Written by two scientists, this work examines the interweaving of physical and metaphysical realities. It brings man's traditional beliefs - in miracles, unseen worlds and life after death - into a credible scientific framework.
There is one critical way we honor great tragedies: by never forgetting. Collective remembrance is as old as human society itself, serving as an important source of social cohesion, yet as Jeffrey Andrew Barash shows in this book, it has served novel roles in a modern era otherwise characterized by discontinuity and dislocation. Drawing on recent theoretical explorations of collective memory, he elaborates an important new philosophical basis for it, one that unveils profound limitations to its scope in relation to the historical past. Crucial to Barash’s analysis is a look at the radical transformations that symbolic configurations of collective memory have undergone with the rise of new technologies of mass communication. He provocatively demonstrates how such technologies’ capacity to simulate direct experience—especially via the image—actually makes more palpable collective memory’s limitations and the opacity of the historical past, which always lies beyond the reach of living memory. Thwarting skepticism, however, he eventually looks to literature—specifically writers such as Walter Scott, Marcel Proust, and W. G. Sebald—to uncover subtle nuances of temporality that might offer inconspicuous emblems of a past historical reality.
Walter Scott and Modernity argues that, far from turning away from modernity to indulge a nostalgic vision of the past, Scott uses the past as means of exploring key problems in the modern world.This study includes critical introductions to some of the most widely read poems published in nineteenth-century Britain (which are also the most scandalously neglected), and insights into the narrative strategies and ideological interests of some of Scott's greatest novels. It explores the impact of the French revolution on attitudes to tradition, national heritage, historical change and modernity in the romantic period, considers how the experience of empire influenced ideas about civilized identity, and how ideas of progress could be used both to rationalise the violence of empire and to counteract demands for political reform. It also shows how current issues of debate - from relations between Western and Islamic cultures, to the political significance of the private conscience in a liberal society - are
At the turn of the nineteenth century, publishing houses in London, New York, Paris, Stuttgart, and Berlin produced books in ever greater numbers. But it was not just the advent of mass printing that created the era’s “bookish” culture. According to Andrew Piper, romantic writing and romantic writers played a crucial role in adjusting readers to this increasingly international and overflowing literary environment. Learning how to use and to want books occurred through more than the technological, commercial, or legal conditions that made the growing proliferation of books possible; the making of such bibliographic fantasies was importantly a product of the symbolic operations contained within books as well. Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book’s identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book’s rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age.
Sheppard first came to prominence as a cricketer in the 1950s. An opening batsman, he was selected for England while still at Cambridge, and later captained his country. In the 1960s Sheppard was a leading figure in the campaign to sever sporting links with South Africa, a crucial factor in the ending of apartheid. Converted in his first year at Cambridge, Sheppard was ordained into the Church of England in 1955. His curacy in Islington gave him a passion to serve the church in the inner city, a calling he fulfilled as warden for twelve years of the Mayflower Centre in Canning Town. Following his appointment as Bishop of Woolwich in 1969, he published a major text about his work in urban areas, Built as a City. David Sheppard made his biggest mark as Bishop of Liverpool from 1975-97, forging a pioneering partnership with Archbishop Derek Worlock, his Roman Catholic counterpart. For twenty years the two worked tirelessly to revive the fortunes of the city, helping to break down its many internal divisions. In 1991 Sheppard was seriously considered for Archbishop of Canterbury following Robert Runcie’ retirement. In 1997 Sheppard was awarded a life peerage, and played an active role in the Lords, and as a writer, speaker and preacher, until his death in 2005. This biography draws on the papers left by Sheppard in Liverpool Central Library, other archival material, and more than 150 interviews conducted by the author.
Focusing on the ways in which women writers from across the political spectrum engage with and adapt Wollstonecraft's political philosophy in order to advocate feminist reform, Andrew McInnes explores the aftermath of Wollstonecraft's death, the controversial publication of William Godwin's memoir of his wife, and Wollstonecraft's reception in the early nineteenth century. McInnes positions Wollstonecraft within the context of the eighteenth-century female philosopher figure as a literary archetype used in plays, poetry, polemic and especially novels, to represent the thinking woman and address anxieties about political, religious, and sexual heterodoxy. He provides detailed analyses of the ways in which women writers such as Mary Hays, Elizabeth Hamilton, Amelia Opie, and Maria Edgeworth negotiate Wollstonecraft's reputation as personal, political, and sexual pariah to reformulate her radical politics for a post-revolutionary Britain in urgent need of reform. Frances Burney's The Wanderer and Jane Austen's Mansfield Park, McInnes suggests, work as state-of-the-nation novels, drawing on Wollstonecraft's ideas to explore a changing England. McInnes concludes with an examination of Mary Shelley's engagement with her mother throughout her career as a novelist, arguing that Shelley gradually overcomes her anxiety over her mother's stature to address Wollstonecraft's ideas with increasing confidence.
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