An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: *the latest developments in digital broadcasting and the internet *broadcasting in a multimedia era and its prospects for the future *the concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view *an evaluation of recent political pressures on the BBC and ITV duopoly *a timeline of key broadcasting events and annotated advice on further reading.
... a highly imaginative and often very entertaining book ... which ... probably says more than any other available text about the limitations and possibilities of present forms of radio.' Professor Laurie Taylor on the first edition of Understanding Radio Understanding Radio is a fully revised edition of a key radio textbook. Andrew Crisell explores how radio processes genres such as news, drama and comedy in highly distinctive ways, and how the listener's use of the medium has important implications for audience studies. He explains why the sound medium, even more than television, has played such a crucial role in the development of modern popular culture. The book also introduces students to the broadcasting landscape in a time of great change for national and local radio provision. Understanding Radio will be essential reading both to students of media and to those with a practical involvement in programme production. This new edition includes: a revised history of radio bringing the reader right up to date a brand new chapter on 'talk-and-music' radio, the format adopted by many of the new stations. Andrew Crisell lectures in communication and media studies at the University of Sunderland. He has written widely on radio and co-founded Wear FM, winner of the 1992 Sony 'Radio Station of the Year' award.
We think of radio and television as live media. Yet much of their output is pre-recorded. And if we value liveness so highly, why do we often consume their output some time after it has been broadcast? This book provides some unexpected answers about the meaning of 'liveness' and 'recording', the complexity of their relationship, and their significance not just for television and radio but the popular music which is radio's mainstay. Written in a clear and lively style, the book sets television and radio in the context of other media and traces the history of liveness and recording. To the relationship between these qualities it ascribes the rise of the serial programmes that characterise so much broadcasting. Citing well-known examples of broadcast output and making extensive use of BBC 1 as a case-study, it supports its arguments by taking illustrations and parallels from theatre, philosophical writing and even poetry.
Radio Journalism introduces key themes in journalism studies to explore what makes radio reporting distinctive and lay out the claims for radio's critical importance in the news landscape. With their extensive experience in radio production and academica, authors Guy Starkey and Andrew Crisell take readers on a tour through the past, present and future of radio broadcasting, from the infancy of the BBC in the 1920s up to the prospect of rolling news delivered to mobile telephones. Grounding each chapter in a survey of scholarly writing on the radio, they explore the connections between politics, policy and practice, inviting critical reflection on who radio professionals are, what they do and why. Putting theory and practice into dialogue, this book is the perfect bridge between unreflective production manuals and generalised media theory texts. Witty and engaging, Radio Journalism provides an essential framework for understanding the continuing relevance of radio journalism as a profession, set of practices and arena for critical debate.
It's a dark day for the failing University of Mixton when vice chancellor Dr Turpin gets an ultimatum from Whitehall: improve massively or face closure. Enter Ed Prendergast, an enforcer bent on axing old degrees and launching trendy new ones in non-academic subjects. But Ed is faced with members of staff who are each pursuing their own, very dodgy, agendas. The ensuing imbroglio of student sit-ins, sex, spying, and sudden death gives rise to some gripping questions. How does the university's finest building get burned to the ground? What are green gorillas? Why are so many of Mixton's residents being burgled? And who is dealing drugs to both students and townsfolk, not to mention the vice chancellor? Will snowballing disaster spell the end of Mixton University? Or will it survive all challenges to show us the future of British higher education?
This is an accessible and concise history of British radio and television. The book considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. Beginning with the genesis of radio at the turn of the century, Crisell discusses key moments in media history from the first wireless broadcast in 1920 to the present. Key topics covered include: * The establishment of the BBC in 1927 * The general strike, notions of public service broadcasting and the cultural values of the BBC * Broadcasting in wartime * The heyday of radio in the 1940s and 1950s and the rise of television * BBC2, Channel 4 and minority television * The changing role of radio in a television age * The convergence of broadcasting and other media * Future issues for broadcasting
This is not another turgid guide to digital editing, writing for radio and the structure of a newsroom team. It is an ambitious and accessible study that combines a succinct narrative history of radio journalism with an analysis of its power in the public sphere. It describes the development of British audio broadcasting before locating it in an international context and contemplating the contours of the convergent future. Such ambition is often the prelude to failure. Instead, Starkey and Crisell have written a precious introduction to the theory, practice and purposes of radio journalism that will be very useful to serious students of the subject... This is a very good book." - THE (Times Higher Education) Radio Journalism introduduces key themes in journalism studies to explore what makes radio reporting distinctive and lay out the claims for radio′s critical importance in the news landscape. With their extensive experience in radio production and academica, authors Guy Starkey and Andrew Crisell take readers on a tour through the past, present and future of radio broadcasting, from the infancy of the BBC in the 1920s up to the prospect of rolling news delivered to mobile telephones. Grounding each chapter in a survey of scholarly writing on the radio, they explore the connections between politics, policy and practice, inviting critical reflection on who radio professionals are, what they do and why. Putting theory and practice into dialogue, this book is the perfect bridge between unreflective production manuals and generalised media theory texts. Witty and engaging, Radio Journalism provides an essential framework for understanding the continuing relevance of radio journalism as a profession, set of practices and arena for critical debate.
