Fate and the Lady follows the modern day story of district nurse Christina Wise and her chance meeting with enigmatic ex-quarryman Mercy Slaughter and his friend FJ. Christina will be tested in her feelings for this man and his obsessive need to right a wrong committed against himself and his friends during a medieval battle re-enactment only a couple of years previously. His compulsion risks putting them all in mortal danger and even result in an international incident. Will Christina be able to save Slaughter from himself, or will he continue in his path of self-destruction? Add to the mix a French politician and his sidekick with an axe to grind; a hardcore group of Englishmen with vengeance in mind; and a mysterious Turkish billionairess with her own designs on Slaughter; and you end up with a volatile mix of sex, intrigue and bloody hand-to-hand combat.
How did openness become a foundational value for the networks of the twenty-first century? Open Standards and the Digital Age answers this question through an interdisciplinary history of information networks that pays close attention to the politics of standardization. For much of the twentieth century, information networks such as the monopoly Bell System and the American military's Arpanet were closed systems subject to centralized control. In the 1970s and 1980s however, engineers in the United States and Europe experimented with design strategies to create new digital networks. In the process, they embraced discourses of 'openness' to describe their ideological commitments to entrepreneurship, technological innovation, and participatory democracy. The rhetoric of openness has flourished - for example, in movements for open government, open source software, and open access publishing - but such rhetoric also obscures the ways the Internet and other 'open' systems still depend heavily on hierarchical forms of control.
Three Cities after Hitler compares how three prewar German cities shared decades of postwar development under three competing post-Nazi regimes: Frankfurt in capitalist West Germany, Leipzig in communist East Germany, and Wrocław (formerly Breslau) in communist Poland. Each city was rebuilt according to two intertwined modern trends. First, certain local edifices were chosen to be resurrected as “sacred sites” to redeem the national story after Nazism. Second, these tokens of a reimagined past were staged against the hegemony of modernist architecture and planning, which wiped out much of whatever was left of the urban landscape that had survived the war. All three cities thus emerged with simplified architectural narratives, whose historically layered complexities only survived in fragments where this twofold “redemptive reconstruction” after Nazism had proven less vigorous, sometimes because local citizens took action to save and appropriate them. Transcending both the Iron Curtain and freshly homogenized nation-states, three cities under three rival regimes shared a surprisingly common history before, during, and after Hitler—in terms of both top-down planning policies and residents’ spontaneous efforts to make home out of their city as its shape shifted around them.
As America’s oldest merchant ship still afloat and the only wooden survivor of the once-vital whaling industry, the Charles W. Morgan has a complex story to tell. Elaborating on earlier volumes on the ship's history at Mystic Seaport Museum, this new book offers an expanded account, chronicling the ship's construction and launch in 1841 through its Thirty-Eighth Voyage in 2014—the first time the Morgan had been sailed in more than ninety years—and its continuing role today as an historic icon and the Museum’s flagship vessel. Chapters paint a picture of how whaling developed in Europe and the ways New England colonists adopted it as a profitable venture, and then, through the ship’s own story, proceed to sketch the evolution of America’s relationship with nature—and the whale, specifically—and with the many peoples of the world who were encountered by, or served aboard, a whaleship. This is the story of a National Historic Landmark—one that reflects our changing relationship with the natural world and with the diverse populations of the globe through two centuries of American history.
Foreword by Admiral Sir John Woodward. When published in hardcover in 1997, this book was praised for providing an engrossing education not only in naval strategy and tactics but in Victorian social attitudes and the influence of character on history. In juxtaposing an operational with a cultural theme, the author comes closer than any historian yet to explaining what was behind the often described operations of this famous 1916 battle at Jutland. Although the British fleet was victorious over the Germans, the cost in ships and men was high, and debates have raged within British naval circles ever since about why the Royal Navy was unable to take advantage of the situation. In this book Andrew Gordon focuses on what he calls a fault-line between two incompatible styles of tactical leadership within the Royal Navy and different understandings of the rules of the games.
This work offers for the first time a complete list of all books published wholly or partially in the French language before 1601. Based on twelve years of investigations in libraries in France, the United Kingdom, the United States, Germany, the Netherlands and elsewhere, it provides an analytical short-title catalogue of over 52,000 bibliographically distinct items, with reference to surviving copies in over 1,600 libraries worldwide. Many of the items described are editions and even complete texts fully unknown and re-discovered by the project. French Vernacular Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. III & IV please go to French Books III & IV.
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
This book is the first overall survey of the British West Indian press in the early nineteenth century—a critical period in the history of the region. Based on extensive and ground-breaking archival research, this volume provides an in-depth history of early nineteenth-century British West Indian newspapers and potted biographies of the journalists who produced them. The author examines the economics underpinning newspapers, and a political spectrum, unique to the West Indian press, is also posited. Towards one end sat a small group of ‘liberal’ newspapers that outraged white colonists by arguing for civil and political rights to be extended to so-called free coloureds and for the abolition of slavery; scattered at various points towards the other end of the spectrum were newspapers still best collectively described as the ‘planter press’—the traditional term used in the literature. Starting from this basic conceptual framework, the volume shows how the press landscape in the British Caribbean at this time was more volatile and complex than has been previously thought. This volume will be of value to academics, undergraduates and postgraduates studying Caribbean and media history and those interested in modern history.
