In most college and university libraries, materials published before 1800 have been moved into special collections, while the post-1923 books remain in general circulation. But books published between these dates are vulnerable to deaccessioning, as libraries increasingly reconfigure access to public-domain texts via digital repositories such as Google Books. Even libraries with strong commitments to their print collections are clearing out the duplicates, assuming that circulating copies of any given nineteenth-century edition are essentially identical to one another. When you look closely, however, you see that they are not. Many nineteenth-century books were donated by alumni or their families decades ago, and many of them bear traces left behind by the people who first owned and used them. In Book Traces, Andrew M. Stauffer adopts what he calls "guided serendipity" as a tactic in pursuit of two goals: first, to read nineteenth-century poetry through the clues and objects earlier readers left in their books and, second, to defend the value of keeping the physical volumes on the shelves. Finding in such books of poetry the inscriptions, annotations, and insertions made by their original owners, and using them as exemplary case studies, Stauffer shows how the physical, historical book enables a modern reader to encounter poetry through the eyes of someone for whom it was personal.
With full coverage of the thirty-nine Shakespearian plays (including a synopsis, full character list, stage history, and a critical essay for each), this comprehensive guide is both a quick reference and an in-depth background guide for theatre goers, students, film buffs, and lovers of literature. Along with an exploration of the Bard's sonnets and narrative poems, The Globe Guide to Shakespeare features fascinating accounts of Shakespeare's life and the Globe Theater itself, with colorful details about each play's original performance.This comprehensive guide includes up-to-date reviews of the best films and audio recordings of each play, from Laurence Olivier to Baz Luhrmann, Kozintsev to Kurosawa. The Globe Guide to Shakespeare is the quintessential celebration of all things Shakespearian.
William Shakespeare lived in violent times; his death passed without comment. By the time he was adopted as the national poet of England the details of his life had been concealed. He had become an invisible man, the humble Warwickshire lad who entertained royalty and then faded into obscurity. But his story has been carefully manipulated. In reality, he was a dissident whose works were highly critical of the regimes of Elizabeth I and James I. Who Killed William Shakespeare? examines the means, motive and the opportunity that led to his murder, and explains why Will Shakespeare had to be 'stopped'. From forensic analysis of his death mask to the hunt for his missing skull, the circumstances of Shakespeare's death are reconstructed and his life reconsidered in the light of fresh discoveries. What emerges is a portrait of a genius who spoke his mind and was silenced by his greatest literary rival.
In this penetrating study Andrew Kennedy sets out to analyse the modern movement in drama through the theatrical language of six key figures writing in English - Shaw, Eliot, Beckett, Pinter, Osborne and Arden. Dr Kennedy argues that a study of theatrical language should be an exercise in 'practical criticism' and not merely narrowly linguistic. The whole range of theatrical expressiveness must be examined in detail from play text and performance alike and the conclusions correlated with the author's known intentions if a full evaluative judgement is to be attempted. Dr Kennedy shows how the modern movement in drama reveals a growing difficulty in creating any type of fully expressive dramatic language. He has written a work with an unusual breadth of reference, which should prove of value to all students of modern drama, modern English and European literature and to the theatre-going public.
Competition to study English Literature at university is now tougher than ever before. How can you make sure your application stands out? What is expected of you at university? How will you adapt to the changes in teaching, learning and lifestyle? The world of English Literature is an unfamiliar yet exciting one, and clear guidance on how to cope with the demands of university-level study is essential if you want to succeed. Andrew Green takes you from the A level/school/college classroom to the university lecture theatre, covering everything from: - Deciding which university and course is right for you - Making initial applications - Tackling Summer reading lists to the skills needed for studying at degree level: - Preparing for lectures, seminars and tutorials - Interpreting reading lists and developing your reading skills - Applying literary theory - Becoming a better writer - Referencing an essay and avoiding plagiarism - Researching online Whether you are just thinking about taking English Literature to degree level, or needing help through your university course, Starting an English Literature Degree is the must-have companion.