Collected here in omnibus edition are three of Andrew Murray's most important Books. Included here are Humility, With Christ in the School of Prayer, Abide in Christ Abide in Christ: I pray earnestly that our gracious Lord may be pleased to bless this little book, to help those who seek to know Him fully. I pray still more earnestly that He would, by whatever means, make the multitudes of His dear children who are still living divided lives see how He claims them wholly for Himself, and how the wholehearted surrender to Him alone brings unspeakable joy and glory. With Christ in the School of Prayer: It is under a deep impression that the place and power of prayer in the Christian life is too little understood that this book has been written. I feel sure that as long as we look on prayer chiefly as the means of maintaining our own Christian life, we shall not know fully what it is meant to be. But when we learn to regard it as the highest part of the work entrusted to us, the root and strength of all other work, we shall see that there is nothing that we so need to study and practice as the art of praying correctly. Humility is the most overlooked teaching of Jesus Christ. In this book Andrew Murray explores how essential humility is to the understanding and practice of Christianity. Perhaps the best book ever written on the subject.
Andrew Murray is much-loved in the Christian world - known for producing helpful, down-to-earth, honest, challenging and biblically sound works. Many famous authors quote from him and have been influenced by him over the years.
Adapting Nineteenth-Century France uses the output of six canonical novelists and their recreations in a variety of media to push for a re-conceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses re-workings of key nineteenth-century texts across time and media in order to underline the way in which such re-workings cast new light on many of their source texts and reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Moreover, Adapting Nineteeth-Century France traces their subsequent recreations in a comparable range of genres, encompassing key modern media of the twentieth- and twenty-first-centuries: radio, silent film, fiction, musical theatre, sound film and television.
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new sound media technologies and content—from the earliest internet radio broadcasts to the development of algorithmic music services and the origins of podcasting—are not a disruption, but a continuation of the century-long history of radio. Today’s most innovative media makers are reintroducing forms of audio storytelling from radio’s past. Sound Streams is the first book to historicize radio-internet convergence from the early ’90s through the present, demonstrating how so-called new media represent an evolutionary shift that is nevertheless historically consistent with earlier modes of broadcasting. Various iterations of internet radio, from streaming audio to podcasting, are all new radio practices rather than each being a separate new medium: radio is any sound media that is purposefully crafted to be heard by an audience. Rather than a particular set of technologies or textual conventions, web-based broadcasting combines unique practices and features and ideas from radio history. In addition, there exists a distinctive conversationality and reflexivity to radio talk, including a propensity for personal stories and emotional disclosure, that suits networked digital media culture. What media convergence has done is extend and intensify radio’s logics of connectivity and sharing; sonically mediated personal expression intended for public consideration abounds in online media networks. Sound Streams marks a significant contribution to digital media and internet studies. Its mix of cultural history, industry research, and genre and formal analysis, especially of contemporary audio storytelling, will appeal to media scholars, radio and podcast practitioners, audio journalism students, and dedicated podcast fans.
Over the past twenty years, a focus on broadcast talk has emerged as an innovative approach to studying the media. Adapting perspectives derived from Discourse and Conversation Analysis, this approach investigates distinctive forms of mediated speech on TV and radio. It provides original insights into the ways in which broadcasting stages 'discourse events' (interviews, debates, commentaries and verbal performances) which are designed to attract and involve overhearing audiences.Media Talk is the first book to provide a comprehensive review of this important work, in terms which are accessible to students and non-specialist readers. It is however, much more than a textbook, being augmented throughout by the author's own research into contemporary, sometimes controversial developments. An introduction to this area of media studies, and its distinctive methodologies, is followed by chapters on news talk, political talk, sports talk, radio DJ talk, talk shows, celebrity interviews and 'reality TV'. The book is illustrated with examples from British and American radio and television.Particular themes include:*the so-called 'dumbing down' of news and current affairs in increasingly 'conversational' forms*the design of forms of talk to appeal to particular target audiences*the development of new forms of 'reality' programming featuring unscripted verbal performances by 'ordinary' people
Radio’s influence can be found in almost every corner of new media. Radio in the Digital Age assesses a medium that has not only survived the challenges of a new technological age but indeed has extended its reach. This is not a book about digital radio, but rather about the medium of radio in its many analogue and digital forms in an age characterised by digital technologies. The context of the digital age reveals new insights about the nature of radio. In this important addition to the world of radio scholarship, Dubber provides a theoretical framework for understanding the medium - allowing for complexity and contradiction, while avoiding essentialism and technological determinism. Introducing radio as a series of practices and phenomena that can be understood through a range of discursive categories, this book explores the relationships between radio, music, politics, storytelling and society in a new and thoughtful way. This book will make essential reading for students of media, communication, broadcasting and the digital industries. It offers a timely and comprehensive introduction for anyone who wishes to understand the role of radio in today’s media landscape.
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