When the "Railway Magazine" of January 2000 published the results of its Millennium Poll, Sir Vincent Raven gained a 42nd place, along with Thomas Newcomen and Arthur Peppercorn. This is the biography of this engineer, illustrated with contemporary archive photographs, portraits and ephemera.
Vincent Van Gogh had a profound gift of communication, and he remains an icon of modern art to this day. This book will explore Van Gogh's life, influences, English connections, painting techniques, perceptions of Van Gogh and the continuing Van Gogh phenomenon.
This book traces the rise and decline of what Theodore Roosevelt once called the "most American thing in America." The Chautauqua movement began in 1874 on the shores of Chautauqua Lake in western New York. More than a college or a summer resort or a religious assembly, it was a composite of all of these—completely derivative yet brilliantly innovative. For five decades, Chautauqua dominated adult education and reached millions with its summer assemblies, reading clubs, and traveling circuits. Scholars have long struggled to make sense of Chautauqua's pervasive yet disorganized presence in American life. In this critical study, Andrew Rieser weaves the threads of Chautauqua into a single story and places it at the vital center of fin de siècle cultural and political history. Famous for its commitment to democracy, women's rights, and social justice, Chautauqua was nonetheless blind to issues of class and race. How could something that trumpeted democracy be so undemocratic in practice? The answer, Rieser argues, lies in the historical experience of the white, Protestant middle classes, who struggled to reconcile their parochial interests with radically new ideas about social progress and the state. The Chautauqua Moment brings color to a colorless demographic and spins a fascinating tale of modern liberalism's ambivalent but enduring cultural legacy.
Fascinating . . . Shot through with fresh insights . . . No previous biography has attempted anything so comprehensive.' ObserverNelson is a thrilling new appraisal of Horatio Nelson, the greatest practitioner of naval command the world has ever seen. It explores the professional, personal, intellectual and practical origins of one man's genius, to understand how the greatest warrior that Britain has ever produced transformed the art of conflict, and enabled his country to survive the challenge of total war and international isolation. In Nelson, Andrew Lambert - described by David Cannadine as 'the outstanding British naval historian of his generation' - is able to offer new insights into the individual quality which led Byron rightly to celebrate Nelson's genius as 'Britannia's God of War'. He demonstrates how Admiral Nelson elevated the business of naval warfare to the level of the sublime. Nelson's unique gift was to take that which other commanders found complex, and reduce it to simplicity. Where his predecessors and opponents saw a particular battle as an end in itself, Nelson was always a step ahead - even in the midst of terrifying, close-quarters action, with officers and men struck down all around him. 'Excellent . . . Worthy of the stirring events [it celebrates].' Independent
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
First published in 1991, The Dictionary of Contemporary Politics of Central America and the Caribbean provides a guide to the most important organizations, figures, events and themes in the contemporary politics of Central America, Mexico, and the Caribbean. The countries covered include Mexico, Guatamala, Belize, Honduras, El Salvador, Nicaragua, Costa Rica, Panama, Cuba, Dominican Republic, Haiti, Jamaica, Trinidad and Tobago, Barbados, Grenada, St Vincent, St Lucia, Dominica, St Kitt’s-Nevis, Antigua and Puerto Rico. The background information supplied in the book explains how, for many in Central America, the guerrilla wars have merely been the intensification of a conflict previously fought by the likes of Nicaragua’s Sandino or the Salvadorean Farabundo Marti, and before them by the Indian leaders who resisted the Spanish settlement. Although first published in 1991, this book will be a valuable resource for journalists, students, diplomats, business people, and anyone else who is interested in the politics of this richly diverse continent.
Provides descriptions of over 750 landmarks and sixty-eight historic districts in all five boroughs of New York City, explaining what they are, where they are, and how to find them; and includes a row house architectural style guide, maps, and an index.
Prince Albert Victor, King Edward VII's (r. 1901-10) first son and heir to the throne, and popularly known as Eddy, has virtually been airbrushed out of history. Eddy was as popular and charismatic a figure in his own time as Princess Diana a century later. As in her case, his sudden death in 1892 resulted in public demonstrations of grief on a scale rarely seen at the time, and it was even rumoured (as in the case of Diana) that he was murdered to save him besmirching the monarchy. Had he lived, he would have been crowned king in 1911, ushering in a profoundly different style of monarchy from that of his younger brother, who ultimately succeeded as the stodgy George V. Eddy's life was virtually ignored by historians until the 1970s, when myths began to accumulate and his character somehow grew horns and a tail. As a result, he is remembered today primarily as a suspect in the Jack the Ripper muders of 1888 and for his alleged involvement in the Cleveland Street homosexual scandal of 1889. But history has found Eddy guilty of crimes he did not commit. Now, for the first time, using modern forensic evidence combined with Eddy's previously unseen records, personal correspondence and photographs, Andrew Cook proves his innocence. Prince Eddy reveals the truth about a key royal figure, a man who would have made a fine king and changed the face of the British monarchy.
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