Described by the TLS as 'a formidable bibliographical achievement ... destined to become a key reference work for Shakespeareans', Shakespeare in Print is now issued in a revised and expanded edition offering a wealth of new material, including a chapter which maps the history of digital editions from the earliest computer-generated texts to the very latest digital resources. Murphy's narrative offers a masterful overview of the history of Shakespeare publishing and editing, teasing out the greater cultural significance of the ways in which the plays and poems have been disseminated and received over the centuries from Shakespeare's time to our own. The opening chapters have been completely rewritten to offer close engagement with the careers of the network of publishers and printers who first brought Shakespeare to print, additional material has been added to all chapters, and the chronological appendix has been updated and expanded.
Engaging with fiction and history-and reading both genres as texts permeated with early modern anxieties, desires, and apprehensions-this collection scrutinizes the historical intersection of early modern European superstitions and English stage literature. Contributors analyze the cultural mechanisms that shape, preserve, and transmit beliefs. They investigate where superstitions come from and how they are sustained and communicated within early modern European society. It has been proposed by scholars that once enacted on stage and thus brought into contact with the literary-dramatic perspective, belief systems that had been preserved and reinforced by historical-literary texts underwent a drastic change. By highlighting the connection between historical-literary and literary-dramatic culture, this volume tests and explores the theory that performance of superstitions opened the way to disbelief.
Allusions are a marvelous literary shorthand. A miser is a Scrooge, a strong man a Samson, a beautiful woman a modern-day Helen of Troy. From classical mythology to modern movies and TV shows, this revised and updated third edition explains the meanings of more than 2,000 allusions in use in modern English, from Abaddon to Zorro, Tartarus to Tarzan, and Rambo to Rubens. Based on an extensive reading program that has identified the most commonly used allusions, this fascinating volume includes numerous quotations to illustrate usage, drawn from sources ranging from Thomas Hardy and Charles Dickens to Bridget Jones's Diary. In addition, the dictionary includes a useful thematic index, so that readers not only can look up Medea to find out how her name is used as an allusion, but also can look up the theme of "Revenge" and find, alongside Medea, entries for other figures used to allude to revenge, such as The Furies or The Count of Monte Cristo. Hailed by Library Journal as "wonderfully conceived and extraordinarily useful," this superb reference--now available in paperback--will appeal to anyone who enjoys language in all its variety. It is especially useful for students and writers.
People say I made the Stones. I didn't. They were there already. They only wanted exploiting. They were all bad boys when I found them. I just brought out the worst in them.' Andrew Loog Oldham was nineteen years old when he discovered and became the manager and producer of an unknown band called The Rolling Stones. His radical vision transformed them from a starving south London blues combo to the Greatest Rock 'n' Roll Band That Ever Drew Breath, while the revolutionary strategies he used to get them there provoked both adulation and revulsion throughout British society and beyond. An ultra-hip mod, flash, brash and schooled in style by Mary Quant, he was a hustler of genius, addicted to scandal, notoriety and innovation.
A revised edition of the bestselling classic This book covers strategy for organisations that operate more than one business, a situation commonly referred to as group-level or corporate-level strategy. Corporate-level strategy addresses four types of decisions that only corporate-level managers can make: which businesses or markets to enter, how much to invest in each business, how to select and guide the managers of these businesses, and which activities to centralise at the corporate level. This book gives managers and executive students all the tools they need to make and review effective corporate strategy across a range of organisations.
This book explores the intimate relationship between literature and class in England (and later Britain) from the Peasants’ Revolt at the end of the fourteenth century to the impact of the French Revolution at the end of the eighteenth century and beginning of the nineteenth. The book argues throughout that class cannot be seen as a modern phenomenon that occurred after the Industrial revolution but that class divisions and relations have always structured societies and that it makes sense to assume a historical continuity. The book explores a number of themes relating to class: class consciousness; class conflict; commercialisation; servitude; rebellion; gender relations; and colonisation. After outlining the history of class relations, five chapters explore the ways in which social class consciously and unconsciously influenced a series of writers: Chaucer, Shakespeare, Behn, Rochester, Defoe, Duck, Richardson, Burney, Blake and Wordsworth.
