This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
At the close of the Revolution which separated the colonies from the mother country, the legislature of New York set apart nearly two million acres of land, in the heart of the State, as bounty to be divided among her soldiers who had taken part in the war; and this ``Military Tract,'' having been duly divided into townships, an ill- inspired official, in lack of names for so many divisions, sprinkled over the whole region the contents of his classical dictionary. Thus it was that there fell to a beautiful valley upon the headwaters of the Susquehanna the name of ``Homer.'' Fortunately the surveyor-general left to the mountains, lakes, and rivers the names the Indians had given them, and so there was still some poetical element remaining in the midst of that unfortunate nomenclature. The counties, too, as a rule, took Indian names, so that the town of Homer, with its neighbors, Tully, Pompey, Fabius, Lysander, and the rest, were embedded in the county of Onondaga, in the neighborhood of lakes Otisco and Skaneateles, and of the rivers Tioughnioga and Susquehanna. Hither came, toward the close of the eighteenth century, a body of sturdy New Englanders, and, among them, my grandfathers and grandmothers. Those on my father's side: Asa White and Clara Keep, from Munson, Massa- chusetts; those on my mother's side, Andrew Dickson, from Middlefield, Massachusetts, and Ruth Hall from Guilford, Connecticut. They were all of ``good stock.'' When I was ten years old I saw my great-grandfather at Middlefield, eighty-two years of age, sturdy and vigorous; he had mowed a broad field the day before, and he walked four miles to church the day after. He had done his duty manfully during the war, had been a member of the ``Great and General Court'' of Massachusetts, and had held various other offices, which showed that he enjoyed the confidence of his fellow-citizens. As to the other side of the house, there was a tradition that we came from Peregrine White of the Mayflower; but I have never had time to find whether my doubts on the subject were well founded or not. Enough for me to know that my yeomen ancestors did their duty in war and peace, were honest, straightforward, God-fearing men and women, who owned their own lands, and never knew what it was to cringe before any human being.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The book "" Autobiography of Andrew Dickson White - Volume 2 "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
There are 83 copies of the First Folio in a vault beneath Capitol Hill, the world's largest collection. Well over 150 Indian movies are based on Shakespeare's plays-more than in any other nation. If current trends continue, there will soon be more high-school students reading The Merchant of Venice in Mandarin Chinese than in early-modern English. Why did this happen-and how? Ranging ambitiously across four continents and 400 years, Worlds Elsewhere is an eye-opening account of how Shakespeare went global. Seizing inspiration from the playwright's own fascination with travel, foreignness and distant worlds, Dickson takes us on an extraordinary journey-from Hamlet performed by English actors tramping through Poland in the early 1600s to twenty-first century Shanghai, where Shashibiya survived Mao's Cultural Revolution to become an honored Chinese author. En route we visit Nazi Germany, where Shakespeare became an unlikely favorite, and delve into the history of Bollywood, where Shakespearian stories helped give birth to Indian cinema. In Johannesburg, we discover how Shakespeare was enlisted into the fight to end apartheid. In California, we encounter him as the most popular playwright of the American frontier. Both a cultural history and a literary travelogue, the first of its kind, Worlds Elsewhere explores how Shakespeare became the world's writer, and how his works have changed beyond all recognition during the journey"--
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