mysteriously disappeared from the family twenty years ago. Now, while he tries to begin a family of his own, he also builds a relationship with the one person who might know the truth about his grandfather?s disappearance: his grandmother. She's remained stubbornly reticent on the topic all these years, but when a familiar old man shows up at Glassman's office he thinks he may finally get some answers.
When Andrew Furman left the rolling hills of Pennsylvania behind for a new job in Florida, he feared the worst. While he’d heard much of the fabled “southern charm,” he wondered what could possibly be charming about fist-sized mosquitoes, oppressive humidity, and ever-lurking alligators. It wasn’t long before he began to notice that the real Florida right outside his office window was very different from the stereotypes portrayed in movies, television, and even state-promoted tourism advertisements. In Bitten, Furman shares his amazement at the beautiful and the bizarre of his adopted state. Over seventeen years, he and his family have shed their Yankee sensibilities and awakened to the terra incognita of their new home. As he learns to fish for snook—a wily fish that inhabits, among other areas, the concrete-lined canals that crisscross the state—and seeks out the state’s oldest live oak, a behemoth that pre-dates Columbus, Furman realizes that falling in love with Florida is a fun and sometimes humbling process of discovery. Each chapter highlights a fascinating aspect of his journey into the natural environment he once avoided, from snail kites to lizards and cassia to coontie. Sharing his attempts at night fishing, growing native plants, birding, and hiking the Everglades, Furman will inspire you to explore the real Florida. And, if you aren’t lucky enough to reside in the Sunshine State, he’ll at least convince you to unplug for an hour or two and enjoy the natural beauty of wherever it is you call home.
Growing up in Los Angeles in the 1980s, roughly half of Furman’s high school basketball teammates lived in the largely Anglo, and increasingly Jewish, San Fernando Valley, while the other half were African Americans bused in from the inner city. Los Angeles was embroiled in efforts to desegregate its public school district, one of the largest and most segregated in the country. Tensions came to a head in the late 1970s as the state implemented its forced busing plan, a radical desegregation program that was hotly contested among Los Angeles residents—particularly among Valley residents—and at all levels of the courts, including the U.S. Supreme Court. In My Los Angeles in Black and (Almost) White, the high school’s diverse basketball team serves as the entry point for a trenchant exploration of the judicial, legislative, and neighborhood battles over school desegregation that gripped the city in the aftermath of Brown v. Board of Education and that continue to plague our “post-racial” nation. Furman accesses a diverse array of opinions about these years and about the current crisis of race and public education by examining landmark judicial decisions, public policy studies, and newspaper articles, and by interviewing key community leaders, including former U.S. Representative Bobbi Fiedler, the Jewish activist who led the campaign to stop forced busing in Los Angelese, and retired Superior Court Judge Paul Egly, with whom Fiedler and her allies wrangled. Furman also documents his recent visit to Los Angeles during which he met with several of his former teammates, coaches, and neighbors. At once critical and fair-minded, My Los Angeles in Black and (Almost) White cuts through the incendiary rhetoric over school desegregation to offer a lucid, engaging, and informed account of our long legacy and current challenges regarding race and public education.
Nathan Pray's life is a mess. A rare cold snap in the subtropics has nearly obliterated his beloved snook population, as if rising seas, urbanization, and toxic red tide blooms weren't trouble enough. What's more, his domestic life has unraveled. Nathan's father suffers through the early stages of Alzheimer's disease, his wife has left him for a more upstanding (and normal) Jewish husband, his adolescent son seems to have retreated into a dubious hip-hop identity, and his mother has her own problems. He's a good man who just can't catch a break. But Nathan's luck just might be about to change. A lucrative sponsorship and a television role on a popular fishing program can be his for the taking if he will only compromise on some of his stubborn piscatorial principles. Inspired in equal parts by Ernest Hemingway, Bernard Malamud, and Saul Bellow, Jewfish chronicles the day-to-day life of a middle-aged fisherman, lovable in spite of his shortcomings, and shines a light on the environmental issues facing south Florida and the planet.
In the title story of this collection, neighborhood boys crouch in a backyard toolshed, and conspire to prove their piano teachers to be witches. In "Cannibal Kings," a disillusioned young man accompanies a troubled boy on a tour of prep schools through the Pacific Northwest, only to realize that he has lost his way in life. And in "Come Live With Me And Be My Love," a middle-aged gentleman looks back at his mannered early life as a Ivy Leaguer, married to a vivacious woman but silently yearning for his best friend -- and the sacrifices that each made to uphold their compromising bargain. With a classic storyteller's gift for nuance and understanding, and a poet's grace for language, Andrew Sean Greer makes a remarkable debut with How It Was For Me.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Examines eight Jewish-American writers--Meyer Levin, Leon Uris, Saul Bellow, Hugh Nissenson, Chaim Potok, Philip Roth, Anne Roiphe, and Tova Reich--who have "imagined" Israel in their work.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.