From the National Book Award-winning author of the "brave...deeply humane...open-minded, critically informed, and poetic" (The New York Times) The Noonday Demon, comes a book about the consequences of extreme personal and cultural differences between parents and children. From the National Book Award-winning author of The Noonday Demon: An Atlas of Depression comes a monumental new work, a decade in the writing, about family. In Far from the Tree, Andrew Solomon tells the stories of parents who not only learn to deal with their exceptional children but also find profound meaning in doing so. Solomon's startling proposition is that diversity is what unites us all. He writes about families coping with deafness, dwarfism, Down syndrome, autism, schizophrenia, multiple severe disabilities, with children who are prodigies, who are conceived in rape, who become criminals, who are transgender. While each of these characteristics is potentially isolating, the experience of difference within families is universal, as are the triumphs of love Solomon documents in every chapter. All parenting turns on a crucial question: to what extent parents should accept their children for who they are, and to what extent they should help them become their best selves. Drawing on forty thousand pages of interview transcripts with more than three hundred families, Solomon mines the eloquence of ordinary people facing extreme challenges. Whether considering prenatal screening for genetic disorders, cochlear implants for the deaf, or gender reassignment surgery for transgender people, Solomon narrates a universal struggle toward compassion. Many families grow closer through caring for a challenging child; most discover supportive communities of others similarly affected; some are inspired to become advocates and activists, celebrating the very conditions they once feared. Woven into their courageous and affirming stories is Solomon's journey to accepting his own identity, which culminated in his midlife decision, influenced by this research, to become a parent. Elegantly reported by a spectacularly original thinker, Far from the Tree explores themes of generosity, acceptance, and tolerance--all rooted in the insight that love can transcend every prejudice. This crucial and revelatory book expands our definition of what it is to be human.
Current interest in Britain's imperial past and the loss of her formal empire since World War II is substantial. This book, the second of a two-part study, brings together a collection of original and hitherto unpublished source material, throwing light on the approaches of those politicians, civil servants and expert advisers who were responsible for Britain's changing relations with her colonies and the Commonwealth. Major themes touched on include the impact on the empire of the international upheavals of the 1950s, the place of colonies in Britain's strategic defence planning, problems of colonial economic development, and relations with the USA.
Readers of Shakespeare's language, from the playhouse to the classroom, have long been aware of his peculiar interest in legal words and concepts - Richard II's two bodies, Hamlet's quiddities and quillets, Pandarus' peine forte et dure. In this new study, Andrew Zurcher takes a fresh, historically sensitive look at Shakespeare's meticulous resort to legal language, texts, concepts, and arguments in a range of plays and poems. Following a preface that situates Shakespeare's life within the various legal communities of his Stratford and London periods, Zurcher reconsiders the ways in which Shakespeare adapts legal language and concepts to figure problems about being, knowing, reading, interpretation, and action. In challenging new readings of plays from King John and Henry IV to As You Like It and Hamlet, Shakespeare and Law reveals the importance of early modern common legal thinking to Shakespeare's representations of inheritance, possession, gift-giving, oath-swearing, contract, sovereignty, judgment, and conscience - and, finally, to our own reception and interpretation of his works.
