When we read poetry, we tend to believe that we are getting a glimpse of the interior of the poet's mind--pictures from the poet's imagination relayed through the representative power of language. But poets themselves sometimes express doubt (usually indirectly) that poetic language has the capability or the purpose of revealing these images. This book examines description in Renaissance poetry, aiming to reveal its complexity and variability, its distinctiveness from prose description, and what it can tell us about Renaissance ways of thinking about the visible world and the poetic mind. Recent criticism has tended to address representation as a product of culture; The Unimagined in the English Renaissance argues to the contrary that attention to description as a literary phenomenon can complicate its cultural context by recognizing the persistent problems of genre and literary history. The book focuses on Sidney, Spenser, Donne, and Milton, who had very different aims as poets but shared a degree of skepticism about imagistic representation. For these poets, description can obscure as much as it makes visible, and can create whole categories of existence that are outside of visibility altogether.
With an Apatosaurus as a guide, Colin and Emma must dance their way through the Days of the Dinosaur--an island in a psychedelic prehistoric times--to rescue their friend Leo from the Tyrannosaurus Rex. But Colin has another mission: To gain the love of Rose, the Apatosaurus of his dreams. Will Colin and his crew be able to rescue their friend by beating the Tyrannosaurus Rex in his Ultimate Dinosaur Dance-Off? Will Colin be able to fulfill his lifelong dream of mating with an Apatosaurus?
This collection represents some of the best recent critical writing on Edmund Spenser, a major Renaissance English poet. The essays cover the whole of Spensers work, from early literary experiments such as The Shepeardes Calendar, to his unfinished crowning work,The Fairie Queene. The introduction provides an overview of critical responses to Spenser, setting his work and the debates which it has generated in their perspective contexts: new historicist, post-structural, psychoanalytic and feminist. His study also covers the critical responses of leading British, Irish and American scholars.
Geoff has a habit of getting himself into sticky situations. His dream of owning his own motorhome creeps closer with early retirement and he persuades his long-suffering wife Janice to seek out their new ‘home from home’ at a local motorhome exhibition. Geoff’s dream soon becomes Janice’s nightmare and when he decides to explore the most expensive motorhome on show, he could never have imagined what would happen next. He escapes the scene, but will anyone link him to the disaster that unfolded? When Woody, their brand-new addition to the family, eventually arrives on the driveway, Geoff can’t contain his excitement. With teenage daughter Gail and cocker spaniel Mabel in tow, they embark on their first adventure. But things do not go according to plan as Geoff struggles to blend into the camping way of life. A bouncer, campsite wardens, an angler and a pair of emus are just some of the adversaries Geoff finds himself up against but with Janice by his side, will he survive to fight another day and will the disaster at the exhibition come back to haunt him…?
Excessive shedding. A creepy floating man. A strange new teacher. It must be Monday. Being a werewolf is no picnic. Colin's constantly hungry, spends a ton of time shaving, and fights to keep his emotions in check to avoid turning into a giant, drooling, hairy, smelly, howling wolf. But Colin's not the only creature hanging around the town of Elkwood. Vampires, zombies, goblins, ogres, and other questionable visitors and their various shenanigans have got everyone on edge. Colin just wants to live a normal life, date, and get his homework done on time. But the town of Elkwood needs him. So when a secret government organization asks for his help, will he be able to control the animal inside, or will he give in to the perils of growing up werewolf?
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Nigel Kneale is perhaps best known for his pioneering work in television fantasy, notably the creation of Quatermass, and his landmark adaptation of George Orwell’s 1984 for the BBC. This book is the first in-depth study of another, arguably lesser known but equally as important, Kneale creation: the 1976 Folk Horror anthology television series, Beasts. Each of the six episodes of Beasts was a standalone supernatural drama exploring themes and ideas prevalent throughout Kneale’s work, all within the confines of a lowly British television budget. From pilot episode Murrain to cult favourite Baby, Beasts charted an uncanny British landscape, where the ghost of a dolphin haunts an aquarium and a supermarket is plagued by a mysterious animalistic presence. In researching and writing this book, author Andrew Screen was given rare access to Kneale’s original scripts and production paperwork and provides an exclusive account of Kneale’s trials and tribulations in developing the series. There are also interviews with members of cast and crew, a discussion of episode treatments that were prepared but never realised — and the reasons why Kneale abandoned these at an early stage. Moreover, each storyline is contextualised with real life developments and events, exploring the mythological and cultural inspirations that place the series within its immediate historical framework. Written with full permission from the Kneale estate, THE BOOK OF BEASTS is a comprehensive overview of a cult television series and its enduring impact on viewers today. With a foreword by Johnny Mains.
Coaching as a field has mushroomed in recent years. Thousands of new coaches enter the field after only completing short and superficial training programmes. The problem with this is that coaching is not i) something you can simply learn in a short programme ii) a superficial practice. The books available on coaching tend to just reinforce this by going over coaching methodology, without delving into what it really means to be a coach. The Coaching Secret remedies this by going beneath the surface, looking at what it really means to be a coach and showing how you can go from simply understanding the basic coaching process to truly connecting and relating to the client - and becoming a master coach. The author brings over 20 years of coaching practice in big corporations to help you move beyond the novice/superficial coach to becoming an expert/master coach. He brings together experience, theory, case studies and lots of interactive work to essentially coach the coach and help them achieve a superior coaching level. Key reader outcomes Practical assistance to become a better coach – moving from novice to expert to master. Increased confidence in your personal coaching competence. Greater clarity to the value of the coaching relationship and how we coach. New perspectives on coaching methods. To answer for yourself some of the crucial questions of the coach including: Who is the coach? How do you coach? And why do you coach? To deepen your understanding of coaching and to demystify the inner process through which we develop our competency and practice. To awaken the coach to discover new ways of seeing, thinking, sensing, resolving and relating. To progress the profession – in offering a new vision of coaching that recognises and evolves the role of the coach.
A great story that is long overdue in the telling.' - Paul Ham 'Rugby is fortunate to have so many role models of the highest order. Stan Bisset is at the top of the game.' - John Eales, former Wallabies captain 'Stan Bisset, like this remarkable story of his life, is timeless.' - Patrick Lindsay 'Stan was a man before his time. His leadership, forward thinking and standards were second to none . . . This book is a fascinating and insightful read and I highly recommend it.' - Rod Macqueen AM, former Wallabies coach Stan Bisset was a real hero, both in battle, on the rugby pitch and in desperate armed combat against the Japanese during the Second World War. As a member of the ill-fated 1939 Wallaby touring team to England, he was a rugby legend. In the Middle East and on the Kokoda Track, he was one of Australia's most distinguished and heroic combatants. But above all else, he personified so many attributes of the Australian soldier: moral and physical courage, compassion, selflessness, independence, loyalty, resourcefulness, devotion and humour. Stan Bisset's remarkable life story is told by former Australian soldier and Afghanistan veteran Andrew James. This is a truly inspiring book that crosses generations.
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