This remarkable double biography celebrates the interlocking lives of two of the greatest eccentrics of the 20th century: the brilliant and bizarre Quentin Crisp and the outlandish Philip O'Connor, whose careers first became entwined in Fitzrovia during the Second World War. This is first authoritative account of the personalities behind their artful facades, told by novelist Andrew Barrow, whose life was profoundly affected by both men. 'It is not often that one comes across a truly original book, but here is one' Independent 'O'Connor was a histronic Withnail to Crisp's Ziggy Stardust...In Barrow's deft and cleverly constructed text, the two dance in and out of each other's lives and his own imagination' Guardian 'Beautifully tuned writing - a work of love' Daily Telegraph 'An affectionate and scrupulous portrait of the kind of lives which will never be seen again' Daily Mail
Your brother looked healthy, happy, natural. But everything else about him is extremely odd. Not faintly odd. Extremely odd. Except in appearance. He's the opposite of you.' Quentin Crisp At the age of twenty-two, the youngest of five brothers, Jonathan Barrow, was killed with his fiancée in a car crash. He left behind the manuscript of a novel, The Queue, in which, among other things, he prophesied his own death. The story of a boy and a dachshund, populated by a kaleidoscopic menagerie of people and animals and an array of anthropomorphic in-betweens, The Queue is a vivid and irreverent portrayal of the world in which Jonathan and his awe-struck older brother Andrew were raised. Jonathan and his book form the framework of a remarkable study of a young man's inner and outer effervescence, his family, England and high and low society in the Swinging Sixties. Filled with fascinating and fantastical anecdotes, Animal Magic documents a heady and peripatetic childhood in Lancashire, the Lake District and Wiltshire, misadventures at home and school, and the early working life of the two brothers, on the lower rungs of show business, backstage at Claridge's, and finally in advertising. This spellbinding elegy negotiates love affairs, family tensions, exhibitions, publishers' rejections and precarious living in a flat in Tite Street, Chelsea. Punctuated with excerpts from The Queue and Jonathan's other bizarre and brilliant writings, Animal Magic is a book bursting with humour, wit and pathos and featuring an outlandish cast of characters, from an eccentric father, a mischievous family dog and a down-and-out ex-schoolmaster to curious stars of Swinging London like Mick Jagger and Tommy Cooper. It is a memoir unlike any other.
Overheard mobile pronouncements are a modern phenomenon. In the street, in the park, in supermarkets, buses, waiting rooms and even, heaven help us, in libraries, it’s quite impossible to get away from these tasty or repellent fragments of other people’s private lives. Wherever you lurk, their outbursts of despair or irritation ring out: mega-tantrums, in-jokes, celebrity spottings, instant post-mortems, office politics, whoops of joy and anger, weather reports, devilishly dull domestic details, parental problems, health issues, holiday plans, money matters, dinner menus, ultimatums, gossip, sporting news, amorous overtures, business deals – and any number of time-wasting pleasantries. From the stunningly mundane to the shockingly direct, the sublime to the ridiculous, here is a brilliantly curated collection of overheard mobile conversational gems.
‘My favourite novel and one I wish I’d written.’ ALAN BENNETT Winner of the McKitterick Prize for best first novel by an author aged over 40, and the Hawthornden Prize for imaginative literature.
For more than forty years Nicholas Brooks has been at the forefront of research into early medieval Britain. In order to honour the achievements of one of the leading figures in Anglo-Saxon studies, this volume brings together essays by an internationally renowned group of scholars on four themes that the honorand has made his own: myths, rulership, church and charters. Myth and rulership are addressed in articles on the early history of Wessex, Æthelflæd of Mercia and the battle of Brunanburh; contributions concerned with charters explore the means for locating those hitherto lost, the use of charters in the study of place-names, their role as instruments of agricultural improvement, and the reasons for the decline in their output immediately after the Norman Conquest. Nicholas Brooks's long-standing interest in the church of Canterbury is reflected in articles on the Kentish minster of Reculver, which became a dependency of the church of Canterbury, on the role of early tenth-century archbishops in developing coronation ritual, and on the presentation of Archbishop Dunstan as a prophet. Other contributions provide case studies of saints' cults with regional and international dimensions, examining a mass for St Birinus and dedications to St Clement, while several contributions take a wider perspective, looking at later interpretations of the Anglo-Saxon past, both in the Anglo-Norman and more modern periods. This stimulating and wide-ranging collection will be welcomed by the many readers who have benefited from Nicholas Brooks's own work, or who have an interest in the Anglo-Saxon past more generally. It is an outstanding contribution to early medieval studies.
Unerringly sharp and pioneeringly original, it locks the reader in from start to finish.' Andrew Barrow, SpectatorWinter, 1906. It's Jim Stringer's first day as an official railway detective, but he's not a happy man.As the rain falls incessantly on the city's ancient streets, the local paper carries a story highly unusual by York standards: two brothers have been shot to death. Soon Jim enters the orbit of a dangerous, disturbed villain - and discovers that the two murders are barely the start of his plans . . .'A cracking good thriller.' Independent on Sunday'Crime narratives dispatched with a Dickensian relish . . . Delectable stuff.' Daily Express'Has the charm of Alexander McCall Smith's simple-is-good philosophising and its addictive quality.' Metro
In this illuminating book Andrew Gregory takes an original approach to Plato's philosophy of science by reassessing Plato's views on how we might investigate and explain the natural world. He demonstrates that many of the common charges against Plato - disinterest, ignorance, dismissal of observation - are unfounded, and shows instead that Plato had a series of important and cogent criticisms to make of the early atomists and other physiologoi. Plato's views on science, and on astronomy and cosmology in particular, are shown to have developed in interesting ways. Thus, the book argues, Plato can best be seen as a philosopher struggling with the foundations of scientific realism, and as someone, moreover, who has interesting epistemological, cosmological and nomological reasons for his approach. Plato's Philosophy of Science is important reading for all those with an interest in Ancient Philosophy and the History of Science.
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