Andrei Bely's novel Petersburg is considered one of the four greatest prose masterpieces of the 20th century. In this new edition of the best-selling translation, the reader will have access to the translators' detailed commentary, which provides the necessary historical and literary context for understanding the novel, as well as a foreword by Olga Matich, acclaimed scholar of Russian literature. Set in 1905 in St. Petersburg, a city in the throes of sociopolitical conflict, the novel follows university student Nikolai Apollonovich Ableukhov, who has gotten entangled with a revolutionary terrorist organization with plans to assassinate a government official–Nikolai's own father, Apollon Apollonovich Ableukhov. With a sprawling cast of characters, set against a nightmarish city, it is all at once a historical, political, philosophical, and darkly comedic novel.
When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.
When one great author engages another, as Andrei Bely so brilliantly does in Gogol’s Artistry, the result is inevitably a telling portrait of both writers. So it is in Gogol’s Artistry. Translated into English for the first time, this idiosyncratic, exhaustive critical study is as interesting for what it tells us about Bely’s thought and method as it is for its insights into the oeuvre of his literary predecessor. Bely’s argument in this book is that Gogol’s earlier writing should be given more consideration than most critics have granted. Employing what might be called a scientific perspective, Bely considers how often certain colors appear; he diagrams sentences and discusses Gogol’s prose in terms of mathematical equations. The result, as strange and engaging as Bely’s best fiction, is also an innovative, thorough, and remarkably revealing work of criticism.
Andrei Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art. The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.
Andrei Bely's novel Petersburg is considered one of the four greatest prose masterpieces of the 20th century. In this new edition of the best-selling translation, the reader will have access to the translators' detailed commentary, which provides the necessary historical and literary context for understanding the novel, as well as a foreword by Olga Matich, acclaimed scholar of Russian literature. Set in 1905 in St. Petersburg, a city in the throes of sociopolitical conflict, the novel follows university student Nikolai Apollonovich Ableukhov, who has gotten entangled with a revolutionary terrorist organization with plans to assassinate a government official–Nikolai's own father, Apollon Apollonovich Ableukhov. With a sprawling cast of characters, set against a nightmarish city, it is all at once a historical, political, philosophical, and darkly comedic novel.
Andrei Bely was one of the most prolific poets, novelists, and theoreticians among the Russian Symbolists. Engaged throughout his life with the essence of language, his thoughts and findings emerge repeatedly in his essays and novels. None of his writings on the subject, however, are as remarkable and multi-faceted as this Poem about Sound. Glossolalia is a complex examination of philology, philosophy, esoterica, and poetry, all in search of the relationship between sound and sense. It reverberates with sound associations and transcends all boundaries of language, discipline, and tradition. It is simultaneously a treatise on the origins of language and the world's creation through the movements of sounds. Bely reenacts, through the mouth, the cosmology of Rudolf Steiner. Bely's work, in its bold attempt to invoke the "living word," remains one of the most far-reaching poetic experiments of the twentieth Century, and this edition offers his fascinating text for the first time in both an English and a German translation, along with the original Russian version and an in-depth commentary by Thomas R. Beyer. Illustrated.
Andrei Bely was one of the most prolific poets, novelists, and theoreticians among the Russian Symbolists. Engaged throughout his life with the essence of language, his thoughts and findings emerge repeatedly in his essays and novels. None of his writings on the subject, however, are as remarkable and multi-faceted as this Poem about Sound. Glossolalia is a complex examination of philology, philosophy, esoterica, and poetry, all in search of the relationship between sound and sense. It reverberates with sound associations and transcends all boundaries of language, discipline, and tradition. It is simultaneously a treatise on the origins of language and the world's creation through the movements of sounds. Bely reenacts, through the mouth, the cosmology of Rudolf Steiner. Bely's work, in its bold attempt to invoke the "living word," remains one of the most far-reaching poetic experiments of the twentieth Century, and this edition offers his fascinating text for the first time in both an English and a German translation, along with the original Russian version and an in-depth commentary by Thomas R. Beyer. Illustrated.
The Handbook of Nonlinear Partial Differential Equations is the latest in a series of acclaimed handbooks by these authors and presents exact solutions of more than 1600 nonlinear equations encountered in science and engineering--many more than any other book available. The equations include those of parabolic, hyperbolic, elliptic and other types, and the authors pay special attention to equations of general form that involve arbitrary functions. A supplement at the end of the book discusses the classical and new methods for constructing exact solutions to nonlinear equations. To accommodate different mathematical backgrounds, the authors avoid wherever possible the use of special terminology, outline some of the methods in a schematic, simplified manner, and arrange the equations in increasing order of complexity. Highlights of the Handbook:
The Handbook of Ordinary Differential Equations: Exact Solutions, Methods, and Problems, is an exceptional and complete reference for scientists and engineers as it contains over 7,000 ordinary differential equations with solutions. This book contains more equations and methods used in the field than any other book currently available. Included in the handbook are exact, asymptotic, approximate analytical, numerical symbolic and qualitative methods that are used for solving and analyzing linear and nonlinear equations. The authors also present formulas for effective construction of solutions and many different equations arising in various applications like heat transfer, elasticity, hydrodynamics and more. This extensive handbook is the perfect resource for engineers and scientists searching for an exhaustive reservoir of information on ordinary differential equations.
This is the first fundamental book devoted to non-Kolmogorov probability models. It provides a mathematical theory of negative probabilities, with numerous applications to quantum physics, information theory, complexity, biology and psychology. The book also presents an interesting model of cognitive information reality with flows of information probabilities, describing the process of thinking, social, and psychological phenomena.
In this essential collection of Andrei Platonov's plays, the noted Platonov translator Robert Chandler edits and introduces The Hurdy-Gurdy (translated by Susan Larsen), Fourteen Little Red Huts (translated by Chandler), and Grandmother's Little Hut (translated by Jesse Irwin). Written in 1930 and 1933, respectively, The Hurdy-Gurdy and Fourteen Little Red Huts constitute an impassioned and penetrating response to Stalin's assault on the Soviet peasantry. They reflect the political urgency of Bertolt Brecht and anticipate the tragic farce of Samuel Beckett but play out through dialogue and characterization that is unmistakably Russian. This volume also includes Grandmother's Little Hut, an unfinished play that represents Platonov's later, gentler work.
In this incomparable novel of the seething revolutionary Russia of 1905, Andrey Bely plays ingeniously on the great themes of Russian history and literature as he tells the mesmerizing tale of Apollon Apollonovich Ableukhov, a high-ranking Tsarist official, and his dilettante son, Nikolai, an aspiring terrorist, whose first assignment is to assassinate his father.
Contains a lyrical tale stressing the crisis of the individual caught between the two irreconcilable extremes of revolution and evolution, and an essay summarizing the author's views of art synthesis
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