Someone to watch over me? Sean Seamus Desmond, newly-announced Nobel Prize winner, relishes the unknowns of science, but a real-life mystery of love and passion. . . in the form of a beautiful woman who says she's his guardian angel? Impossible. Yet there in his New York hotel room is an enchanting creature named Gabriella Light, who inexplicably and dramatically has just saved his life. Voluptuous and exquisitely dressed, sexy Gabriella, angel or not, is determined to keep him alive as a terrifying web of intrigue closes around him. Pursued by a very real and present danger, Sean Desmond will question his own sanity and his deepest beliefs, as he experiences what cannot be rationalized away as anything other than a powerful, radiant, and transcendent love. . . one that will test him as a man too long afraid of human and divine fires within himself! A wonderful, electrifying novel, Angel Fire, will delight readers with the storytelling magic that Andrew Greeley does best. Again he has created a tale rich with suspense, breathless entertainment, compelling ideas--and fascinating charaters we love, cherish, and never forget. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The definitive biography, now updated to include the death of Robin Gibb in May 2012. The Bee Gee's journey from Fifties child act to musical institution is one of pop's most turbulent legends. Barry, Maurice and Robin Gibb somehow managed to survive changing musical fashions and bitter personal feuds to create musical partnership that has already lasted four times as long as The Beatles. Described by the authors as their objective tribute, this unflinching biography chronicles everything - the good, the bad... and the bushed-up. Youthful delinquency, disastrous marriages, bitter lawsuits, gay sex scandals, serious drug problems and the death of younger brother Andy have sometimes made the personal lives of the Brothers Gibb look as bleak as the low spots of a career that once reduced them to playing the Batley Variety Club. Yet every time the Bee Gees roller coaster seemed derailed for good, they recorded and went on to even greater triumphs. Today they are revered among pop music's all-time great performers, producers and songwriters. But the true story of their success and the high price they paid for it has never been fully revealed... until now. This new edition of The Ultimate Biography incorporates a complete listing of every song written or recorded by the Gibbs.
THE DAZZLING SECOND GHOST STORY COLLECTION FROM THE CREATORS OF THE HAUNTING SEASON, NOW AVAILABLE IN PAPERBACK. 'Terrific - every bit as good as an MR James collection' ROSIE ANDREWS, author of THE LEVIATHAN Featuring new and original stories from: Bridget Collins Imogen Hermes Gowar Kiran Millwood Hargrave Andrew Michael Hurley Jess Kidd Natasha Pulley Elizabeth Macneal Laura Purcell Susan Stokes-Chapman Laura Shepherd-Robinson Stuart Turton Catriona Ward The tradition of a haunted tale at Christmas has flourished across the centuries. These twelve stories - authored by some of today's most loved and lauded writers of historical and gothic fiction - are all centred around Christmas or Advent, boldly and playfully re-imagining a beloved tradition for a modern audience. Taking you from a haunted Tuscan villa to a remote Scottish island with a dark secret,, these vibrant haunted stories are your ultimate companion for frosty nights. So curl up, light a candle, and fall under the spell of winters past . . .
This book tells the fascinating, and sometimes frustrating, story of the journey from the iconic Jaguar E-type to its successor, the F-type. With nearly 300 photographs, it documents the evolution of the F-type from the Pininfarina XJ Spider through Jaguar's own XJ41/42, XX and XK180. It reviews the whole range of F-type convertible and coupe models and discusses the wild Project 7 and the latest turbo-charged four-cylinder cars. The special vehicles produced for Team Sky and Bloodhound SSC are included along with a useful chapter on buying an F-type. Finally, the book considers the F-type's future in a changing automotive world.
Enrichment is key to understanding the law of unjust enrichment and restitution. This book provides a comprehensive analysis of the concept of enrichment and its implications for restitutionary awards. Dr Lodder argues that enrichment may be characterised either factually or legally, and explores the consequences of that distinction. In factual enrichment cases, the measure of enrichment is the objective value received. This is the basis of many awards of money had and received, quantum meruit, quantum valebat and money paid. In legal enrichment cases, the benefit is the acquisition of a specific right or the release of a specific obligation. The remedy is restitution of that right or reinstatement of that obligation. It is demonstrated that specific restitution of the defendant's legal enrichment is often the basis for resulting trusts, rescission, rectification and subrogation. This book has profound implications for understanding restitutionary awards and the relationship between the enrichment inquiry and other aspects of the law of unjust enrichment, including the 'at the expense of' inquiry and the defence of change of position.
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